Sturm über Jamaika

Very good adventure , a pure entertainment movie based on a novel written by Richard Hughes , shot in Jamaica and Pinewood studios . In the late XIX , during Victorian time , a hurricane destroys the house of Thorton family and the children are sent England . But their ship is attacked by a pirate vessel captained by Chavez (Anthony Quinn) and the second-in-command (James Coburn) and they are taken aboard . The kids view it as a lark, and one of them, a girl named Emily , develops an unusual bond with Chavez, the pirate captain. But the kiddies reveal their basic natures aboard of the vessel and the problems emerge , discovering the innocent savageries of childhood. The superstitious pirates can't wait to unload the children at the first harbour and things go awry when an unfortunate tragedy takes place .

This enjoyable pirate movie contains sensitive moments , wonderful seafare exteriors and thought-provoking theme with psychological studio of childhood in which the peculiar relationship with kiddies takes a fateful twist . It packs comedy , adventure, drama and tragedy , all of them are ironically balanced by an intelligent screenplay written by Stanley Mann and Ronald Harwood . Excellent main cast , such as an exceptional Anthony Quinn as the pirate captain and James Coburn as a good buccaneer . Good supporting cast such as : Nigel Davenport , Lila Kedrova , Dennis Price , and brief role for Gert Frobe . Nice musical score directed by Philip Martell and composed by virtuoso harmonica Larry Adler, including some catching songs . Colorful and evocative cinematography by Douglas Slocombe in widescreen who reflects splendidly the Caribbean outdoors . The motion picture was stunningly directed by Alexander Mackendrick who directed ¨Sammy going South¨ also about a childhood issue . Rating : Well worth watching , better than average . The picture will appeal to Anthony Quinn and James Coburn fans.

I had never even heard of this movie before. Probably wouldn't have watched it...but it was on AMC tonight and nothing else was on. I'm glad I didn't miss this one; this movie is very close to what "real" pirates, corsairs and privateers were like in their waning days. Of course there is a bit of artistic license, but the makeup of the crew, the scenes at the Port of Tampico, and the general feel of the film make it good fare, considering the constraints put on motion pictures in the year it was made. Many things implied, and understood behind the PG-rated facade of most scenes. The acting I found very good, the actors showed their contempt, inhumanity, decency, evil etc. (the facial expressions and acting of the madam in Tampico shows the ugliness behind the gilded facade beautifully) without having to "talk down" to the audience. Overall a very pleasant surprise for me, and I won't miss this one the next time it's on.

One can only be thankful that Disney did not get hold of Richard Hughes' novel. The saccharine sweetness would have made one gag. The only disappointment that I had with the film was that it did not follow the book. Otherwise, this was a superb film in its own right. Anthony Quinn proved that he could play other characters than Zorba, an often overlooked fact.

The children were so prim and Victorian "proper" that their conflict with the pirates. or privateers, as they preferred to call themselves, was at time hilarious. My favorite scenes were when the children, who were on the ship for months without any means of amusing themselves other than their own devices, spooked the crew with various innocent or mischievous plays, such as pretending to do a burial at sea, and turning around the head of the ships figurehead so that it faced backwards. The superstitious sailors were terrified by what was really childish mischievous fun.

When the ship put into Tampico, where the Captain hoped to leave them behined with the local Madame, played by Lila Kedrova who seemed to have taken acting lessons from Carmen Miranda, the children were spruced up and returned to their clean clothes and with their hair combed. As the crew member doing the grooming explained: "the Captain wants you to look your best for the ladies". "What ladies?" asked the children. Under his breath the seaman muttered "You'll find out." Of course, the local ladies were the ladies of ill repute in a Godforsaken part of the Carribean where anything goes and the law would never set foot.

The beauty of the film is that it rises above the mawkish semtimentally that it could have fallen into. The Captain, Chavez, takes to the young girl, Emily, who is as feisty as they come, and she and the other children take to him. A Victorian version of the Stockholm syndrome where the captives idenity with their captors.

The story is a tragedy, as the pirates who after all, were simply making a living in the only way they knew. It wasn't even a profitable living, just a traditional, but dying, occupation. Suddenly they were stuck with some ill-disciplined little English children travelling to England to be paced in English boarding schools and "civilised", and neither side really understood the other. It was the misunderstanding that caused the problems and led to the final tragedy.

I would recommend this film to people who like to think and ponder over what is right and what is wrong, and from what perspective do we view right and wrong.

As many times before, the IMDb has proven to be such a valuable resource. Like others who have written their comments here, I also saw this movie as a child and could never forget it. Besides, I fell completely in love with the little girl's character and somehow retained the actress's name in my memory for over 20 years: Deborah Baxter. In fact, that is how I found the movie again, because I had completely forgotten its title. The only other actor I remembered for sure was Anthony Quinn, so I began looking at the casts of all of his films whose title suggested pirates or ocean, until I arrived here and --to my own astonishment-- discovered that my memory had not failed me: the girl's name actually is Deborah Baxter! It seems that she only ever acted in two movies; what became of her? Anyway, I am happy to announce here that the movie has finally been released on DVD. I'm definitely buying it.

I had watched this eons ago on Italian TV but had long forgotten it - the film does come across as somewhat unmemorable at the end of the day, but this offbeat pirate-adventure-with-child-interest has a beguiling charm all its own. That said, the film's very low-key nature might not win it much approval among action-film fans...

Curiously enough, half the film is actually spoken in Spanish (without the benefit of English subtitles!) - and, while it tends to wander because of this, also gives the proceedings a welcome air of full-blooded vividness! Anthony Quinn is his usual larger-than-life self, but his befuddled interaction with the kids endears him to viewers even more here. James Coburn is very amusing as Quinn's second-in-command, who can't speak a word of Spanish and is often at a loss as to what is going on around him (though I would have liked some form of an explanation as to his incongruous presence there). Dennis Price has a notable cameo towards the very end as a solicitor leeringly prying into the children's 'experience' with the pirates, while "guest star" Gert Frobe only appears in one crucial scene as a wounded Dutch captain (but who eventually has a huge bearing on the plot resolution); the film also features Nigel Davenport as the children's father and Lila Kedrova as a 'tavern-keeper'.

The opening hurricane sequence - which gives the film (and the novel it is based on) its title - is extremely well done, though the climactic courtroom sequence and its outcome (the willful execution of the pirates) is rather too rushed to be as effective as it needs to be. The antics of the children, of English and Spanish origins, are fun to watch - but Deborah Baxter leaves the best impression, as she is the one to bond most with Quinn. Larry Adler's lovely score subtly accentuates Douglas Slocombe's colorful widescreen imagery.

Alexander Mackendrick was an American-born/Scotland-bred director who made his name at Britain's famed Ealing Studios and went on to have a very brief but often brilliant career; this was actually his penultimate work. Incidentally, the two films of his I've yet to watch - MANDY (1952) and SAMMY GOING SOUTH (1963) - also feature children as their protagonists.