Füge eine Handlung in deiner Sprache hinzuMutant humanoids from outer space kidnap young Earth females in order to interbreed and save their species from extinction.Mutant humanoids from outer space kidnap young Earth females in order to interbreed and save their species from extinction.Mutant humanoids from outer space kidnap young Earth females in order to interbreed and save their species from extinction.
- Regie
- Drehbuch
- Hauptbesetzung
Tony Wager
- Pvt. Higgins
- (as Anthony Wager)
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This is an unusual movie in that it's almost like two entirely separate films merged into one. The film begins with three astronomers observing an object as it travels towards the Earth. It appears to be a meteorite heading towards London. However, at the last moment, it veers away in a manner that could only mean that there is some force or intelligence controlling it--perhaps it's a u.f.o.. The three go in search of the object and come upon the military who has cordoned off the area. As they, too, have top secret clearance and are egg-head scientists, they are invited in for a look.
Oddly, the object is some sort of sphere about the size of a basketball. And, despite traveling through the atmosphere, the object is ice-cold! Obviously this is NOT of this planet, though the dopey military commander keeps asking from which COUNTRY this originated! How dumb can you be?! Later, after extensive tests have been conducted, it is determined that the sphere is hollow and there is nothing much inside other than a vacuum. However, what they don't know is that it is a device that will allow beings to move enormous distances through space--sort of a space travel device. And, when a monstrous-looking beast is transported with it, the scientists and military scramble to find it! Now, the movie switches gears. The film becomes a police tale about the disappearances of some young ladies. After some investigation, the police determine that a madman is luring the girls using a bikini magazine ad that offers to make them models. But, when the ladies respond to the ad, they end up disappearing--and it's happened to quite a few ladies already. All the police know about the identity of the sicko is that he is very large and keeps his identity hidden--standing in shadows and covering his face.
Eventually, one of the egg-heads (John Saxon) learns of the disappearances and assumes (using what logic, I have no idea) that this is somehow related to the alien sphere and the missing creature! How and why the creature is doing this is something you'll need to see for yourself.
Overall, this is a rather interesting film. What I particularly liked was the way the aliens traveled. Instead of a traditional ship, they shoot a sphere from their location to the planet they wish to visit and it is able to transport them! Pretty unusual--and thankfully it made the film more watchable. Overall, a pretty good alien movie--worth watching despite their being a plethora of films in this genre.
Oddly, the object is some sort of sphere about the size of a basketball. And, despite traveling through the atmosphere, the object is ice-cold! Obviously this is NOT of this planet, though the dopey military commander keeps asking from which COUNTRY this originated! How dumb can you be?! Later, after extensive tests have been conducted, it is determined that the sphere is hollow and there is nothing much inside other than a vacuum. However, what they don't know is that it is a device that will allow beings to move enormous distances through space--sort of a space travel device. And, when a monstrous-looking beast is transported with it, the scientists and military scramble to find it! Now, the movie switches gears. The film becomes a police tale about the disappearances of some young ladies. After some investigation, the police determine that a madman is luring the girls using a bikini magazine ad that offers to make them models. But, when the ladies respond to the ad, they end up disappearing--and it's happened to quite a few ladies already. All the police know about the identity of the sicko is that he is very large and keeps his identity hidden--standing in shadows and covering his face.
Eventually, one of the egg-heads (John Saxon) learns of the disappearances and assumes (using what logic, I have no idea) that this is somehow related to the alien sphere and the missing creature! How and why the creature is doing this is something you'll need to see for yourself.
Overall, this is a rather interesting film. What I particularly liked was the way the aliens traveled. Instead of a traditional ship, they shoot a sphere from their location to the planet they wish to visit and it is able to transport them! Pretty unusual--and thankfully it made the film more watchable. Overall, a pretty good alien movie--worth watching despite their being a plethora of films in this genre.
Low-key but intriguing and generally effective variation on the alien invasion theme (though the script is far inferior to the Quatermass archetype); as a matter of fact, the police procedural tends to be more engaging than the high-falutin' scientific theorizing! Unfortunately, too, some of the dialogue is unintelligible due to the heavy British accents (but, then, the version I watched was accompanied by subtitles in Italian!).
The cast features several familiar British faces (Maurice Denham, John Carson, Jack Watson, etc.); still, as with many low-budget horror films of its era, the lead role was given to an American actor: in this case, John Saxon - who's pretty adequate under the circumstances, with a blonde Patricia Haines (whom I recently saw in the awful VIRGIN WITCH [1972]) as his female co-star. Aubrey Morris, however, is memorable as the scurrilous editor of a 'girlie' magazine - which is used as bait for the alien's female victims (who, as is often the case, has descended to Earth because his own planet has reached saturation point). This element gives way to some typically dry British humor (especially the awkward interrogation of one of the missing girl's simple but cantankerous parents)...but Ballard Berkeley's belated introduction as the Commander steering the operations engaged in the alien's capture can't be taken seriously - in view of his regular appearance as the befuddled Major in the classic TV comedy series FAWLTY TOWERS (1975-79), devised by and starring Monty Python's John Cleese!!
With the imposing figure of the alien generally shown lurking in the shadows or hidden behind heavy clothing and a mask (shades of the giallo subgenre?), its menace is evoked through the creature's adoption of a mellifluous yet sinister 'human' voice; that said, the make-up effects shown intermittently are surprisingly subtle. Even so, the best thing about the film is certainly Stephen Dade's chiaroscuro photography - utilizing some odd angles, particularly during the alien manhunt, obviously inspired by THE THIRD MAN (1949)! The rather uneventful cautionary finale, then, is reminiscent of THE DAY THE EARTH STOOD STILL (1951).
The cast features several familiar British faces (Maurice Denham, John Carson, Jack Watson, etc.); still, as with many low-budget horror films of its era, the lead role was given to an American actor: in this case, John Saxon - who's pretty adequate under the circumstances, with a blonde Patricia Haines (whom I recently saw in the awful VIRGIN WITCH [1972]) as his female co-star. Aubrey Morris, however, is memorable as the scurrilous editor of a 'girlie' magazine - which is used as bait for the alien's female victims (who, as is often the case, has descended to Earth because his own planet has reached saturation point). This element gives way to some typically dry British humor (especially the awkward interrogation of one of the missing girl's simple but cantankerous parents)...but Ballard Berkeley's belated introduction as the Commander steering the operations engaged in the alien's capture can't be taken seriously - in view of his regular appearance as the befuddled Major in the classic TV comedy series FAWLTY TOWERS (1975-79), devised by and starring Monty Python's John Cleese!!
With the imposing figure of the alien generally shown lurking in the shadows or hidden behind heavy clothing and a mask (shades of the giallo subgenre?), its menace is evoked through the creature's adoption of a mellifluous yet sinister 'human' voice; that said, the make-up effects shown intermittently are surprisingly subtle. Even so, the best thing about the film is certainly Stephen Dade's chiaroscuro photography - utilizing some odd angles, particularly during the alien manhunt, obviously inspired by THE THIRD MAN (1949)! The rather uneventful cautionary finale, then, is reminiscent of THE DAY THE EARTH STOOD STILL (1951).
I don't know why they had to have John Saxon play the leading role in this movie; the Production Team could have chosen one of several dozen British actors who would have done a better job and better fitted the role. But then perhaps the film had American backers and they were calling the tune. Speaking of tune, the introductory song/music on the DVD version of the film is pathetic and totally incomparable to the original brilliant 60s pop instrumental "Image" with its Telstar-type organ backing. All that aside the movie is one that joins many other British SF films in the ranks of fame and is not totally unfaithful to Frank Crisp's 1963 novel "The Night Callers" on which it was based. It has moments which are slightly unnerving, particularly when the proposed candidates for shipping back to Ganymede are being interviewed by the man (monster) behind the shadows. Generally speaking there were very few dull moments and the pace of the plot was just right. Perhaps the ending could have been extended and more seen of the hideous alien with the claw-like appendages. Denham shines out above anyone else in the male cast leaving Saxon looking on from the sidelines as if he were a last minute, and not totally comfortable sub. A must see gem of a movie and despite the absence of the original introductory music the DVD will make a good addition to any SF Movie Buff's collection.
When a UFO lands in rural England, both the military and a group of scientists (John Saxon, Maurice Denham, and Patricia Haines) are bewildered by the basketball-sized object. Soon thereafter, a rash of odd occurrences begin. It seems that the strange sphere has somehow brought a visitor from another world! When young women start vanishing, Scotland Yard gets involved.
It's soon found out that an enigmatic man named Mr. Medra (Robert Crewdson) has opened a modeling agency. What does this man have to do with whatever is going on?
NIGHT CALLER FROM OUTER SPACE is a different sort of alien invasion film, playing more like a detective story / mystery. This movie also manages to delve into the Soho underbelly without becoming lurid. There are some unexpected deaths as well. Saxon is quite good, as are the rest of the cast. A terrific sci-fi / horror film for those in search of something out of the ordinary...
It's soon found out that an enigmatic man named Mr. Medra (Robert Crewdson) has opened a modeling agency. What does this man have to do with whatever is going on?
NIGHT CALLER FROM OUTER SPACE is a different sort of alien invasion film, playing more like a detective story / mystery. This movie also manages to delve into the Soho underbelly without becoming lurid. There are some unexpected deaths as well. Saxon is quite good, as are the rest of the cast. A terrific sci-fi / horror film for those in search of something out of the ordinary...
It's the scientists vs. the anomaly, in England, Earth. What in the world is this, they ask. Can't just ask, gotta investigate, because this could be harmful. I love this sort of story, with it's Twilight-Zone atmosphere and low budget. Too often sci-fi movies rely on the visuals, no science, no heart. Not the case here. Danger, Earth!
Wusstest du schon
- WissenswertesPrints issued outside of the UK replace the original instrumental score played during the opening title/credits with the song "The Night Caller" (the film's original title) composed by Albert Hague.
- PatzerIn the Colorized version, two characters watch a TV news broadcast in colour; colour TV didn't start in the UK until 1967, two years after The Night Caller (1965) was released.
- Zitate
[first lines]
Ann Barlow: Dr. Morley?
Dr. Morley: Yes?
Ann Barlow: Come and have a look at this. That's over a hundred miles up, coming in from space.
Dr. Morley: Well, what's the speed?
Ann Barlow: Over ten thousand miles an hour.
- Alternative VersionenThe original US release replaced the instrumental theme played under the opening credits with a vocal. There were also a few edits, mainly with regard to the topless pictures in "Bikini Girl" magazine.
- VerbindungenFeatured in Aweful Movies with Deadly Earnest: The Night Caller (1970)
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- Erscheinungsdatum
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- Auch bekannt als
- Blood Beast from Outer Space
- Drehorte
- Shepperton Studios, Studios Road, Shepperton, Surrey, England, Vereinigtes Königreich(studio: made at Shepperton Studios, Middlesex, England.)
- Produktionsfirmen
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- Laufzeit1 Stunde 25 Minuten
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By what name was The Night Caller (1965) officially released in India in English?
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