Befehl aus dem Dunkel

It's one of those Godzilla movies where you fully understand why some fans of the "Zilla" series positively dislike it. The big atomic lizard is only a bit part player here, and when push comes to shove the monster mayhem is in short supply, which considering we also have Ghidorah and Rodan in the mix is for sure a bit of a waste. Yet this is one of the better sequels from Toho's original wave, it quite literally has all the ingredients that made "Zilla" and the off-shoots so iconic.

We are in live action cartoon territory, a sci-fi story of bonkers proportions yet engrossing all the same. The joyous model work synonymous with the series remains intact, the cardboard sets being obliterated are still fun to watch, and the divisive sight of "Zilla" doing the "shay" dance is in here whether you like it or not. More fun, though, is watching "Zilla" boxing the three headed Ghidorah, now that is comedy gold, if only the moody lizard had gone southpaw a bit earlier then saving the world could have been achieved quicker.

Great fun, could have been better from a monster point of view? Yes, definitely, but this be a nutty fruitcake production from Toho and amen to that. 8/10

I always thought "Monster Zero" (along with the one after, "Godzilla vs. The Sea Monster") was a bit underrated in the Godzilla film list. King Ghidrah makes his second appearance, and it is a lot more fun and interesting than his first ("Ghidrah The Three Headed Monster" from 1964).

This definitely isn't the fastest moving Godzilla film, but there are a lot of cool things to look at as the plot goes along slow at times. And the alien invasion/takeover plot is pretty decent if not overly original. The aliens look pretty cool and their hardware is 60's sci-fi retro, you gotta love it.

Nick Adams is pretty decent enough and gives the film a certain flair. It's a shame he had to leave us so soon, as it would have been a blast to have him return in a future Godzilla film.

The special effects are totally mid-60's Godzilla, with all the obvious miniatures being stomped on by the guys in the monster suits. There's one great shot where a doll of an astronaut gets lowered onto Planet X via an open elevator outside the spaceship, and as the doll is lowered to the ground in one lengthy camera shot, you can't help but laugh a little realizing that there was no attempt whatsoever to make that shot look real, or to hide the fact it's so fake with quick silly editing. But that's part of the charm of the early Godzilla films.

I always thought it was odd when, on Planet X underground, as the leader shows the astronauts the screen showing Ghidrah wildly attacking on the surface, that Ghidrah is in essence attacking nothing but rocks and dirt because that's all there is on the planet's surface. And also how Ghidrah flies past that huge painting of a planet in the distance a few times.

Godzilla and Rodan eventually save the Earth and that's what it's all about in a 1965 Godzilla film. Godzilla by this time was definitely all hero protecting his home planet. It's such a shame that unless a movie looks like a silly music video, so many kids won't watch it. Hopefully a lot of parents are introducing their kids to these old Godzilla films via DVD and video, because they sure aren't on TV much anymore.

Some astronauts(two to be specific...one of which is Nick Adams) leave planet Earth and fly to planet X. Once there, they discover life underground that supposedly lives in fear of King Ghidorah. They ask Earth to send Rodan and Godzilla to their planet to fight Ghidorah. Earth agrees, and the aliens send a tape back with the astronauts after their second voyage that tells Earthlings to submit to the alien will, or King Ghidorah, really their own private monster, will destroy them. This is an interesting film in the Godzilla series that has some pretty good sci-fi elements blended with good ole Godzilla fun. The monsters are what you would expect and the acting is pretty pedestrian as a rule. Adams is an unwelcome addition as his acting ability is somewhat suspect, and he tends to stick out like a sore thumb. Nevertheless, the film zips along at a nice pace. My only major criticism is that the monsters, and in particular Godzilla, have too few scenes. Inshiro Hondo directed this one, and it has many of his distinctive touches.

Yes, this is the movie where Godzilla does his little dance of joy, completing his anthropomorphic change from mindless instrument of destruction to sentient hero. The sixth entry into the series also marks a shift from 'horror' to 'science fiction', as "Invasion of Astro-Monster" opens with some nonsensical 'space talk' while a rocketship carrying two astronauts (Glenn and Fuji; Nick Adams and Akira Takarada respectively) travel to a newly discovered moon of Jupitar (christened 'Planet X'), only to find it populated by 'Xians' and besieged by Ghidorah. The Xians offer a cure for cancer in exchange for permission to 'borrow' Rodan and Godzilla, whom they plan to use to eliminate the Ghidorah threat, or so they claim. Suspicious events are occurring on Earth and the astronauts sense that there might be something malignant behind the Xians benign offer. In this film, the now sentient saurian is a full-fledged hero - recruited by the Xians to fight an evil monster and later defending the Earth itself. His original transgressions seems to have been forgiven or forgotten (Fuji, who feels sorry for leaving the Earth monsters on Planet X, comments that Godzilla and Rodan "cause troubles sometimes" - a considerable understatement, considering that, over the years, they have destroyed the cities of Fukuoka, Osaka and Tokyo, presumably at the costs of thousands of lives and billions of Yen). Notwithstanding Godzilla's infamous victory jig after his initial routing of Ghidorah, the film* is not played for laughs as much as was "King Kong vs. Godzilla" but remains a pretty juvenile outing, with a 'good guys vs. bad guys' plot, simplistic characters, an inconsistent (and at times nonsensical) storyline, a silly script, and lots of monster fights. The decline in the series' budget is apparent as most of the brawls are on the desolate Planet X or in unpopulated parts of Japan rather than in the complex (and expensive) city sets that were common in the earlier films and gave some sense of verisimilitude to the inherently unrealistic suit-mated monsters. There are some good parts - I like the spaceships, the alien 'airlift' of the monsters, the almost surreal scenes on Planet X with Jupitar looming in the sky, and as always, Ghidorah makes for an entertaining foe. Overall, very watchable by fans of the genre but pretty much what most non-fans would expect to see if invited to join in: another goofy Japanese monster movie. *This review refers to the subtitled Japanese version; however, as the film was an American-Japanese coproduction (hence American co-star Nick Adams), there is little difference between the subtitled and English dubbed versions.

This film is close to the last of the quality Godzilla films where a budget is evident, and the future of the series became apparent. This film is a sequel to GHIDDORAH: THE THREE HEADED MONSTER and story elements went into the classic, DESTROY ALL MONSTERS. Goji completely went into his Earth defender mode in this story of alien domination against our planet.

This film is a great representation of the series and and Japan's desire and attitude for the times, coupled with our realization that everything is completely impossible. The best way to watch any Godzilla film is to believe that you are watching an alternate universe where all nations are equally powerful and those future dreams of the past did become possible.

For Godzilla fans, there is a lot of love about this film. There are interesting characters and many consider this Nick Adams' best film; which may not be true, but his co-star is BIGGER. For me, it is the images of the two monsters being lifted from the lake and hauled off to Planet X. The battle on the planet is now considered a classic moment too, as Goji does a victory dance(referred to as The Godzilla Shie). Godzilla always seemed to have a personality, but that dance cemented this notion, as he also demonstrates emotions in this story.

The fact that you are reading this review, demonstrates that you may have your own ideas and feelings about this film. This review is for the cinefile who believes in Godzilla and many of the other movies that came from Toho Studios. My recommendation is that you watch DESTROY ALL MONSTERS after this film, and then go play the two Godzilla video games that are now available.