Looking for Love

There were two popular "Connie's" in the 1960's: Warner Bros. had Connie Stevens and would showcase the lovely star in a series of films and across town MGM had Connie Francis and Leo the Lion showcased the songstress in a series of light, fluffy comedies that do no harm but are not so great either: Follow The Boys, When The Boys Meet The Girls and a true classic Where The Boys Are that featured Paula Prentiss, Jim Hutton, Yvette Mimieux and Dolores Hart ( who would leave showbiz to be a cloistered Catholic Nun). Looking For Love reprises the cast of Where The Boys Are- Prentiss , Mimieux, Hamilton who by the time this film was made had become major stars and co starred Connie Francis with Jim Hutton who had been on a lengthy suspension at MGM and did this film as his release valve from a ironclad MGM contract. Funny to see tall Jim Hutton in romantic clinches with the petite Ms. Francis.

Note MGM had two other stars under contract George Peppard and Richard Chamberlain, both immensely famous and likely escaped being cast in this film due to their respective standings at MGM

David Barra

After a month in Hollywood, Libby Caruso (Connie Francis) abandons her singing aspirations to go look for a husband. She is taken with Paul Davis (Jim Hutton) at first sight. He works with her roommate Jan McNair (Susan Oliver) and they hate each other. Libby has a great unusual idea and Paul puts her on The Tonight Show.

The premise is dated, but it is interesting for that reason. Connie Francis may be a great singer, but I don't see her as a rom-com gal. She powers through her comedy work, but it only makes it less funny. One of the other interesting premise is the use of The Tonight Show Starring Johnny Carson. It's fun to see this version of Johnny. Connie Francis does some good singing and that's it.

O.K. I'll be honest. I wasn't expecting much when I decided to watch "Looking for Love" on Turner Classic Movies' "not on video" festival last July. After all, Maltin gave the film a BOMB rating and "Rose Marie" was a grand disappointment. But TCM was on a solid streak with three great films in a row; "Penelope", "The Money Trap" and "Your Cheatin Heart". So I decided to give it a chance.

I'm sure glad I did! "Looking for Love" is not a great film, but it has energy and charm and a wonderful lead performance by Connie Francis. You just can't help smiling as I did lot during the regretably brief running time (81 minutes). Surely, they could have added another 10 minutes of songs!

The plot is unimportant; it's merely an excuse to hang some truly inventive musical numbers and sight gags (which needs to be seen in Panavision to truly appreciate; TCM letterboxed the print). I hope that MGM will release the film on video and DVD as a "Vintage Classic" or "MGM Musical" so that an audience can appreciate this. This won't appeal to those looking for acting. But if you're looking for a good time, you could do a lot worse than this. It's no masterpiece, but it's infectious and charming. and you will be smiling a lot.

*** out of 4 stars

Another movie that seems like play like an Elvis movie, sans Elvis, this time featuring the effervescent Connie Francis. Oddly enough, despite the dumb script and sort of weird presentation of the star as a second banana, one gets a vague hint than in an alternate universe Connie Francis could've been a dramatic actress. She manages to project desperation in a few scenes in a sort of scary way.

This movie is also a curiosity for the fake late show TV appearances -- Johnny Carson and Danny Thomas -- in the era when Jay Leno appears in every third movie that comes out, hard to remember the beginnings of crossover promotion.

The plot is a typical romantic cross, and it didn't shock me too much to find the screenwriter, Ruth Brooks Flippen, was a writer on both the Gidget movies and the TV show, (as well as a few other notables, e.g. Bewitched) sequeing later to the Odd Couple. It made me want to learn a bit more about her.

If you already like Connie Francis, this will be a delight, and if you're interested in the mating habits of your parents (at least superficially), there are worse ways of spending an hour and a half.

As I've gotten older, I've begun to realize that the saying, 'not like it used to be' is a fallacy with regard to music and visual media. The truth is there has always been a ton of bad work, it's just that the lens of history whittles out the chaff. What's left? The great, the good, and at times the really really bad. One has to really look for the average to just below average films - generally to fill out some niche of fanaticism regarding an actor or director.

Why watch this movie? The Jonny Carson scene is amazing. First, he plays himself, but actually acts and performs - and that youthful look! This scene should be a clinic on how you direct a talk show host. This scene is generally butchered in more recent films.

The film stock - my goodness these colors! I will never understand why this saturated film look is lost. The astonishing primary colors and shining eyes of the performers - this movie has a absolute visual glow.

Acting is awful. And some of the casting - listening to these shrieking voices will make you scramble for the volume remote just to end the pain. And yet...

The numbers (music performances) are pretty good, certainly entertaining - and back to my original point; this isn't a good movie, but it so much better than contemporary bad films. Films that actually bring nothing to the table.

Wow, maybe they don't make them like they used to?

intentionally over rated 6/10