Dark Intruder

This takes place in 1890 San Francisco. A series of vicious murders has been happening with a mystical statue is left next to each of the victims. The police call in Brett Kingsford (Leslie Nielsen) an occult expert to help them. This was originally a pilot for a TV series but no one bought it. So they added some footage to make it a short (59 minutes) but feature length movie and released it theatrically. It LOOKS great--beautiful sets and costumes and plenty of eerie atmosphere. Also Nielsen is great in his role. However the script is heavy-handed and convoluted with some truly questionable plot twists. However it's been praised to the high heavens by many critics. Use your own judgment.

Atmospheric TV movie about a Sherlock Holmes type (Leslie Nielson) who occasionally assists the San Francisco police with serious crimes. Set in 1890, the whole thing feels very Jack the Ripper-ish, and there is a Mr. Hyde styled monster running loose in town seemingly killing people at random. Nielson's breezy private detective eventually puts two and two together, and realizes the creature has something very specific in mind with each murder. Mark Richman plays a troubled acquaintance who may hold the key to the mystery, and Werner Klemperer of all people plays the Mr. Hyde-ish killer. Tame by today's standards, this low-budget but fanciful tale still packs a punch. Later released theatrically. Too bad it wasn't shot in color. Nielson, whose hair was still dark in those days, is an absolute hoot.

Long before he became an immortal slapstick icon with his role as Frank Drebin in "The Naked Gun" (and became typecast as such until his death), Leslie Nielsen actually was a pretty versatile actor and appeared in numerous cult movies. He starred in the classic fifties Sci-Fi movie "Forbidden Planet" and in the schlocky seventies eco-horror flick "Day of the Animals", for example. Very few people know, however, that Leslie was also the star of this unsold and meanwhile long forgotten pilot episode of a supernaturally themed period series entitled "The Dark Cloak". The pilot film – with an extremely short running time of barely 59 minutes – takes place in the year 1891 in the moody and fog-enshrouded streets of San Francisco. Nielsen is Brett Kingsford, a rather eccentric private investigator specialized the occult. He has a midget butler named Nikolai and doesn't want the world to know that he collaborates with the police, so he disguises whenever they meet to discuss a case. The city is plagued by a series of violent killings, seemingly committed by a monstrous being. Robert Vandenburg, a personal friend of Kingsford who's about to be married, fears that he commits the murders in a sort of trance, but our paranormal investigator suspects there is another explanation.

The Brett Kingsford character is intelligent and slightly arrogant, like Sherlock Holmes, and Nikolai often acts like a miniature version of Dr. Watson. The monstrous murderer is very much like Mr. Hyde (the malicious other side of Dr. Jekyll), while the timing and decors immediately remind you of numerous movies about the infamous Jack the Ripper stories. Most likely these are all the reasons why the TV-series never came and "Dark Intruder" remained an independently released feature film. It's too reminiscent to a lot of other movie franchises and potential sponsors probably didn't want to get accused of being derivative and/or unoriginal. But it nevertheless remains a damn shame that "Dark Intruder" became so obscure, as it's a splendid mystery/thriller with a compelling and convoluted plot, witty and creative comical elements and great performances. The murders as well as various other sequences are tense and hugely atmospheric. The script contains some delightful dialogs, like: "I sense strong psychic indications in this room. Yeah, try using that in court!" and the climax has a nice unexpected twist in store.

It's 1890 San Francisco and a killer is on the loose. Brett Kingsford (Leslie Nielsen) is a rich Sherlock-like sleuth and an expert in the supernatural. Nikola is his diminutive man-servant and Evelyn Lang is his fiancée. Brett follows the tiny figurines found at the murder sites to an oriental demon. His friend Robert Vandenburg (Mark Richman) is disturbed with surprising connections to the murders.

This theatrical movie is only an hour long. It does feel shortened as a full length movie. It's too bad because I was going along on the ride. It turns out that it may have been a pilot for a never-developed show. I can absolutely see it as a modern supernatural mystery series. Nielsen is great as a Sherlock Holmes like character. It's set up for an intriguing early supernatural TV show and a missed opportunity.

This was another last-minute inclusion in the ongoing Halloween Horror challenge, and one which also proved among the most rewarding viewings so far. I first knew of it from Leonard Maltin's *** capsule review in his esteemed "Film Guide", where the piece's TV origins ("Black Cloak" was actually the working title) and "one-of-a-kind" nature are mentioned. I was surprised to find it a period piece, but the end result still elicits a definite "Twilight Zone" feel – while anticipating, in concept and abrasive hero (ideally cast Leslie Nielsen and, who, incidentally, has a midget for valet/assistant!), the "Kolchak" series from the early 1970s. Despite the obvious low budget at the director's disposal, the film evokes a flawless Gothic atmosphere throughout. The fascinating plot involves a "House Of Wax"-type disfigured 'monster' – given an appropriately creepy make-up and played, of all people, by an unrecognizable Werner Klemperer of "Hogan's Heroes" fame! – causing havoc in fog-bound San Francisco (the attacks are quite vicious for a film of this kind), whose dual identity is gradually disclosed. There is, however, a method to his madness: a calling-card is left at the murder sites in the form of a mystical spoke-wheel; the period between each killing gets proportionally smaller; while the victims are eventually revealed to have been involved in his back-story. The level of suspense (and action) is considerable – especially in view of the film's very brief duration, a mere 59 minutes! – notably Nielsen's own numerous brushes with the monster (including one in which the hero spells out his suspicions to the Police Chief after yet another murder unaware that the villain is still present in the room with them!). The final twist, then, is the icing on the cake – with the tale having already reached a satisfactory conclusion, the script is seen to have one more ace up its sleeve. As can be expected, given the film's rarity, the print utilized could do with a restoration – but, really, this is no more than a minor quibble, when all the various components had come perfectly together to produce a classy (and memorable) show.