Ein edwardianischer Archäologe und zwei Gefährten stolpern über eine verlorene Stadt in Ostafrika, die von einer schönen Königin geführt wird, deren Liebe das Versprechen der Unsterblichkeit... Alles lesenEin edwardianischer Archäologe und zwei Gefährten stolpern über eine verlorene Stadt in Ostafrika, die von einer schönen Königin geführt wird, deren Liebe das Versprechen der Unsterblichkeit hält.Ein edwardianischer Archäologe und zwei Gefährten stolpern über eine verlorene Stadt in Ostafrika, die von einer schönen Königin geführt wird, deren Liebe das Versprechen der Unsterblichkeit hält.
- Regie
- Drehbuch
- Hauptbesetzung
- Haumeid
- (as Andre Morell)
- Night Club Dancer
- (as Soraya)
- Guard
- (Nicht genannt)
- Haumeid
- (Synchronisation)
- (Nicht genannt)
- Thug
- (Nicht genannt)
- British Soldier
- (Nicht genannt)
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John Richardson, who starred with Barbara Steele in the iconic BLACK SUNDAY back in 1960 and would be opposite Raquel Welch in ONE MILLION YEARS B. C. the following year, makes for a strong and attractive Leo Vincey. The different ending (from the book and other versions) gives the film a surprising poignancy you wouldn't expect.
H. Rider Haggard's novel of an ageless queen and a forgotten city has been filmed many times starting back in the silent era and as recently as 2001 but only this one and the 1935 RKO version have had any kind of staying power. Comparing the two is like comparing apples and oranges. One is in B&W, the other color, one is set in the Arctic, this one (like the book) is set in the desert. The '35 version has tremendous art deco sets, Nigel Bruce, and the legendary Gustav von Seyfertitz. Helen Gahagan was regal as SHE but Andress is exotic and very desirable.
While the settings here aren't nearly as lavish, they were influential and this version was a favorite of countless impressionable minds during the 1960s including future filmmakers George Lucas and Steven Spielberg. This Warner Archive edition stops short of a full restoration but the widescreen transfer allows us to see SHE in all its glory...For more reviews visit The Capsule Critic.
Despite the presence of a number of Hammer regulars, this is essentially an Ursula Andress vehicle. She was just off the back of her iconic sea-emerging moment from Dr No and was clearly hot property at this time. Not the most gifted or charismatic actress, Andress is never-the-less a very beautiful woman, and therefore looks the part in this role. She is kitted out with an array of fabulous flowing gowns and ornamental head-dresses. And seeing as she is very much the main selling point of the film, it's important to note that she is certainly very aesthetically pleasing. The story itself is very much by-the-numbers, and not especially interesting but is merely a means to an end. Namely an excuse to introduce Ursula in regal attire in fantasy surroundings. These sets are limited by the budget of course, but like all Hammer films it still looks pretty good all things considered. Unlike most Hammer films, though, there is also some on-location photography too, with scenes shot in the desert in the Middle East. This indicates quite clearly that the famous old studio invested a bit more into this production than most, and clearly this was not misplaced seeing as She was one of their biggest commercial successes. Despite this, it isn't in the final analysis an example of the best of their output. It's a little lacking in excitement for too much of the time. Having said this, it does have a rather good ending that is both creepy and surprising. And not only that, it does have both Peter Cushing and Christopher Lee at its disposal which can never be a bad thing quite honestly. So with this in mind and also taking into account that we have a gorgeous ice queen in the lead role, She is a film that has some good things going for it.
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- WissenswertesUrsula Andress was voiced by Nikki Van der Zyl, the same actress who dubbed her voice in James Bond 007 jagt Dr. No (1962).
- PatzerDuring the gunfight in the desert, the same Arab, wearing a striped dark red top and white pants, is shot from his mount three separate times.
- Zitate
Holly: I suppose there's a time in everyone's life when the idea of immortality seems very desirable. But now at my age I'd have to give it a great deal of thought.
Leo: What's age got to do with it? You'd stay as you are.
Holly: That's not what I meant, Leo. What one would accept eagerly at your age doesn't necessarily have the same appeal at mine. It's the age of the mind that's important, not the body. You see, you're young. Still on the threshold of life. The joy of living is not to be denied, but to know that it'll be there for all time, without change. Life at a standstill. It's not quite the same thing.
- Crazy CreditsOpening credits prologue: PALESTINE 1918
- Alternative VersionenWhen originally released theatrically in the UK, the BBFC made cuts to secure a 'U' rating. All cuts were waived in 1994 when the film was granted a 'U' certificate for home video.
- VerbindungenFeatured in The 'She' Story (1965)
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Details
- Laufzeit1 Stunde 46 Minuten
- Seitenverhältnis
- 2.35 : 1