Füge eine Handlung in deiner Sprache hinzuDisturbed young man meets a girl he believes to be a long-dead ancestor.Disturbed young man meets a girl he believes to be a long-dead ancestor.Disturbed young man meets a girl he believes to be a long-dead ancestor.
- Regie
- Drehbuch
- Hauptbesetzung
- Secretary
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- Deputy
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- Deputy on Radio
- (Synchronisation)
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- Pilot
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- Charles - Butler
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- Anne Davis
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So is it any good? Yes...but not great. One big problem I have about the story is that Julie comes from a rich family who is worried about Ben. Yet, they never have a private investigator look into who he is...had they even done a quick examination of his past, they would quickly learned the truth. A minor problem is that Julie is a really annoying character--impulsive and selfish. Heatherton's acting, especially at the end, was 'different'. So, worrying about her character's plight isn't very likely. Making her character more naive, less whiny and more likable would have helped the film. And, the ending was...well...a bit weak (that's putting it nicely!). Apart from these things, it's not bad and Donahue is a bit better than you'd expect. Worth watching mostly because it's different.
Troy shows up out of the blue when heiress Joey almost runs him down and is transfixed from the beginning telling her she's the reincarnation of his long lost love, Joey's great, great grandmother. This gives her understandable pause until he shows her a locket of the woman that Joey is a dead ringer for, apparently they had bottle blonds in the 17th century! It doesn't get any more believable from that point on but if you like 60's potboilers this has its charms.
Jeanette Nolan as Joey's aunt who knows most if not all the secrets gives the best performance and her hairpieces have to be seen to be believed! One is so mountainous that it's bigger than her head!
A great deal of fun in an over the top ridiculous kind of way.
For a psychological thriller (why else the title) the film never achieves needed menace. Frankly the role is outside actor Donahue's limited range. Here he comes across more as a blandly mixed up beach boy than anything psychopathic. Thus the narrative unfolds rather than rivets. Heatherton is okay as the object of Gunther's (Donahue) obsession; at the same time, I almost forgot my Gidget flashbacks during the beach scenes. Actually I was most impressed with the unknown Coaster as the buttoned-down attorney, Harry. His sudden turnabout in that showdown scene with Merrivale (Sullivan) is impressive. Harry goes from a passive yes-man to a razor sharp critic in a scene that is both well scripted and acted, and may very well be the film's best.
Too bad RKO of the late 40's didn't get the project first. For b&w photography, they would have known what to do with noir material like this. Here the narrative is unfortunately filmed in flat style, at the same time the direction remains largely impassive. Consider what Anthony Mann or John Brahm could have done with, say, the boyish Robert Walker of Strangers on a Train (1951) as Gunther. Perhaps that's not very fair. But considering the potential this film shows, some such comparison is irresistible. Anyway, Donahue's rather sad career again shows the hazards of Hollywood. After all, like many youngsters, his brief moment depended more on youthful good looks than on talent. Too bad he didn't transition into a post-Hollywood career or marriage as many of his peers managed to do. All in all, I prefer to remember him from A Summer Place (1959) rather than for this obscurity.
(In passing--The topic of reincarnation briefly seized public attention in 1956 when a Colorado housewife, under hypnosis, claimed to be a reincarnation of an Irish girl, Bridey Murphy, from a century earlier. Apparently, the housewife had the brogue down pat and was just convincing enough to invite serious attention. For a while, many folks were undergoing hypnosis to maybe investigate their own previous lives. Anyway, the fad soon died out, but, for better or worse, I'm reminded of it by this movie.)
You can tell by the production values in "My Blood Runs Cold" that Troy Donahue's stock had taken a nosedive at Warners. It's in black and white, is directed by William Conrad, a serviceable but by no means A list director, and it makes use of the Doheny Mansion, a common setting for lots of movies. The film was made in 1965; by 1966, Warner Brothers had dumped him.
Here, Donahue plays a mysterious man named Benjamin Gunther. In another life, he was in love with Barbara Merriday, the great-great grandmother of Julie Merriday (Joey Heatherton). He believes that Julie is a reincarnation of Barbara, and that they are meant to be together. He gives her a necklace with Barbara's picture in it, which looks just like Julie, and takes her to a cave where the lovers would meet. However, the two were separated by Barbara's father, and she would up marrying Merriday.
Julie finds herself drawn to Ben in spite of herself; her father (Barry Sullivan) and boyfriend (Nicolas Coaster) disapprove.
Are Julie and Ben intended to live Barbara and Ben's love story? And will they meet the same sad ending this time too? Troy Donahue by 1965 was 29 and, due to his drinking, was looking bloated and pasty. For a time he was a huge heartthrob, and this film was intended to appeal to young people, despite the fact that Donahue wasn't playing his usual nice guy.
Donahue possessed, in the beginning anyway, striking looks and a good speaking voice. But he comes off as wooden; he wasn't an unlikeable actor, he just didn't have much range. Joey Heatherton was better, even in baby doll pajamas. Jeannette Nolan, as her aunt, is the best in the cast.
"My Blood Runs Cold" is an entertaining film, probably not for the reasons it was intended, but nevertheless, viewers who don't take it too seriously will enjoy it.
Wusstest du schon
- WissenswertesOne of two B&W Neo Noir Thrillers directed by William Conrad (and featuring a plot involving someone's possible psychosis) in 1965.
- PatzerWhen helicopter is chasing Ben and Julie, they are running across sun-drenched field but in reverse shots copter is flying beneath cloudy skies.
- Zitate
Aunt Sarah: Julian! You and I know that it's an absolute miracle that she wasn't killed in that wreck on the lake last summer. And according to Harry, there was a guardian angel on duty again this morning.
Julian Merriday: Harry's an old woman.
Aunt Sarah: That's a matter of opinion. But unless you put a ring on that child, she's going to end up in a morgue. Do you really want to be responsible for that?
Julian Merriday: I know, I know, I ought to send her to Paris so she can live in a garret and practice free love and develop what you're so fond of calling "meaningful relationships".
Aunt Sarah: No! I think it's a little late for that. I think our only hope, Julian, is to get her married.
Julian Merriday: Married?
Aunt Sarah: That's right. The thing nice people do when they want to have children.
- Crazy Credits[prologue] My heart is sad, my hopes are gone, My blood runs cold through my breast; And when I perish, thou alone, Wilt sigh above my place of rest. Lord Byron.
- VerbindungenReferenced in Pestilent City (1965)
Top-Auswahl
Details
- Laufzeit
- 1 Std. 44 Min.(104 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1