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IMDbPro

War es wirklich Mord?

Originaltitel: The Nanny
  • 1965
  • Approved
  • 1 Std. 31 Min.
IMDb-BEWERTUNG
7,1/10
7148
IHRE BEWERTUNG
Bette Davis and Jill Bennett in War es wirklich Mord? (1965)
There's just something not quite right when Bette Davis stars as an English nanny. And is her 10-year-old charge an emotionally disturbed murderer or just an insolent brat?
trailer wiedergeben2:18
1 Video
43 Fotos
MysteryThriller

Füge eine Handlung in deiner Sprache hinzuThere's just something not quite right when Bette Davis stars as an English nanny. And is her 10-year-old charge an emotionally disturbed murderer or just an insolent brat?There's just something not quite right when Bette Davis stars as an English nanny. And is her 10-year-old charge an emotionally disturbed murderer or just an insolent brat?There's just something not quite right when Bette Davis stars as an English nanny. And is her 10-year-old charge an emotionally disturbed murderer or just an insolent brat?

  • Regie
    • Seth Holt
  • Drehbuch
    • Jimmy Sangster
    • Marryam Modell
  • Hauptbesetzung
    • Bette Davis
    • Wendy Craig
    • Jill Bennett
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,1/10
    7148
    IHRE BEWERTUNG
    • Regie
      • Seth Holt
    • Drehbuch
      • Jimmy Sangster
      • Marryam Modell
    • Hauptbesetzung
      • Bette Davis
      • Wendy Craig
      • Jill Bennett
    • 90Benutzerrezensionen
    • 57Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Official Trailer
    Trailer 2:18
    Official Trailer

    Fotos43

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    Topbesetzung15

    Ändern
    Bette Davis
    Bette Davis
    • Nanny
    Wendy Craig
    Wendy Craig
    • Virginia Fane
    Jill Bennett
    Jill Bennett
    • Aunt Pen
    James Villiers
    James Villiers
    • Bill Fane
    William Dix
    William Dix
    • Joey Fane
    Pamela Franklin
    Pamela Franklin
    • Bobbie Medman
    Jack Watling
    Jack Watling
    • Dr. Medman
    Maurice Denham
    Maurice Denham
    • Dr. Beamaster
    Alfred Burke
    Alfred Burke
    • Dr. Wills
    Harry Fowler
    Harry Fowler
    • Milkman
    Angharad Aubrey
    • Susy Fane
    Nora Gordon
    • Mrs. Griggs
    Sandra Power
    • Sarah
    Jimmy Charters
    • Flower Seller
    • (Nicht genannt)
    Gary Graham
    • Boy in opening shots
    • (Nicht genannt)
    • Regie
      • Seth Holt
    • Drehbuch
      • Jimmy Sangster
      • Marryam Modell
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen90

    7,17.1K
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    Empfohlene Bewertungen

    7FilmFanInTheHouse

    Wonderful classic British thriller

    The Nanny (1965, Dir. Seth Holt)

    With Joey Fane (Dix) back home, all Virginia (Craig) and Bill (Villiers) Fane want is a calm and respectful atmosphere amongst the house. Only something is still disturbing Joey and that one thing is Nanny (Davis). Whilst Nanny is a loving woman who helps around the house, Joey sees her as someone else someone who believes is responsible for the death of his sister (Aubrey).

    Wonderful classic British thriller which still keeps you hooked in now. Bette Davis creates a wonderful 'Nanny', which really gets you involved in the character. With a wonderful supporting cast, Horrors don't involve you anymore like this did.

    What was so bad about Mrs. Griggs? – Nanny (Bette Davis)

    She was like you. – Joey Fane (William Dix)
    MarieGabrielle

    Bette Davis....again delivers

    This is a rather oddly presented story with the common theme of something awry with the nanny....or butler or....anyone who you think you can trust.

    Suspense films like this are excellent in that one really can guess what is to happen next, and the characters and their behavior is quite mercurial.

    Wendy Craig , (who later starred in comedies such as "Butterflies" on NY station PBS) is good here as the mother of young Joey Fane, a troubled child with whom no one seems to know what to do with. Or is that really the case?. There is a Hitchcockian element to this story in that the black and white cinematography is slightly foreboding, little Joey's butter cream cake (to welcome him home after the hospital) looks inviting, but is it poison?.

    Jill Bennett who has been in other films of this genre as the narcissistic aunt Virgie, who feels she is up to the task of minding Joey until odd occurrences begin to shake her resolve.

    Ms. Davis as the nanny has a secret past, which is not divulged other than when we see the squalor in which her own daughter had lived. Her expressions are sublime, then jaw dropping. She acts with expression, her movements and beats are the mark of her talent. She does not need to vocalize what is percolating internally. A gem here worth seeing for Davis alone. 9/10.
    7MOscarbradley

    An excellent psychological chiller

    You don't have to be Sherlock Holmes to figure out who the nut job is in "The Nanny". This is Bette Davis in post "Baby Jane/Sweet Charlotte" mode. She's nanny to disturbed little Joey, (an excellent William Dix), who may or may not have drowned his little sister in the bathtub. Joey is a sulky little sod given to rather extreme practical jokes, (little pretending to hang himself), but one look at Mary Poppins Davis and you might be inclined to run a mile. That fine and underrated director Seth Holt directed his excellent psychological chiller well adapted by producer Jimmy Sangster from Evelyn Piper's novel. Davis is superb but so too are Wendy Craig and Jill Bennett as Dix's mother and aunt. It has now built up something of a cult reputation.
    9pjabed

    Chilling

    Bette Davis gives her most chilling performance in this film. Her restraint is remarkable, following Baby Jane as this film did. If you ever want to see what passive aggressive looks like, watch this movie. I've seen it twice, and would want to see it again.
    7moonspinner55

    Smoothly-drawn Hammer chiller is without screams...but has a certain fascination

    Bette Davis (in thick eyebrows and speaking very precisely and condescendingly) plays a prim English governess who may or may not be responsible for the drowning death of a child left in her care. Oddly muffled, but absorbing, creepy and generally well-acted suspense-melodrama from Britain's Hammer Films. Crack screenwriter Jimmy Sangster, adapting Evelyn Piper's novel, includes a terrific role for precocious William Dix as the nanny's young nemesis, but the tools are not quite present in Piper's original material for Davis to let loose and make a grand show of it (she's "in character" throughout: tense, fake-polite and rather glum). Audiences in 1965 were probably hoping for a macabre camp-thriller, another entry in the "Baby Jane" subgenre of older actresses cast in psychological creep-outs, but the shocks are rather subdued. This restrained approach, however, works to the picture's advantage, as the scenario plays more effectively as a dark character portrait rather than as a screamer. Davis is backed by a solid supporting cast, including Pamela Franklin as an amusingly typical teenage girl who lives in the apartment upstairs, and many film-historians have now hailed the picture as one of the best Hammer productions from this era. *** from ****

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    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      The last Hammer film to be made in black and white.
    • Patzer
      In the scene where they put the doll into the bathtub to scare the nanny: When they first pick up the doll, it has blonde hair, then when they put it into the bathtub, it has black hair, then when the nanny finds it, it has blonde hair again. This is a technique that is repeated throughout the second half of the film, whenever the bathtub death is revisited by the characters.
    • Zitate

      Bobbie Medman: Who's that?

      Joey Fane: Nanny.

      Bobbie Medman: Nanny? What are you, some sort of baby?

      Joey Fane: She takes care of my mom, she used to take care of me and my sister Susie, until Susie was killed.

      Bobbie Medman: Killed?

      Joey Fane: They blamed me and they sent me away to that place.

      Bobbie Medman: Prison?

      Joey Fane: Sort of.

      Bobbie Medman: And did you kill her?

      Joey Fane: Of course not.

    • Verbindungen
      Featured in Hammer: The Studio That Dripped Blood! (1987)
    • Soundtracks
      Focus on Fame
      (uncredited)

      Music by Sam Fonteyn

      Brull Music Ltd

    Top-Auswahl

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    FAQ21

    • How long is The Nanny?Powered by Alexa
    • Is 'The Nanny' based on a book?
    • Is this movie the source material for the TV series 'The Nanny'?
    • What was that medicine that Aunt Pen was taking for her heart?

    Details

    Ändern
    • Erscheinungsdatum
      • 24. Juni 1966 (Westdeutschland)
    • Herkunftsland
      • Vereinigtes Königreich
    • Sprache
      • Englisch
    • Auch bekannt als
      • The Nanny
    • Drehorte
      • Wall Hall, Hertfordshire, England, Vereinigtes Königreich(psychiatric hospital)
    • Produktionsfirma
      • Hammer Films
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 1.300.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 31 Minuten
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.85 : 1

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    Bette Davis and Jill Bennett in War es wirklich Mord? (1965)
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