Stadt im Meer

Despite some beautiful technicolor photography and decent performances, the script and pacing make it almost impossible to keep your attention on the action of this film. Even Vincent Price and Tab Hunter in their heydays can't save things when all they're given to do is prattle at each other. This flick is set-bound and talky, but if you like movies with this "look," watch it with the sound turned down or fall asleep on the couch while it plays--the weird imagery and score will work their way into your dreams.

When a body is washed ashore on the coast by a small English village it sparks an investigation in the mind of Ben Harris. He visits the home where the deceased had been a lawyer and finds clues that indicate that the beautiful Jill Tregillis may be in danger. Seeing off a mysterious figure who he caught in the act of stealing a portrait of Jill leaves him in no doubt and he stays the night. In the night Jill is kidnapped and Ben and Harold pursue. Finding a tunnel system going under the sea they investigate but find a hidden world controlled by one man who has found the secret of eternal life but is desperate to prevent his world being destroyed by a volcano.

I taped this film by mistake when I wanted to watch `City Beneath the Sea' which was on a day after this. Realising my mistake I watched it anyway as I noticed it had Vincent Price and was based on a work by Edgar Allen Poe. The film starts with a bit of a gothic feel to it but quickly it becomes surprisingly straightforward. The mysterious `fishmen' are quickly replaced as the focus by The Captain and his crew, personally I felt that to make a different species of man and then sideline them was pointless – where they did they come from for goodness sake!?

The Captain and his age-old crew are interesting but nothing can be fully explained as to how they really managed to set up down there as well as they did and it quickly becomes just a bunch of men living in caves as opposed to a city beneath the sea! There is no real feeling of mystery here and the end result is that it falls a little flat for the most part. The attempts at escape late on in the film lose excitement due to being quite slow and filmed in clunky diving suits, happily the return of the fishmen add some fluidity to events. The underwater filming is quite good considering, although the regular close-ups of the actors' eyes in the helmets would only convince a child that they were really in the water!

Price is always a good villain but here he lacks threat – even when he executes people, he seems to be in full control but without that masterful stroke of eccentricity that many of his better performances have had. Hunter is quite a dull lead and even seems out of his depth (sorry) when acting alongside the support cast, let alone Price! Hart is pretty and Tomlinson adds value with some comic touches (especially at the start of the film). An actor as well known as John Le Mesurier shouldn't be wasted but really is – he still has to give his usual pottering character but is still badly cast and underused. The fishmen are suggested as the monsters of the piece by the first 10 minutes but are revealed to be toothless, given little screen time and handled as easily as a hooked salmon.

Overall the quality of the film can be summed by the fact that the drama is all relying on the audience accepting a very active underwater volcano of the English coast. However once you get past this the delivery is quite flat and lacking in excitement to the extent that, by the time things come to a head, you'll not really be that bothered what happens.

City Under the Sea is directed by Jacques Tourneur and written by Charles Bennett and Louis M. Heyward. It stars Vincent Price, Tab Hunter, Susan Hart, David Tomlinson and John Le Mesurier. Filmed in Pathecolor it features music by Stanley Black and cinematography by Stephen Dade.

Inspired by the Edgar Allan Poe/Roger Corman/Vincent Price series of films, with some Jules Verne flavourings, City Under the Sea turns out to be a disappointment and a far from fitting farewell to cinema for Tourneur. A shame because visually it's a treat for the eyes with its striking set designs and character clobber.

Derived as an idea from Poe's poem The City in the Sea, the story just isn't interesting enough. It's based in olde Cornwall, England, and finds Hunter (dull) and Tomlinson (out acted by his chicken companion) discovering an underwater city when Hart (err, she is just there!) disappears from her room via a secret passage. Turns out the city is presided over by an unhinged Price (on auto-pilot but still engaging enough) who believes Hart to be the reincarnation of his long dead wife. There's some gill men ancients, a smuggling back story, ageless oxygen and a volcano just waiting to explode in the finale. What transpires is a load of talking and nothing much happens until the expected chase and explosive ending that really isn't worth the wait.

Price and the visuals ensure it's not a total wash out, but all told its pretty ordinary. 5/10

A couple of respectable elements assemble here for a decent fantasy feature: source material from master of horror Edgar Allan Poe, a capable director in Jacques Tourneur, and the consistently amusing film star Vincent Price. While ultimately it lacks the imagination, budget, and style to be anything more, it's still acceptable entertainment of this kind.

Ben (Tab Hunter) is an American living on the Cornish coast at the turn of the 20th century. When mysterious forces kidnap area resident Jill (Susan Hart), on whom Ben is sweet, he sets out after her, with the doddering artist Harold (David Tomlinson) in tow. (Oh, and not to forget, Harolds' pet rooster Herbert.) They soon discover a strange underwater civilization, ruled by the domineering captain (Price). The captain, upon being led to believe that Ben is a professor of immense knowledge, wants to pick his brain on what to do in the event of a cataclysmic volcanic eruption.

As part of the package, the captain and his men exploit local "gill men". They're NOT as cool as the Creature from the Black Lagoon, but the masks aren't bad either, and they're not bad characters. Considering that A.I.P. probably controlled expenses a lot, the sets and production values are still respectable enough. The movie is shot in the 2.35:1 aspect ratio and is fairly colourful. The score by Stanley Black is also nice. Tourneur gets down to business quickly and the pacing & editing are adequate. Most of the cast & crew credits are saved for the end.

Hunter is a handsome and engaging hero. The beautiful Hart is a likable enough heroine. Tomlinson handles all of the comedy relief duties and is delightful. John Le Mesurier is excellent as helpful old Reverend Ives; Henry Oscar, Derek Newark, and Roy Patrick co-star. Price is magnetic as always as our villain, and the lines from the Poe story flow off of his tongue with the greatest of ease.

The viewer may not enjoy this quite as much as they'd like to, but it remains watchable for most of its 85 minute run time.

Sadly, director Tourneurs' final feature film.

Seven out of 10.

As I watched this film I kept imagining kids in the year 1965 watching this at Saturday afternoon matinees and thinking this was the coolest thing they had ever seen in their lives. What more could you ask for: a handsome and likable hero in Tab Hunter, a stunningly beautiful leading lady, the delightful David Tomlinson as comic relief, the masterfully sinister Vincent Price as the villain, an undersea world filled with mysterious and treacherous caverns, monstrous mer-men, and a nearby volcano threatening destruction at any moment. That's a pretty good Saturday afternoon if you ask me. And if you can approach this film in that way, allowing for the time and place in which it was made to inform your judgment, I think you'll find this a very enjoyable picture. For the most part it looks great (especially when one considers how tightly AIP held their purse strings in those days) if a bit dated by today's standards, but that too can be part of the fun.