The Return of Mr. Moto

I first saw The Return of Mr. Moto on TV many years ago, and found it fascinating. I was a huge fan of the Mr. Moto movies starring Peter Lorre, and had no idea that Henry Silva had played the role. I enjoyed it then, and was thrilled to see the film included in one of the DVD collections of the Mr. Moto films starring Lorre. The movie looks better than ever, is every bit as fascinating as I remember, and the DVD commentary by Henry Silva is a blast! When all is said and done, I found The Return of Mr Moto to be a very entertaining film that is well worth watching, and collecting.

Mr. Moto (Henry Silva) goes undercover to find out who has been blowing up oil wells and trying to gain total control of all the oil leases from a petroleum-rich Middle Eastern country.

The previous series of eight films was in the late 1930s and starred Peter Lorre, but Moto faded away for a number of reasons. The biggest probably being WWII. Was the character gone forever? Nope. Finally in the 1960s, director Ernest Morris brought the character back after his long absence. It was a one-off, but a decent one. Silva's Moto is very subtle compared to Lorre's in his speech and appearance, but it is still effective. Why a new series did not spring from this is unclear.

Any mst3k fan knows what Lippert means. Super cheap, lots of car driving, stock footage and talk rather than show. Moto character is unrecognizable to 30's Moto. For 1965 the plot to control oil is the most interesting aspect of this bore. The 5 is for sharp b&w photography.

Right from the start I thought it was a young Jack Palance in the title role. It took me ages to realise it was Henry Silva who'd picked up the mantle investigating just who was up to no good in the oil-rich Middle East. The Foreign Office and the oil company are both worried that this is all part of a plan to destabilise the oil markets and to see the latter forced into bankruptcy when it's leases expire and are not renewed. "Moto" quickly smells a rat and that sees him start to sport a delicate pencil moustache and impersonate a Japanese industrialist in the hope that he can smoke out the perpetrator before political turbulence in the tiny emirate causes chaos. I'm afraid that though it was worth a go, Silva hasn't the charm or the glint in his eye of Peter Lorre and that really makes this struggle. The concept is formulaic and the supporters - Terence Langdon and Suzanne Lloyd - don't do much to help. Nor does the unlikely casting of Marne Maitland as an embattled Sheikh in charge of his desert kingdom (in Ealing, West London). It does pass the time amiably enough, but there is a question about why resurrect the character if the plan was to put this little creative effort (and cash) into it. Disappointing, sorry.

Whoever got the rights to "Mr. Moto" in 1965 did a decent job bringing back this odd character. Henry Silva did not need to have his eyes taped back to give a slanted look. Nor did they have to "Yellowize" him with makeup. What impressed me most about Mr. Silva's performance is that he did not succumb to a grossly characterized Asian accent. Heck, they barely mentioned him being Asian at all until he had to go in disguise as a Japanese ambassador. All these elements of how Mr. Silva (and the director) should show that his race is not always relevant.

While the script was not overly clever.. it was decent enough not to wallow into a parody of itself or the 007 franchise. They tried to make their own secret agent . I have to say, Donger (the former Nazi assassin) was rather brutal and straight forward. The pacing and plot are decent and entertaining enough.

What does bring the movie down for me is not allowing for the audience to unravel the mystery along with the main character. There are one too many times the film/script reveals too much. There are enough "Red Herrings' to keep one distracted,. Even so, We should have the story unravel as if we were solving the mystery along with Mr. Moto.