Fünfzig-etwas Edith Lambert ist begeistert zu erfahren, dass sie ein Baby bekommen wird. Ihr Mann Harry ist jedoch weniger begeistert.Fünfzig-etwas Edith Lambert ist begeistert zu erfahren, dass sie ein Baby bekommen wird. Ihr Mann Harry ist jedoch weniger begeistert.Fünfzig-etwas Edith Lambert ist begeistert zu erfahren, dass sie ein Baby bekommen wird. Ihr Mann Harry ist jedoch weniger begeistert.
- Auszeichnungen
- 1 Nominierung insgesamt
Michael Abelar
- Lumberyard Man
- (Nicht genannt)
Lou Bernard
- Lumberyard Man
- (Nicht genannt)
Robert Biheller
- Young Husband
- (Nicht genannt)
Ted Blair
- Lumberyard Man
- (Nicht genannt)
Gino Cappelletti
- Lumberyard Man
- (Nicht genannt)
Charles Dornan
- Surveyer
- (Nicht genannt)
Johnny Eimen
- Boy
- (Nicht genannt)
Tommy Farrell
- Fred Ainsley
- (Nicht genannt)
Jesslyn Fax
- Saleswoman
- (Nicht genannt)
Pamelyn Ferdin
- Little Girl in Elevator
- (Nicht genannt)
John Francis
- Plumber
- (Nicht genannt)
Empfohlene Bewertungen
I have to put this one on my personal top 10 list. Its quaint and very well cast. Maureen O'Sullivan is awesome, and Paul Ford, well what can you say about him, he is magnificent. They play the expecting middle-aged couple to perfection. Everything about this movie is classy, especially the ladies outfits. Women knew how to dress back then, and looked like ladies. The dialogue is snappy & funny, and the film never drags, but is funny from start to finish.
If you want a nice little movie to watch on a rainy Sunday afternoon, to cheer you up, this is one DVD to pop in the machine and watch.
If you want a nice little movie to watch on a rainy Sunday afternoon, to cheer you up, this is one DVD to pop in the machine and watch.
Crotchety Harry Lambert (Paul Ford) owns a small lumber yard. He is not happy with his new-thinking employee son-in-law Charlie Clinton (Jim Hutton). He is pushing his daughter Kate (Connie Stevens) to start a family. His wife Edith (Maureen O'Sullivan) receives surprising news. She's pregnant.
It's a fun concept especially for the older couple. It's based on a 1962 play. The younger couple is a little off. They are playing more immature especially Connie Stevens. She's in her late twenties. The character plays more early twenties. Charlie shows that he's forward thinking early on, but he retreats back to the 50's. The younger couple is more annoying than funny. The two couples are far too similar. I kept thinking of Norman Lear doing All in the Family. I like the first half a lot. The second half takes a couple of awkward turns where it could funny but somehow it's not that funny. It becomes a bit too angry without the humor.
It's a fun concept especially for the older couple. It's based on a 1962 play. The younger couple is a little off. They are playing more immature especially Connie Stevens. She's in her late twenties. The character plays more early twenties. Charlie shows that he's forward thinking early on, but he retreats back to the 50's. The younger couple is more annoying than funny. The two couples are far too similar. I kept thinking of Norman Lear doing All in the Family. I like the first half a lot. The second half takes a couple of awkward turns where it could funny but somehow it's not that funny. It becomes a bit too angry without the humor.
10ellery99
I thought this movie was GREAT! And I also thought Jim Hutton & Connie Stevens were great as well...I was sorry to see it end! Very enjoyable.....
Film version of the hit Broadway play that ran for over 1,000 performances. Original stars Paul Ford and Maureen O'Sullivan repeat their stage performances as the middle-aged couple dealing with a surprise pregnancy.
Filmed in Concord, Massachusetts, this movie perfectly captures "small town" America just before the 60s went nuts. Affluent Harry and Edith Lambert live in a big house where Harry rants and fumes about everything, especially his daughter Katie (Connie Stevens) and her husband Charlie (Jim Hutton) who live with them. The young marrieds are just big children, depending on poor Edith to do everything for them (cook, clean, do laundry), until Edith breaks the news of her pregnancy.
To make matters worse here, Charlie works for Harry in his local business. As Harry and Edith grapple with the pregnancy, Katie and Charlie are forced to grow up and accept responsibility for their own lives. Sweet and funny, the domestic situations ring a bell even today with the trend of grown children who continue to live with their parents.
Ford and O'Sullivan are excellent. Hutton and Stevens are good. Co-stars include Lloyd Nolan as the mayor, Jane Wyatt as a family friend, Henry Jones as the doctor, Jesslyn Fax as the saleslady, Claude Stroud as the out-of-town friend, and Timothy Hutton as the boy.
When Warners bought the rights to the play, they intended to get big-name stars but eventually went with the original Broadway stars and it's a good thing. Ford and O'Sullivan know their characters inside out.
Filmed in Concord, Massachusetts, this movie perfectly captures "small town" America just before the 60s went nuts. Affluent Harry and Edith Lambert live in a big house where Harry rants and fumes about everything, especially his daughter Katie (Connie Stevens) and her husband Charlie (Jim Hutton) who live with them. The young marrieds are just big children, depending on poor Edith to do everything for them (cook, clean, do laundry), until Edith breaks the news of her pregnancy.
To make matters worse here, Charlie works for Harry in his local business. As Harry and Edith grapple with the pregnancy, Katie and Charlie are forced to grow up and accept responsibility for their own lives. Sweet and funny, the domestic situations ring a bell even today with the trend of grown children who continue to live with their parents.
Ford and O'Sullivan are excellent. Hutton and Stevens are good. Co-stars include Lloyd Nolan as the mayor, Jane Wyatt as a family friend, Henry Jones as the doctor, Jesslyn Fax as the saleslady, Claude Stroud as the out-of-town friend, and Timothy Hutton as the boy.
When Warners bought the rights to the play, they intended to get big-name stars but eventually went with the original Broadway stars and it's a good thing. Ford and O'Sullivan know their characters inside out.
Since this film followed a successful Broadway play, I can only conclude that the play must have been funnier. I found Paul Ford's character completely repugnant. He is a blowhard who has no appreciation for anyone around him. This is supposed to be hilarious but I just found it irritating and sad. The idea that a lovely, charming woman like Maureen O'Sullivan would be married to the crude, unattractive Paul Ford strains credulity. Not the fault of the actor - he is very funny in other movies - it is instead the result of the hostile screenplay.
Wusstest du schon
- WissenswertesTimothy Hutton, son of Jim Hutton, made his first screen appearance in this movie as the little boy who runs to his father.
- PatzerLate in the movie, after the "drunken fight" scene when Edith tells Harry "it's not true", a portable phonograph (record player) sitting on a table alternates between being crooked on the table and being aligned with the table edge.
- Zitate
Charlie Clinton: A lot of people hate you. What's that got to do with it? Look, if the city needs lumber, it might as well be ours.
Harry M. Lambert: Just what do you mean by a lot of people hate me?
- VerbindungenReferenced in What's My Line?: Maureen O'Sullivan (1965)
- SoundtracksNever Too Late
Music by David Rose
Lyrics by Jay Livingston and Ray Evans
Sung by Vic Damone during the opening credits
Played often in the score
Top-Auswahl
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Details
- Laufzeit1 Stunde 45 Minuten
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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