Dr. Goldfuß und seine Biki-Maschine
Originaltitel: Dr. Goldfoot and the Bikini Machine
IMDb-BEWERTUNG
5,1/10
2764
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA skirt-chasing spy and a millionaire bachelor must foil mad scientist Dr. Goldfoot's plot to use his army of bikini-clad robots to seduce wealthy men into signing over their assets.A skirt-chasing spy and a millionaire bachelor must foil mad scientist Dr. Goldfoot's plot to use his army of bikini-clad robots to seduce wealthy men into signing over their assets.A skirt-chasing spy and a millionaire bachelor must foil mad scientist Dr. Goldfoot's plot to use his army of bikini-clad robots to seduce wealthy men into signing over their assets.
Pamela Rodgers
- Robot #12
- (as Pam Rodgers)
Empfohlene Bewertungen
Our little group saw this on our own "Bad Movie Night" and speculated that this was a sly homage to San Francisco's gay community. Certainly there was no obvious reason to film it there, besides the fun involved in careening down Lombard Street between Hyde & Leavenworth (allegedly the crookedest stretch of paved road in the USA) during the chase scene.
Why? Because Frankie Avalon and Dwayne Hickman seem almost disinterested in Dr. Goldfoot's sex-bots at first, and, once they find each other, they hold on to each other for dear life. Vincent Price camping it up in silk smoking jacket doesn't help. All of us viewing in this session were straight, so those of you with acute pre-Stonewall Hollywood Gay-dar should check this out to see if we're just a clueless bunch of breeders. There may even have been clues we missed.
A few things that make us go "Hmmm": Why would someone who obviously has the means to construct an opulent underground lab with fancy decoration and fabulous machinery need to use it to soak rich guys? Why does Igor look and act like just a normal schlub pulled off the street, rather than a revived corpse (did the SFX budget run out after all those gold bikinis)? How does making her scrub the floor punish a robot? (Unless she's Marvin the Paranoid Android.) What ever became of Igor's impersonation of the SIC chief visiting the local department? And why does a movie that advertises "killer sex-bots" have little violence, and essentially no sex, in it -- not even of the off-screen early-60s sex-tease sort?
Aww, so the hell what? IT'S A REALLY STUPID MOVIE ALL ROUND. ***, one of them just because Vincent Price is simply mahvelous.
Why? Because Frankie Avalon and Dwayne Hickman seem almost disinterested in Dr. Goldfoot's sex-bots at first, and, once they find each other, they hold on to each other for dear life. Vincent Price camping it up in silk smoking jacket doesn't help. All of us viewing in this session were straight, so those of you with acute pre-Stonewall Hollywood Gay-dar should check this out to see if we're just a clueless bunch of breeders. There may even have been clues we missed.
A few things that make us go "Hmmm": Why would someone who obviously has the means to construct an opulent underground lab with fancy decoration and fabulous machinery need to use it to soak rich guys? Why does Igor look and act like just a normal schlub pulled off the street, rather than a revived corpse (did the SFX budget run out after all those gold bikinis)? How does making her scrub the floor punish a robot? (Unless she's Marvin the Paranoid Android.) What ever became of Igor's impersonation of the SIC chief visiting the local department? And why does a movie that advertises "killer sex-bots" have little violence, and essentially no sex, in it -- not even of the off-screen early-60s sex-tease sort?
Aww, so the hell what? IT'S A REALLY STUPID MOVIE ALL ROUND. ***, one of them just because Vincent Price is simply mahvelous.
Diabolically hammy mad scientist Vincent Price (as Dr. Goldfoot) has a dozen beautifully-shaped young female robots. They wear gold bikinis for underwear and are not shy about parading around for the camera. Lead "robot" Susan Hart (as Diane, #11) succeeds in Mr. Price's mission, to seduce handsome millionaire Dwayne Hickman (as Todd Armstrong). Also turned on by Ms. Hart, rival agent Frankie Avalon (as Craig Gamble, #00 and ½) tries to foil Price's plot to mate more millionaires with his sexy robots. The Supremes sing the title song, but do not appear. A couple of cameos help liven up the dungeon sequence. When compared to the infinitely better "Get Smart" TV series created by Mel Brooks and Buck Henry, this spoof of "James Bond" spy films fell flat - fortunately, the women weren't.
*** Dr. Goldfoot and the Bikini Machine (11/6/65) Norman Taurog ~ Vincent Price, Frankie Avalon, Dwayne Hickman, Susan Hart
*** Dr. Goldfoot and the Bikini Machine (11/6/65) Norman Taurog ~ Vincent Price, Frankie Avalon, Dwayne Hickman, Susan Hart
Dr. Goldfoot has:
1. Vincent Price having a field day hamming it up like John Barrymore on scotch and speed!
2. Harvey Lembeck as Erich Von Zipper in a hilarious 10-second cameo!
3. The titanic teaming of Dobie Gillis and Frankie Avalon!
4. One of the finest "second bananas," the late Jack Mullaney as Price's Mad Scientist henchman, Igor!
5. Tons of young American International babes!
6. The Supremes singing the title song!
7. It's directed by Elvis' #1 Man, Norman Taurog!
8. It's written by the Three Stooges #1 Man, Ellwood Ullman!
WOW!
What have you got: Only the greatest film since "Gone With The Wind," "Citizen Kane" and "The Bicycle Thief"! Okay, perhaps not - but it is a ton of zany low budget screwball fun,'60s American International-style.
I really liked it.
1. Vincent Price having a field day hamming it up like John Barrymore on scotch and speed!
2. Harvey Lembeck as Erich Von Zipper in a hilarious 10-second cameo!
3. The titanic teaming of Dobie Gillis and Frankie Avalon!
4. One of the finest "second bananas," the late Jack Mullaney as Price's Mad Scientist henchman, Igor!
5. Tons of young American International babes!
6. The Supremes singing the title song!
7. It's directed by Elvis' #1 Man, Norman Taurog!
8. It's written by the Three Stooges #1 Man, Ellwood Ullman!
WOW!
What have you got: Only the greatest film since "Gone With The Wind," "Citizen Kane" and "The Bicycle Thief"! Okay, perhaps not - but it is a ton of zany low budget screwball fun,'60s American International-style.
I really liked it.
What can one say about this movie? It's ridiculous but iresistable. Vincent is always fun, the film has great color and location photography. A perfect time capsule of how much fun the '60s could be. The Les Baxter score and songs are great and the opening number, with the Supremes, no less, is a rockin' Baxter classic!
MASTER PLAN: marry off rich bachelors to female robots and get rich. Of all the films attempting to capture the absurdity and success of the James Bond craze of the sixties, this one is the most ridiculous. This one combines the weird plots of the Bonders with some elements of the stupid beach movies and campy horror of the decade, complete with dungeons and threat of torture (genuinely if mildly amusing). It's an odd mix, to be sure. Then-popular teen idol Avalon, most famous for his beach blanket bingo pics, is an agent (number 00 & 1/2) of S.I.C. (Secret Intelligence Command), based out of my old hometown of San Francisco - nice location long shots and a focus on the winding Lombard street. He's a hapless dope who becomes involved with a femme fatale robot (Hart) accidentally. She's one of several creations originating from the warped brain of Goldfoot (Price), the mad doctor of the title. He's somewhat typical of a Bondian villain wannabe, but Price is best known for his mad scientist roles in typical horror films of that time, so he's kind of a combination of both. Though a mad genius in the comical sense, his goal is nothing more than making some bucks off his robots, so he's actually a futuristic pimp, running a wild & crazy con artist/prostitution ring.
The plot is pretty amusing and Price hams it up shamelessly, mugging for the camera and even indulging in that cliché - the sinister mad chuckle. His assistant, Igor, is a complete idiot, a further parody of the mad scientist's aid from the "Frankenstein" movies, existing solely as an ego-boost for the mad scientist, to make him look even smarter - presumably why Goldfoot 'returned' him to life (see also the Luthor/Otis relationship from the "Superman" movies). How much a viewer likes any of this depends on how much patience one has for all the slapstick stunts and silly overplaying by the actors. Igor is the most extreme example, but everyone else also behaves like an idiot. The one surprise is actress Hart, who, besides being easy on the eye, proves to be quite talented, required to act with several different accents, besides other things. She virtually disappeared from the movie business soon after this, unfortunately. The entire premise of robotic babes, a commentary on male attitudes of that period, was repeated in later similar fare - "Some Girls Do" for example, not to mention the obvious "The Stepford Wives" in the seventies. Also note the use of musical sound FX in one scene from a couple of famous sci-fi pics of the fifties, "War of the Worlds" and "Forbidden Planet." Goldfoot and S.I.C. would return in the Italian "Dr.Goldfoot and the Girl Bombs" the following year. Hero:4 Villain:5 Femme Fatales:7 Henchmen:3 Fights:3 Stunts/Chases:4 Gadgets:5 Auto:4 Locations:6 Pace:5 overall:5
The plot is pretty amusing and Price hams it up shamelessly, mugging for the camera and even indulging in that cliché - the sinister mad chuckle. His assistant, Igor, is a complete idiot, a further parody of the mad scientist's aid from the "Frankenstein" movies, existing solely as an ego-boost for the mad scientist, to make him look even smarter - presumably why Goldfoot 'returned' him to life (see also the Luthor/Otis relationship from the "Superman" movies). How much a viewer likes any of this depends on how much patience one has for all the slapstick stunts and silly overplaying by the actors. Igor is the most extreme example, but everyone else also behaves like an idiot. The one surprise is actress Hart, who, besides being easy on the eye, proves to be quite talented, required to act with several different accents, besides other things. She virtually disappeared from the movie business soon after this, unfortunately. The entire premise of robotic babes, a commentary on male attitudes of that period, was repeated in later similar fare - "Some Girls Do" for example, not to mention the obvious "The Stepford Wives" in the seventies. Also note the use of musical sound FX in one scene from a couple of famous sci-fi pics of the fifties, "War of the Worlds" and "Forbidden Planet." Goldfoot and S.I.C. would return in the Italian "Dr.Goldfoot and the Girl Bombs" the following year. Hero:4 Villain:5 Femme Fatales:7 Henchmen:3 Fights:3 Stunts/Chases:4 Gadgets:5 Auto:4 Locations:6 Pace:5 overall:5
Wusstest du schon
- WissenswertesThree of the bikini girls from the bikini machine were Playboy playmates.
- PatzerCraig is driving the street in a red 1965 Plymouth Fury convertible (note vertical headlights.) He then spots Diane walking down the sidewalk. When he hurriedly pulls over to the curb the car changes to a red 1965 Dodge Coronet convertible (horizontal headlights.) Dr. G comes to Diane's rescue, and when his limo pulls away we see the Fury convertible parked at the curb.
- Zitate
Dr. Goldfoot: You know, Igor, I'm beginning to regret that I brought you back to life.
- Crazy CreditsThe opening credits are formed from molten gold that takes on various shapes: a pair of golden feet, coins, and a woman.
- VerbindungenEdited from Das Pendel des Todes (1961)
- SoundtracksDr. Goldfoot And The Bikini Machine
Words and Music by by Guy Hemric & Jerry Styner
Performed by The Supremes
Through the courtesy of Motown Record Corporation
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Dr. Goldfoot and the Bikini Machine
- Drehorte
- 1000 block, Lombard Street, San Francisco, Kalifornien, USA(opening sequence and end chase)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
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- Budget
- 300.000 $ (geschätzt)
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