Zwei Kopfgeldjäger mit den gleichen beruflichen Absichten tun sich zusammen, um einen Gesetzlosen aufzuspüren.Zwei Kopfgeldjäger mit den gleichen beruflichen Absichten tun sich zusammen, um einen Gesetzlosen aufzuspüren.Zwei Kopfgeldjäger mit den gleichen beruflichen Absichten tun sich zusammen, um einen Gesetzlosen aufzuspüren.
- Auszeichnungen
- 3 Nominierungen insgesamt
Mara Krupp
- Mary - Hotel Manager's Beautiful Wife
- (as Mara Krup)
Luis Rodríguez
- Manuel (Member of Indio's Gang)
- (as Luis Rodriguez)
Panos Papadopulos
- Sancho Perez, Member of Indio's Gang
- (as Panos Papadopoulos)
Roberto Camardiel
- Tucumcari station clerk
- (as Robert Camardiel)
Joseph Egger
- Old Prophet
- (as Josef Egger)
Tomás Blanco
- Tucumcari sheriff
- (as Tomas Blanco)
Sergio Mendizábal
- Tucumcari bank manager
- (as Sergio Mendizabal)
Zusammenfassung
Reviewers say 'For a Few Dollars More' is celebrated for its engaging narrative, strong performances by Clint Eastwood and Lee Van Cleef, and Ennio Morricone's iconic score. Sergio Leone's stylish direction, innovative cinematography, and memorable set pieces are highly praised. However, some critics note uneven pacing and find the narrative less compelling compared to other films in the Dollars Trilogy. Despite this, the film is recognized for its significant contribution to the Western genre and its enduring influence on cinema.
Empfohlene Bewertungen
This movie is the second best western i have ever seen with The Good, The Bad, The Ugly being first. I disagree with someone who wrote that this movie is not as good as A Fistful of Dollars. This movie is way better than a fistful of dollars. The reason is (as i pointed out in my other post) is that Clint's role or character is better when he has a good supporting member because it gives Clint's character more depth as well as throw a wild card into the mix. Lee van clef is excellent in his role, i still have him labeled as the bad but it was surprising to see him play a good guy in this one. Both bounty hunters have their own styles which meshes really good on the screen. Gian had more depth to this one which played perfectly into Lee Van Clefs character. In a fistful of dollars Gian didn't have much depth at all and some of the characters were annoying. I like how leone tied all of the characters into each other in this one, having all of their stories somehow play a role in the other ones. If you haven't seen this movie i suggest you watch Leone's films in chronological order with A fistful of dollars first, this one second, and finish it off with the good the bad the ugly. You'll be glad you did.
Excellent fun with sadistic humor from Leone. Eastwood's best performance in a Leone film. Van Cleef is good in a role similar to Chuck Bronson's in "Once Upon a Time in the West". He is menacing and sympathetic, whereas in "The Good, the Bad, and the Ugly" he is just campy and all "bad guy" (but still fun). What makes both performances so memorable I think is that Van Cleef seems to be in touch with Leone's dark humor, where Eastwood is used as a straight man. Volonte is also excellent in the bandito role Leone used (an example of a standard European character type who reminds the audience of earthiness and the basic ignorance and greed of man). A much better film than most people who've seen it on a Saturday afternoon on TV probably realize -- you have to see these movies in the theater to get the full hit.
Col. Douglas Mortimer (Lee Van Cleef) and Monco (Clint Eastwood) are both bounty hunters. They're both after the bank robber El Indio (Gian Maria Volonté) for his bounty. They decide to join forces to bring El Indio and his gang of robbers down.
Lee Van Cleef makes this a superior spaghetti western. He's not only as good as Clint. In many ways, he plays a superior character. His character has secrets. He has mysteries. Clint is playing a much more simpler character. For me, this is superior to 'A Fistful of Dollars' in the trilogy. The story is more iconic, cleaner. The characters have more depth.
Lee Van Cleef makes this a superior spaghetti western. He's not only as good as Clint. In many ways, he plays a superior character. His character has secrets. He has mysteries. Clint is playing a much more simpler character. For me, this is superior to 'A Fistful of Dollars' in the trilogy. The story is more iconic, cleaner. The characters have more depth.
Exceptional performances by three heavyweight actors, Gian Maria Volonte and Lee Van Cleef - both of whom, it's a shame, did not have all that many more opportunities to shine in quality films after this one - and Clint Eastwood, along with taut direction, editing, cinematography and gripping and unique music (by the great Ennio Morricone), make this movie a real standout. (The music's almost a major character in this film, in fact.) Stylistically iconic, this Sergio Leone opus has an endlessly fascinating and spellbinding story that surprises to the end. Plus, we really come to like the co-heroes, Van Cleef and Eastwood - we want to befriend them and emulate them. Volonte was priceless as a demonic villain - his facial expressions rich with narcissism and a strange kind of violence-fueled euphoria no one else has ever matched in film history, for my money. Though he clashed with director Leone and purportedly did not like the Western genre, Volonte's performance rises above the film's genre and could be favorably compared to the best portrayed villains of other more mainstream movies. Volonte brought a realism to his character and an intensity you don't see in many films. But so did Van Cleef, whose work in this film is incredible. You'd have thought other movie makers would have rushed to cast Van Cleef in important roles after this film, but no. Very strange. Though some might question the wanton violence in this film, the truth is that the real wild west was even more violent and the violence often much more capricious and random. Like all great artistic works, this film never grows old for me. I am always drawn to watch it again and again for it is of such a depth and complexity that it only reveals more of itself with each viewing.
Just for the record I happen to love all three films. For a Few Dollard More is an amazing film though perhaps not as influential as The Good, The Bad and The Ugly. There is one improvement over that film though, and that is the writing of Clint Eastwood's character, more developed and more compelling. A Fistful of Dollars is also great because of everything that makes TGTBATU and FAFDM so good, but I do consider the other two more influential on the genre and also Akira Kurosawa's Yojimbo, which used the film as its inspiration, to be the superior film. Back to A Few Dollars More, the stylised visuals are stunning to look at, the scenery is the very definition of epic and the cinematography sweeps. Ennio Morricone's score is both elegiac and operatic in tone and the story of greed and revenge that focuses mainly on the pursuit of bandit Indio draws you right in and never lets go. The dialogue is peppered with grit and dark humour, which is well-balanced with neither over-powering the other, while Leone's direction is superb. Clint Eastwood plays his more developed character with immense charisma, Lee Van Cleef is suitably vengeful and again Gian Maria Volonte snarls convincingly. Overall, a wonderful film. 10/10 Bethany Cox
Wusstest du schon
- Wissenswertes"Monco" is officially not the same character as "Joe" in Für eine Handvoll Dollar (1964). This was the finding of an Italian court that adjudicated the lawsuit brought by Jolly Films, producer of A Fistful of Dollars. After the release of that movie, writer and director Sergio Leone had a falling out with the producers and made this movie with a different producer, Alberto Grimaldi. Jolly Films sued, claiming ownership of the "Joe" character, but lost when the court decided that the western gunfighter's persona, characterized by the costume and mannerisms, belonged to the public domain's folklore.
- PatzerWhen Mortimer is browsing in the local newspaper all pages are identical.
He was browsing in the tear sheets of the newspaper's morgue where they keep back issues. They were bound in hardcovers. There was more than one copy of each.
- Zitate
[last lines]
Monco: [counting reward sums of outlaws he just killed] Ten thousand... twelve thousand... fifteen... sixteen... seventeen... twenty-two. Twenty-two?
[a wounded Groggy comes from behind and raises his gun; Monco whirls and shoots him dead]
Monco: ...Twenty-seven.
Col. Douglas Mortimer: Any trouble, boy?
Monco: No, old man. Thought I was having trouble with my adding. It's all right now.
- Crazy CreditsThe title credits disappear as if being shot by a gun.
- Alternative VersionenThe British cinema release version was cut by the BBFC to shorten the beating scene after a few punches and to completely remove the second flashback sequence where Mortimer's sister shoots herself to avoid a possible rape. Although all UK video and original DVD releases contained these scenes, the 2005 Special Edition DVD was missing around 20 secs from the beating (which ends abruptly and without the dialogue exchange between Indio and Groggy).
- VerbindungenEdited into Jonny Madoc (1966)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is For a Few Dollars More?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Por unos dólares más
- Drehorte
- Mini Hollywood, Tabernas, Almería, Andalucía, Spanien(City of El Paso, bank scenes)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 600.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 15.000.000 $
- Weltweiter Bruttoertrag
- 15.000.241 $
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen