IMDb-BEWERTUNG
5,7/10
1435
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA businessman's neglected wife divorces her husband by mistake and marries his best friend by accident.A businessman's neglected wife divorces her husband by mistake and marries his best friend by accident.A businessman's neglected wife divorces her husband by mistake and marries his best friend by accident.
Trini López
- Trini Lopez
- (as Trini Lopez)
Darlene Lucht
- Bunny
- (as Tara Ashton)
Billi Adare
- Girl in Evening Gown
- (Nicht genannt)
Empfohlene Bewertungen
I love this movie; wish I could get a video tape of it. It's lite, funny, sad and has wonderful actors/actresses in it. It's a good movie to just sit back and veg out to!. Dean and Frank just ham it up and Deborah Kerr just fits right in and goes along with it. That's what makes it so good!
6sol-
Complications arise after an unhappily married couple are "accidentally" divorced whilst on their second honeymoon in this amiable comedy with echoes of Hitchcock's 'Mr. & Mrs. Smith'. The film takes quite a while to build up to the "accident" and the resulting humour is hit and miss, but a perfectly cast Deborah Kerr and Frank Sinatra keep the film afloat. Both were well past 40 at the time and they capture two complete flip-sides well; Sinatra has become complacent, all too settled into life, whereas a high-strung Kerr is in the midst of a midlife crisis, worried by the very certainties that Sinatra finds comfort in. The supporting characters are not terribly interesting; as his best friend, Dean Martin is too much the polar opposite of Sinatra and while John McGiver, Cesar Romero and Hermione Baddeley have their good bits, they never register strongly. Martin's bachelor pad is something else though, and -- alongside the likes of 'Under the Yum Yum Tree' -- it is a testament to the imaginativeness of early '60s interior decoration with jutting stone walls, several indoor plants and a fireplace in the centre of the living room. The nightclub sets are nifty too. Of course, excellent sets alone are not reason enough to watch a motion picture, but they are certainly an extra delight in this big screen showcase for Kerr's comedic talents. Her very proper and refined British vocal mannerisms render her indignation all the more amusing, and imperfect as the film may well be, it certainly offers an acute look at a middle aged couple both learning to reevaluate what they want in life.
This movie stars Deborah Kerr, one of the greatest actresses in history. She was nominated for Academy Awards six times and should have been nominated a few more times. I just saw her in "Night of the Iguana," and I thought that was another performance she should have gotten an academy award nomination for. I have never seen her give a bad performance. She gives a charming and funny performance here, keeping the movie together. Frank Sinatra and Dean Martin are spotty, good in some scenes, not-so-good in others.Sinatra is mostly sleepwalking, with Martin occasionally giving some funny lines, but Sinatra doing one-take -- let me out of here,is it 5 o'clock yet -- readings.
This could have been a good movie. There are a couple of ways they could have gone with it. First, they could have turned it into a real musical. They already had two of the greatest singers of the time and Deborah Kerr who had starred in "The King and I". How hard would it have been to hire a couple of songwriters to knock out eight songs and get a choreographer to stage a few numbers. This would have added some energy to the slow,plot.
Okay, if they didn't want to turn is into a musical, they could have made it into a more realistic comedy. In the movie, Deborah is tired of her marriage to dull Frank and wants to marry swinging Dean. Fine, lets do it. Only in the movie, Deborah gets a fake divorce from Frank and a fake marriage to Dean. This is silly, not funny. In order for the movie to work, the divorce and marriage had to be real. This would, no doubt, have made Frank really sad, and not just pretend sad, as in the film, but that would have made us care about him. Because it is not a real divorce, and Frank and Deborah's marriage isn't really threatened, nor is Frank and Dean's friendship, there is no intensity to the film.
Divorce is a painful process. The filmmakers, and, I suspect, Frank Sinatra, didn't want any of that pain in the film. They just wanted a breezy comedy. Unfortunately, fake pain from a fake divorce does not equal comedy. Slipping on a banana peel is funny, faking slipping on a banana peel is not.
Most of the film is hit and miss. Joi Lansing as Dean's curvy secretary was funny. Having 21 year old Davey Davison as a Go-Go dancer lusting after 49 year old Frank was not.
You know the direction is not very good when you have Nancy Sinatra playing a scene as Frank Sinatra's daughter and you're convinced by the end of the scene that they have never met each before.
This could have been a good movie. There are a couple of ways they could have gone with it. First, they could have turned it into a real musical. They already had two of the greatest singers of the time and Deborah Kerr who had starred in "The King and I". How hard would it have been to hire a couple of songwriters to knock out eight songs and get a choreographer to stage a few numbers. This would have added some energy to the slow,plot.
Okay, if they didn't want to turn is into a musical, they could have made it into a more realistic comedy. In the movie, Deborah is tired of her marriage to dull Frank and wants to marry swinging Dean. Fine, lets do it. Only in the movie, Deborah gets a fake divorce from Frank and a fake marriage to Dean. This is silly, not funny. In order for the movie to work, the divorce and marriage had to be real. This would, no doubt, have made Frank really sad, and not just pretend sad, as in the film, but that would have made us care about him. Because it is not a real divorce, and Frank and Deborah's marriage isn't really threatened, nor is Frank and Dean's friendship, there is no intensity to the film.
Divorce is a painful process. The filmmakers, and, I suspect, Frank Sinatra, didn't want any of that pain in the film. They just wanted a breezy comedy. Unfortunately, fake pain from a fake divorce does not equal comedy. Slipping on a banana peel is funny, faking slipping on a banana peel is not.
Most of the film is hit and miss. Joi Lansing as Dean's curvy secretary was funny. Having 21 year old Davey Davison as a Go-Go dancer lusting after 49 year old Frank was not.
You know the direction is not very good when you have Nancy Sinatra playing a scene as Frank Sinatra's daughter and you're convinced by the end of the scene that they have never met each before.
Watching "Marriage on the Rocks," it's hard to image that it was made by a studio that turned out so many great movies in the 35 years prior to this one. But then, Warner Brothers wasn't alone in making such dull and boring fluff in the 1960s and beyond.
The only reason I give this film four stars is because of two performers – Deborah Kerr and Cesar Romero. They give it their best with the material they have. Kerr plays Val Edwards. Why in the world such a talented actress would agree to make this movie is beyond me, but she does try to put some life into her character and make her somewhat interesting. Cesar Romero plays Miguel Santos. I don't know if the script called for the level of excitement and energy his character provides – but I suspect he pushed it some in an effort to elevate the film.
Other reviews have noted that Frank Sinatra as Dan Edwards and Dean Martin as Ernie Brewer are pretty much playing their everyday roles in life. At least the roles that were for their public image. Martin was not a late night carouser with the pack, but went home to be with his family. Neither actor does anything to lift this film beyond boredom. Sinatra just isn't believable as an ad agency magnate. And, Martin's playboy role is way over the top so that any humor it might have otherwise is lost in tedium.
The screenplay is blasé for this film. There can't be even half a dozen clever or witty lines. The film just sinks without any real humor. We know that all the leads could act in dramatic roles, and the males could croon some lovely tunes. As one other reviewer noted, had they put some songs in here, the studio would have boosted the film and made it at least entertaining.
The only reason I give this film four stars is because of two performers – Deborah Kerr and Cesar Romero. They give it their best with the material they have. Kerr plays Val Edwards. Why in the world such a talented actress would agree to make this movie is beyond me, but she does try to put some life into her character and make her somewhat interesting. Cesar Romero plays Miguel Santos. I don't know if the script called for the level of excitement and energy his character provides – but I suspect he pushed it some in an effort to elevate the film.
Other reviews have noted that Frank Sinatra as Dan Edwards and Dean Martin as Ernie Brewer are pretty much playing their everyday roles in life. At least the roles that were for their public image. Martin was not a late night carouser with the pack, but went home to be with his family. Neither actor does anything to lift this film beyond boredom. Sinatra just isn't believable as an ad agency magnate. And, Martin's playboy role is way over the top so that any humor it might have otherwise is lost in tedium.
The screenplay is blasé for this film. There can't be even half a dozen clever or witty lines. The film just sinks without any real humor. We know that all the leads could act in dramatic roles, and the males could croon some lovely tunes. As one other reviewer noted, had they put some songs in here, the studio would have boosted the film and made it at least entertaining.
In recent months, I've watched quite a few films by the so-called Rat Pack. Some, such as "Oceans Eleven", were very good. However, quite a few really look like the actors were just going through the motions with substandard scripts--and "Marriage on the Rocks" is clearly one of these.
The film is supposed to be a kooky comedy about marriage and divorce. However, comedies, unless I'm mistaken, are supposed to be funny! This one lacks humor and more importantly any charm. The characters are all unlikable and very one-dimensional. Dean Martin plays an executive who NEVER works and chases women. Frank Sinatra plays an executive who ONLY works and is humorless and annoying. And, Deborah Kerr hates his wife who hates her marriage but NEVER tells her husband. As for the kids, they're all self-absorbed jerks.
As for the plot, it's bad but is made worse because you hate the characters. While in Mexico, Frank and Deborah ACCIDENTALLY GET DIVORCED and SHE ACCIDENTALLY MARRIES Dean!! This is pretty far-fetched and contrived. Overall, it's a tiresome film that might have worked had it been better written and had the stars (who had HUGE clout in Hollywood at the time) insisted they be given a competent plot. Tiresome.
The film is supposed to be a kooky comedy about marriage and divorce. However, comedies, unless I'm mistaken, are supposed to be funny! This one lacks humor and more importantly any charm. The characters are all unlikable and very one-dimensional. Dean Martin plays an executive who NEVER works and chases women. Frank Sinatra plays an executive who ONLY works and is humorless and annoying. And, Deborah Kerr hates his wife who hates her marriage but NEVER tells her husband. As for the kids, they're all self-absorbed jerks.
As for the plot, it's bad but is made worse because you hate the characters. While in Mexico, Frank and Deborah ACCIDENTALLY GET DIVORCED and SHE ACCIDENTALLY MARRIES Dean!! This is pretty far-fetched and contrived. Overall, it's a tiresome film that might have worked had it been better written and had the stars (who had HUGE clout in Hollywood at the time) insisted they be given a competent plot. Tiresome.
Wusstest du schon
- WissenswertesSomeone in Mexico took exception to the idea of their country being a place for quickie divorces or marriages, and convinced the government to block Frank Sinatra (for a time) from entering Mexico, even though he owned property there.
- PatzerThe two wall calendars in Miguel's office are for December 1964 and April 1965. The calendar in his hotel lobby is for June 1965. A few weeks (at most) after the Mexico trip, it's suddenly Thanksgiving.
- Zitate
Ernie Brewer: Mr. Turner, if your cars are built half as good as those girls, you're home free.
- VerbindungenFeatured in Sinatra: All or Nothing at All: Part 2 (2015)
- SoundtracksThere Was a Sinner Man
Music by Trini López (as Trini Lopez)
Lyrics by Bobby Weinstein, Bobby Hart, Billy Barberis and Teddy Randazzo
Performed by Trini López (as Trini Lopez)
Produced by Joseph C. Behm
[Trini López performs the song at the go-go club]
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Marriage on the Rocks?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Divorcio a la americana
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 49 Minuten
- Seitenverhältnis
- 2.35 : 1
- 1.85 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
Oberste Lücke
By what name was Dreimal nach Mexiko (1965) officially released in India in English?
Antwort