Waqt
- 1965
- 2 Std. 58 Min.
IMDb-BEWERTUNG
7,6/10
1629
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuMembers of a family are separated in a natural disaster. Several years down the line, they aren't united but their lives are strangely interconnected.Members of a family are separated in a natural disaster. Several years down the line, they aren't united but their lives are strangely interconnected.Members of a family are separated in a natural disaster. Several years down the line, they aren't united but their lives are strangely interconnected.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 5 Gewinne & 2 Nominierungen insgesamt
Sadhana Shivdasani
- Meena Mittal
- (as Sadhana)
Rehman Khan
- Chinoy
- (as Rehman)
Jeevan Dhar
- Orphanage Warden
- (as Jeevan)
Achala Sachdev
- Laxmi Kedarnath
- (as Achla Sachdev)
Surendra
- Mr. Kumar Khanna
- (as Surendra Nath)
Empfohlene Bewertungen
The story of Waqt is pretty standard: an earthquake separates the members of a wealthy family with three sons, who are brought up as a result in separate and quite different circumstances. Eventually, of course, the family is reunited, but not before variuous twists and turns culminating in the three brothers appearing in court in connection with the trial for murder of one brother, with the other brothers being the defence counsel and a witness for the prosecution, respectively. Pretty standard stuff - but stylishly presented and with strong performances,particularly by Sadhan as the love interest of one of the brothers, and Sunil Dutt as the lawyer brother. Nice stuff, great music, lavish sets, and a pretty cool courtroom denouement!
Balraj Sahni is affluent and cocky, living the good life with his beautiful wife and three young boys. He thinks he can control destiny but TIME wills otherwise and an earthquake scatters his family to the winds. His eldest turns into a suave thief Raja, played by Raj Kumar. The middle son, played exceedingly well by Sunil Dutt, is brought up by a very wealthy couple and turns into Ravi the lawyer. The youngest is Vijay, played by Shashi Kapoor, who lives with his mother in penury. He finds a job as a driver with Chinnoy Seth (Rehman), a master criminal. The two older brothers both fall in love with the beauteous Meena, played by Sadhna, while the younger romances the peppy Renu, played by Sharmila Tagore. Of course the brothers have to cross paths and in fact they meet and part and even bump into their father on the streets. By a quirk of fate Raja discovers that Ravi is indeed his brother and now blood will tell. He wants to smoothen the path of love for Ravi and Meena but is framed for a heinous murder committed by Chinnoy Seth. Chinnoy convinces Vijay to lie for him. An exceedingly well enacted courtroom drama, with the rookie Ravi defending Raja, terminates in the obligatory happy ending for all but the journey is most pleasant.
Waqt is Yash Chopra's finest film, evergreen, well written, well acted. It boasts of some of the most classic dialogs pre-Sholay - 'Chaku Se mat Khelo, Chot Lag Jayegi'. 'Jin Ke Khud Ke Ghar Sheese Ke Hon Woh Doosron par Patthar Nahin Phekte Chinoy Seth' etc. The court scenes are very engaging and have high drama but not much melodrama. The acting is great all around but the top folks are Balraj Sahni, Sunil Dutt (Gule Gulzaar Bulbule Yaar!), Raj Kumar, Sadhna. Oh - the film scores high on the looks quotient too! Sunil and Shashi are absolutely yummy, Sadhana is beautiful and Sharmila the sweet naive one.
Music is melodious - O Meri Zohra Zabeen, Hothon Pe Khushi, Kaun Aaya , and my personal favorite Aage Bhi Jaane Naa Tu. This one is a keeper and worth revisiting.
Waqt is Yash Chopra's finest film, evergreen, well written, well acted. It boasts of some of the most classic dialogs pre-Sholay - 'Chaku Se mat Khelo, Chot Lag Jayegi'. 'Jin Ke Khud Ke Ghar Sheese Ke Hon Woh Doosron par Patthar Nahin Phekte Chinoy Seth' etc. The court scenes are very engaging and have high drama but not much melodrama. The acting is great all around but the top folks are Balraj Sahni, Sunil Dutt (Gule Gulzaar Bulbule Yaar!), Raj Kumar, Sadhna. Oh - the film scores high on the looks quotient too! Sunil and Shashi are absolutely yummy, Sadhana is beautiful and Sharmila the sweet naive one.
Music is melodious - O Meri Zohra Zabeen, Hothon Pe Khushi, Kaun Aaya , and my personal favorite Aage Bhi Jaane Naa Tu. This one is a keeper and worth revisiting.
Waqt (1965) :
Brief Review -
Yash Chopra reinitiated the "lost and found" formula with an unknown and unintentional anthology. There is a great quote from Charlie Chaplin's masterpiece "Limelight" (1952): "Time is the best author. It always writes the perfect ending." Yash Chopra's Waqt is the cinematic explanation of that quote. By the 60s, the lost and found formula had become old in Bollywood, so the novelty factor wasn't there. Yash Ji realized that and decided to extend the same formula with glitter, glamour, and ensemble cast. Waqt is such a lavish and glamorous film for family melodrama. It begins with a large-scale scene in Lala Kedarnath's family as he celebrates the birthdays of his three sons (on the same day). Ravi and Manna Dey's evergreen number, "Ae Meri Zohra Jabeen," sets the mood for a royal family drama, and then tragedy strikes. Suddenly, that royal film turns into a poor people's drama. It again catches up with the glittering world when the boys grow up, and the narrative forms an unintentional anthology. There are 4 stories running simultaneously, and all are interlinked with each other unknowingly. That seemed like a perfect Bollywood masala classic. Waqt then shifted gears in the last hour and brought thrilling elements like murder and courtroom drama to it, and then ended a 3-hour drama with a happy ending. Yash Chopra brings an ensemble cast that guarantees a sure-shot box office hit, and they all fit in their roles. Except for that one evergreen song in the beginning, no other songs hit the chords. They are shot very beautifully, though. After directing back-to-back social films like Dhool Ka Phool (1959) and Dharmaputra (1961), Yash Chopra finally decided to try his hands at a commercial blockbuster, and he delivered a much bigger hit than those two films. He couldn't surpass the quality, though, and it's a fact. Overall, a very gorgeous drama with many masaledar scenes.
RATING - 7/10*
By - #samthebestest.
Yash Chopra reinitiated the "lost and found" formula with an unknown and unintentional anthology. There is a great quote from Charlie Chaplin's masterpiece "Limelight" (1952): "Time is the best author. It always writes the perfect ending." Yash Chopra's Waqt is the cinematic explanation of that quote. By the 60s, the lost and found formula had become old in Bollywood, so the novelty factor wasn't there. Yash Ji realized that and decided to extend the same formula with glitter, glamour, and ensemble cast. Waqt is such a lavish and glamorous film for family melodrama. It begins with a large-scale scene in Lala Kedarnath's family as he celebrates the birthdays of his three sons (on the same day). Ravi and Manna Dey's evergreen number, "Ae Meri Zohra Jabeen," sets the mood for a royal family drama, and then tragedy strikes. Suddenly, that royal film turns into a poor people's drama. It again catches up with the glittering world when the boys grow up, and the narrative forms an unintentional anthology. There are 4 stories running simultaneously, and all are interlinked with each other unknowingly. That seemed like a perfect Bollywood masala classic. Waqt then shifted gears in the last hour and brought thrilling elements like murder and courtroom drama to it, and then ended a 3-hour drama with a happy ending. Yash Chopra brings an ensemble cast that guarantees a sure-shot box office hit, and they all fit in their roles. Except for that one evergreen song in the beginning, no other songs hit the chords. They are shot very beautifully, though. After directing back-to-back social films like Dhool Ka Phool (1959) and Dharmaputra (1961), Yash Chopra finally decided to try his hands at a commercial blockbuster, and he delivered a much bigger hit than those two films. He couldn't surpass the quality, though, and it's a fact. Overall, a very gorgeous drama with many masaledar scenes.
RATING - 7/10*
By - #samthebestest.
This is an old wine. This movie's story is like a fairy tale.
This movie got everything,eg- drama, tragedy, action, romance etc.
Full on entertaining, nice courtroom drama at the end of the movie.
This movie got everything,eg- drama, tragedy, action, romance etc.
Full on entertaining, nice courtroom drama at the end of the movie.
Yash Chopra's Waqt is a multi-starred lost-and-found Hindi melodrama. An earthquake destroys the home of a rich trader, and as a result his wife and three sons get separated, with only the youngest son remaining with his mother. But time causes all of them to meet again in some coincidental circumstances. Yes, it looks very typical today but it was one of the first of its sort, and it's thoroughly enjoyable. There are several genres within this one: a drama, a romance, a thriller, a musical, a courtroom drama. From emotions to suspense to music to coincidences to a happy ending, this one has it all, and like most of Yash Chopra's films, it is fun to watch. The film flows brilliantly with all the characters, the situations and the memorable songs, and its multi-starred cast performs well. Balraj Sahni and Achala Sachdev make for a very believable couple. Raaj Kumar gives a great performance and portrays the suave high-class professional thief with elegance and conviction. Sunil Dutt is very good as the humorous and lighthearted Ravi, Sadhana is grace personified as the lovely and beautiful Meena, Sharmila Tagore is likable as the peppy Renu, and Shashi Kapoor is fine as the simple Vijay. Among the songs, "O Meri Zohra Jabeen" and "Aage Bhi Jaane Na Tu" are my favourite. It's been 45 years since this film's release, but time does not prevent Waqt from being a wonderful entertainer.
Wusstest du schon
- WissenswertesIt was Bimal Roy who advised Yash Chopra against casting the Raj Kapoor, Shammi Kapoor and Shashi Kapoor as the three brothers. He reasoned that the kapoor brothers look like each other so much that anybody can point out that they are definitely related which will kill the whole separated brothers story arc.
- PatzerRavi violates courtroom procedures and rules of evidence in numerous ways, including badgering witnesses, presenting evidence through means other than testimony, arguing directly to the bench rather than to the jury, etc.
- Zitate
[first title card]
Title Card: The moving finger writes...
- Crazy CreditsThe opening credits are set over an ever advancing animated shot of space.
- Alternative VersionenThe DVD from Yash Raj Films features a 5.1 Dolby Digital sound remaster.
- VerbindungenFeatured in Ishqiya (2010)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Испытание временем
- Drehorte
- Sun-N-Sand Hotel - 39 Juhu Beach, Mumbai, Maharashtra, Indien(pool scene where Meena and Ravi declare their love for one another)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 2 Std. 58 Min.(178 min)
- Farbe
- Seitenverhältnis
- 1.33 : 1
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