IMDb-BEWERTUNG
7,1/10
21.964
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuWhen a member of a murderous cult sends Ringo Starr their sacrificial ring and it gets stuck on his hand, his fellow Beatles must protect him from the cult and an obsessed scientist.When a member of a murderous cult sends Ringo Starr their sacrificial ring and it gets stuck on his hand, his fellow Beatles must protect him from the cult and an obsessed scientist.When a member of a murderous cult sends Ringo Starr their sacrificial ring and it gets stuck on his hand, his fellow Beatles must protect him from the cult and an obsessed scientist.
- Nominiert für 2 BAFTA Awards
- 5 Nominierungen insgesamt
John Lennon
- John
- (Nicht genannt)
Paul McCartney
- Paul
- (Nicht genannt)
George Harrison
- George
- (Nicht genannt)
Ringo Starr
- Ringo
- (Nicht genannt)
Ronnie Brody
- Priest
- (Nicht genannt)
- …
Empfohlene Bewertungen
Okay, so "Help!" isn't quite as creative as "A Hard Day's Night", but the Beatles always were able to do something good. In this case, Ringo happens to have a sacrificial ring belonging to a religious cult. So, the cult sets about trying to get it back. When they fail, they decide to sacrifice Ringo. Meanwhile, a scientist (Victor Spinetti) wants the ring for his own purposes. And of course, there's plenty of great music along the way.
In a way, the whole movie is sort of an excuse to be wacky. Whether it's the seemingly separate apartments that turn out to be one big room, the trap door activated by a glass, the skiing tournament, or the whole Bahamas sequence, they've got something neat every step of the way. Leo McKern, as cult leader Clang, and Eleanor Bron, as cultist Ahme who tries to protect Ringo, provide cool supporting roles.
I guess that if I ever get a woman to watch "Help!" with me, I'll never "Lose That Girl".
In a way, the whole movie is sort of an excuse to be wacky. Whether it's the seemingly separate apartments that turn out to be one big room, the trap door activated by a glass, the skiing tournament, or the whole Bahamas sequence, they've got something neat every step of the way. Leo McKern, as cult leader Clang, and Eleanor Bron, as cultist Ahme who tries to protect Ringo, provide cool supporting roles.
I guess that if I ever get a woman to watch "Help!" with me, I'll never "Lose That Girl".
This is an entertaining movie that serves its sole purpose very well---to showcase a bunch of terrific Beatles songs. Everyone knows the plot---a religious cult needs to retrieve a sacrificial ring which Ringo cannot get off his finger, consequently he has to be sacrificed. The lads go through various adventures in London, Switzerland and the Bahamas before it is all over.
It is easy to imagine this movie being an inspiration for Monty Python later on and it isn't surprising to learn that George Harrison in particlar became good friends with Michael Palin and Eric Idle of Python fame. Now imagine what a combined Beatles-Python movie would've been like!
One scene in "Help!" which I particularly remember is the Leo Mckern, the cult leader, dressed in his sari, drinking tea and collegially discussing his religious beliefs with an Anglican priest. Of the Beatles, John and Ringo have most of the funny lines and the movie exaggerates the idea of George being tight with his money---playing poker with Ringo at Buckingham Palace, pilfering rings from a jeweler, pretending he can't find his wallet thus forcing Ringo to pick up the tab at a pub. The caricature personas the Beatles adopted for this movie in particular became the way many fans viewed them which I think George found to be alternately ironic and irritating since he insisted he was nothing like the movie version of himself.
It is easy to imagine this movie being an inspiration for Monty Python later on and it isn't surprising to learn that George Harrison in particlar became good friends with Michael Palin and Eric Idle of Python fame. Now imagine what a combined Beatles-Python movie would've been like!
One scene in "Help!" which I particularly remember is the Leo Mckern, the cult leader, dressed in his sari, drinking tea and collegially discussing his religious beliefs with an Anglican priest. Of the Beatles, John and Ringo have most of the funny lines and the movie exaggerates the idea of George being tight with his money---playing poker with Ringo at Buckingham Palace, pilfering rings from a jeweler, pretending he can't find his wallet thus forcing Ringo to pick up the tab at a pub. The caricature personas the Beatles adopted for this movie in particular became the way many fans viewed them which I think George found to be alternately ironic and irritating since he insisted he was nothing like the movie version of himself.
A great movie. People here seem to complain the plotline was too silly. But keep in mind this was during the Bond phase(almost a forerunner to Get Smart). A sacrificial ring caught on the Famous Ringo's finger. A mad scientist trying to take over the world. An evil cult trying to kill our heroes. A girl from that cult secretly helping our heroes. Typical Bondish plotlines.
It also has great one-liners(Maybe it's that I'm just your average 14 year old American who loves British humor), and just weird ones that sound funny. "I don't subscribe to your religion." "He's out to rule the world if he can get a government grant." "Now, look here, Paul. I've had some great times with this finger. How do you know I wouldn't miss it?"
And, of course, greeeeeaaaaat music.
It also has great one-liners(Maybe it's that I'm just your average 14 year old American who loves British humor), and just weird ones that sound funny. "I don't subscribe to your religion." "He's out to rule the world if he can get a government grant." "Now, look here, Paul. I've had some great times with this finger. How do you know I wouldn't miss it?"
And, of course, greeeeeaaaaat music.
Help! has had a bad press, dating back to the 60s - when John Lennon criticises his own work, people listen.
But John wasn't really being fair. His disappointment (and similar comments from the others) reflect that, in this film, the Beatles were playing characters rather than, as in A Hard Day's Night, imitations of themselves.
Personally, I don't see the difference. Unless the cameras are fly-on-the-wall filming you in real life, then you're playing a character - that's what a fiction film is all about! And the Beatles played characters based on themselves in both A Hard Day's Night and Help!, it's just that the former film was staged in a more cine-verite manner.
Help!, on the other hand, is pure escapist nonsense. It's colourful, it has an actual plot (wildly improbable as it might be), the four Beatles discharge their responsibilities adequately, there are some lovely little throwaway bits of humour (check out Paul, Eleanor Bron, George, and the winking), and above everything, the music is great.
Just take it as an opportunity to go back to the summer of 1965 and relish the Beatles providing fun at the height of their popularity!
But John wasn't really being fair. His disappointment (and similar comments from the others) reflect that, in this film, the Beatles were playing characters rather than, as in A Hard Day's Night, imitations of themselves.
Personally, I don't see the difference. Unless the cameras are fly-on-the-wall filming you in real life, then you're playing a character - that's what a fiction film is all about! And the Beatles played characters based on themselves in both A Hard Day's Night and Help!, it's just that the former film was staged in a more cine-verite manner.
Help!, on the other hand, is pure escapist nonsense. It's colourful, it has an actual plot (wildly improbable as it might be), the four Beatles discharge their responsibilities adequately, there are some lovely little throwaway bits of humour (check out Paul, Eleanor Bron, George, and the winking), and above everything, the music is great.
Just take it as an opportunity to go back to the summer of 1965 and relish the Beatles providing fun at the height of their popularity!
Although not as critically acclaimed as The Beatles' previous movie "A Hard Day's Night", "Help!" is equally as entertaining. In my opinion, the plot is much more interesting because it takes The Beatles to different locations around the world instead of just movie sets and hotel rooms. The first movie was to show how The Beatles lived everyday life and "Help!" was a fresh departure from this. I believe that this film is much more fun because John, Paul, George, and Ringo are having fun and so will you.
Wusstest du schon
- WissenswertesThe swimmer who pops up twice asking for the White Cliffs of Dover, once in the Alps, and once in the Bahamas, is Mal Evans, road manager for The Beatles.
- PatzerDuring the scene in the Beatles' home where John defends himself from cult members using a telephone, one of his blows accidentally connects; he can be heard saying, "Oh sorry, I hit him!"
- Crazy CreditsThis film is respectfully dedicated to the memory of Mr. Elias Howe, who, in 1846, invented the sewing machine.
- Alternative VersionenWhen released on video for the first time in 1989, the film remained in mono but the songs were remixed into stereo, dubbed over with the recordings from the stereo album.
- VerbindungenEdited into Braverman's Condensed Cream of the Beatles (1974)
- SoundtracksHelp!
(uncredited)
Written by John Lennon with Paul McCartney
Performed by The Beatles
Published by Capitol Records
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Details
Box Office
- Budget
- 1.500.000 $ (geschätzt)
- Laufzeit
- 1 Std. 32 Min.(92 min)
- Sound-Mix
- Seitenverhältnis
- 1.66 : 1
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