Dr. Goldfuß und seine Biki-Maschine

Dr. Goldfoot has:

1. Vincent Price having a field day hamming it up like John Barrymore on scotch and speed!

2. Harvey Lembeck as Erich Von Zipper in a hilarious 10-second cameo!

3. The titanic teaming of Dobie Gillis and Frankie Avalon!

4. One of the finest "second bananas," the late Jack Mullaney as Price's Mad Scientist henchman, Igor!

5. Tons of young American International babes!

6. The Supremes singing the title song!

7. It's directed by Elvis' #1 Man, Norman Taurog!

8. It's written by the Three Stooges #1 Man, Ellwood Ullman!

WOW!

What have you got: Only the greatest film since "Gone With The Wind," "Citizen Kane" and "The Bicycle Thief"! Okay, perhaps not - but it is a ton of zany low budget screwball fun,'60s American International-style.

I really liked it.

My teenage son and I have been catching up on Vincent Price films thanks to cable TV. Most have been those cheesy Poe horror flicks from the 60s, but this one was something out of the ordinary! My son and I laughed all the way through, and at the end he declared, "This is probably the worst movie I've ever seen in my life!" This film gives Vincent Price a chance to spoof his own persona and he does it with relish. His comic timing is great, although his sidekick Jack Mullaney is disappointingly unfunny and un-Igorish. (If you want to see Mullaney in his creepy mode, find the BELFRY episode from the first season of Alfred Hitchcock.) Avalon and Hickman turn in their usual likable performances, and Susan Hart impresses with her varied accents and comic mugging.

The Supremes sing a horrible title song slightly off-pitch, and that theme dominates Les Baxter's jolly score. Various other beach party favorites make cameo appearances (and advertise a movie...THE GIRL IN THE GLASS BIKINI...which was never released). San Francisco looks great, with all the usual hillside chase clichés. The plot is so thin (actually full of holes) that it hardly bears thinking about.

It was also refreshing to be reminded that the standards for female beauty used to be more substantial than in our anorexic age.

The opening animated titles and the closing blackout dance sequence are also worth mentioning. All in all, a pleasant way to spend 90 minutes, if you miss the goofiness of the 1960s.

What can one say about this movie? It's ridiculous but iresistable. Vincent is always fun, the film has great color and location photography. A perfect time capsule of how much fun the '60s could be. The Les Baxter score and songs are great and the opening number, with the Supremes, no less, is a rockin' Baxter classic!

But in the kind of way people like hospital Jell-O. You take it simply because it's there.

A friend brought this over to my humble abode for what seems to be a new tradition of "Bad Movie Nights". This pithy little nugget is quite the mound of poo, but it was so laughably bad that, well, I pretty much laughed.

Hilarity and hi-jinks ensue as Diane the multi-accented robot (and Carmen Sandiego wardrobe impersonator) rips of the wealthy in the name of Dr. Goldfoot (and does he have a bikini machine... but hey, who doesn't have one these days?). The good doctor is played by Vincent Price, and our main hero is Sonic restaurant spokesman and beach movie veteran Frankie Avalon. So for the duration of the film, we get a Motown/claymation intro/theme song, a far out and utterly random dance moment, goofy plot devices, dungeons with motorcycle riders, a dense henchman, a Scooby Doo-esque graveyard, lots of girls in bikinis, quite possibly the longest and most improbable chase scene ever, and the fabled line "stop dinging that dong!" Ah, this is high comedy, or comedy created while someone was high. I'm not sure. It was slapstick that would have made Jerry Lewis very proud indeed.

If this never made it to MST3K, then it should have. My friends and I ripped into it with sarcastic glee. All we were missing were the robots. I was stunned about how laughably bad this film was, and yet when it was all over, I actually had a good time with the thing. This is definitely a film to watch if you enjoy hurling witty insults at bad films. Everyone else, run far away, but stay for that wacky theme song.

Vincent Price looks like he's having a great old time in this preposterous film Dr. Goldfoot And The Bikini Machine. For a classically trained actor like Price the chance to do a whole film around a Snidely Whiplash type villain must have been impossible to resist. Of course he got the money up front.

Dr. Goldfoot has invented an army of robots who look like cover girls in bikinis and his mad plan is to get them married to the richest people in the world and take over their money. Such a one played by Susan Hart he's targeted Dwayne Hickman with. But her programming got messed up and she goes after Frankie Avalon a would be secret agent who is the cause no doubt of his uncle spymaster Fred Clark's baldness.

Nothing wrong with seeing all these statuesque beauties, put your mind on them and you'll forget the inanities of the story. However Price and his assistant Jack Mullaney will give you a few chuckles. They remind me of Jack Lemmon and Peter Falk in The Great Race.

It's excruciatingly dumb, but also very funny.