Das Grauen auf Schloss Witley

Originally filmed under the more atmospheric title 'The House At The End Of The World', sadly both the American ('Die, Monster, Die!') and British ('Monster Of Terror') titles reflect the quality of the movie.

An adaptation of H P Lovecraft's 'The Colour Out Of Space' it feels more like a Poe adaptation, with its old dark mansion, subterranean corridors and air of family secrets. Unsurprisingly first-time director Haller was Corman's production designer/art director on the Poe series and the end result is a good-looking movie ruined by a poor script.

Karloff is wasted as is the cast, which is a shame as it is a fine one. Freda Jackson, Suzan Farmer and Patrick Magee are genre veterans who have given (or would go on to give) fine horror performances in other movies, here they are just thrown away in small cameo roles or, in Farmer's case, a stiff, disconnected leading role.

Haller would go on to make the far better Lovecraft adaptation, 'The Dunwich Horror', which, while flawed, is well worth checking out.

American scientist Stephen Reinhart (Nick Adams) travels to England for a visit with his fiancée (Suzan Farmer). Arriving in the small village of Arkham he is met with jeers from the local villagers who refuse to direct him to her home at the Witley Estate. Unable even to rent a bicycle from a superstitious shop keeper, Reinhart has no choice but to tackle the long journey on foot. Once at the Witley mansion, he takes note of dead trees which turn to ashes at the slightest touch, and the dreary wasteland which surrounds the area. When nobody answers the door, Stephen takes the liberty of entering on his own and runs into the wheelchair-bound Nahum Witley (Boris Karloff). The old man orders his unwanted visitor to leave, but Reinhart explains that he is there at the request of Mrs. Witley (Freda Jackson).

When Reinhart greets Mrs. Witley he is concerned to find her hidden in bed behind a gauze veil, avoiding the light. She has contracted some type of strange illness, yet her husband refuses to take her to the town doctor. The Witleys' butler subsequently collapses and dies from sickness himself, and Reinhart witnesses the aged Mr. Witley burying him on the grounds in secret. Gaining entry into a locked greenhouse, our hero is alarmed to find giant mutated vegetables and even abnormal creatures thriving on small chunks of what appears to have come from some larger glowing rock. Stephen ultimately confronts Mr. Witley and learns that a green meteorite crashed to these grounds many years before, and that the old man has been nurturing it in the basement, believing that it was actually enhancing their lives when in reality, its radiation has been grossly mutating all living things in the vicinity.

Adapted from the H.P. Lovecraft tale "The Colour Out of Space," this movie (also known as MONSTER OF TERROR and THE HOUSE AT THE END OF THE WORLD) winds up missing the mark on many levels. Directed by Roger Corman's former production designer, the film's Gothic look is very attractive and some sequences are imaginatively shot; unfortunately much of the time we feel ourselves waiting for more things to happen with a tedious script that seems to be lacking something. It's got potential, yet there seems to be far too much loitering about, with many scenes of snooping around and investigating strange occurrences. Still, it's always fun to watch the arrogant-sounding Nick Adams and its a treat to see Boris Karloff still acting in his later years. **1/2 out of ****

AIP decided to try cashing in on Lovecraft rather than Poe this time around.What we get is an above average movie that is hampered by its budget.

Nick Adams plays Stephen Reinhart who arrives in the small english town of Arkham.When he tries various means to travel to the Witley estate he is rebuffed by the townsfolk and has to walk.We're treated to some decent matte shots of a desolate countryside.

Arriving at the estate the young man is met by Nahum Witley (Boris Karloff).He is pointedly told to leave.Sticking to his guns Steve informs the man that he was invited by Mrs Witley.Of course Susan (Witley's daughter) rushes down to clear up some confusion.

Here we learn that there are some weird goings on involving everyone at the house. A maid has disappeared,weird screams are heard at night and Mrs Witley hides behind curtains.A real miasma lurks in this house. Nahum has a strange secret in the basement that seems to be killing everyone who comes in contact with it.

Rather than go further into the plot which is really basic there are a few things that lift this above your standard haunted (for lack of a better word) house story.This movie just reeks with atmosphere.It is very opressive and claustrophobic.The sets are wonderful and nicely done on the cheap.Boris Karloff gives his usual wonderful performance. Nick Adams actually holds his own here.

On the downside the special effects are very limited due to the budget. A minor quibble.Patrick Magee shows up for a role that will leave you scratching your head wondering what that was all about.

Definitely worth a look if you catch it on AMC or find the dvd cheaply.

A creakily atmospheric chiller from the American International stable, 1965's Die, Monster, Die! is a loose adaptation of HP Lovecraft's The Colours Out Of Space and boasts a great exploitation title and Boris Karloff, although it's now more likely to offer fun than frights.

A young heroic type arrives in a remote village looking for his fiancé but finds her family shunned by the hostile locals, and with good reason – her mad scientist father Nahum Witley (Karloff) has recovered a strange meteorite which turns plants into giants and several members of his household into grotesquely scarred mutants.

Clunky acting and a faintly ludicrous script aside, there's a lot to enjoy, from the gloomy sets and portentous dialogue to one of wheelchair-bound Karloff's last meaty roles and a delicious mood of corruption well sustained by director Daniel Haller (formerly art director on some of AI's finest Vincent Price vehicles).

Nick Adams arrives in a town in rural England to visit a young lady he met in college. However, when he tries to get a ride or rent a vehicle to take him to her manor home, the villagers are downright nasty--refusing to help him as well as inexplicably saying nothing about why they are so angry. Eventually, he just walks to her home. However, once there, the welcome is just as chilled and her father (Boris Karloff) treats him like a leper--telling him to go. However, it soon becomes apparent that the girl and her mother want Nick to stay and finally Boris reluctantly agrees to let him stay one night.

This is a movie in search of a decent ending. During the first half of the film, the audience is highly entertained in a tale of possible madness or Satanism and the mood is terrific--eerie and with a strong sense of foreboding. However, despite a wonderful buildup, the ending is a major disappointment and can't help but sink this movie to the "barely watchable" level. The deep and dark secret just seemed rather dull and uninteresting.

It's worth seeing if you are a Boris Karloff fan, but otherwise it's pretty skipable.