Weihnachtsmann in Not

For those who love this film, it's now available on DVD, which I just got through watching. I guess I discovered it much too late in life. The review accessible via the "external reviews" link here pretty much sums it up for me. I found Alberto Rabagliati to be a rather drab and depressive, even depressing, Santa, and in 1966 veteran character actor Mischa Auer was as frightening to behold as the Crypt Keeper himself. Also, Paul Tripp's portrayal of the lawyer Mr. Whipple reminded me that I never wanted to see another singing attorney since the cancellation of "Cop Rock."

Oh well, maybe I shouldn't sneer at this film. I did appreciate it as an interesting relic of the 60s, and I can see it's well-loved by people on whom it was imprinted when they were young. After all, that's the very reason I still get misty over "Mister Magoo's Christmas Carol." Merry Christmas!

I vividly remember going to see this in the movies when I was 5 Years old. The commercials promoting it on TV stick in my head also. As another reviewer said, going to the movies was a big deal then. Now that I am 43 I have been getting very nostalgic. I was very happy to see that this movie was available on DVD. When I watched the movie I was really surprised at how bad it was, as Billy Joel says in one of his songs "The good old days weren't always good" To start with the opening song "A Christmas that almost wasn't" sounds more like a halloween song, a little haunting. The colors in the movie were also very dark and drab. As for Santa "my God" what a depressing Santa he was a little whiner, I wanted to grab him ala the Godfather and say "You can act like a man" The whole movie is just cheaply done, songs and everything. This is a case of my childhood memories playing tricks on me. Oh well there's always Rudolph.

This Italian film, "Il Natale che quasi non fu" ("The Christmas That Almost Wasn't") isn't a very good movie. However, at least it's not at the bottom with such godawful films as "Magic Christmas Tree", "Santa and the Ice Cream Bunny" or "Santa Claus" (1959)! In its own way, it's not entirely terrible.

The film was made in Italy with mostly Italian actors and was directed by Rossano Brazzi and also stars Brazzi as the villain, Phineas T. Prune. Most of them are dubbed by American actors and they seem to have spoken their lines in English, as their lips are in sync with their voices. But only a few of them really are using their own voices, such as Brazzi and Paul Tripp.

The plot is pretty simple. Mr. Prune hates Christmas and has managed to buy the North Pole. He wants rent from Santa...and if St. Nick cannot pay, he wants all of Santa's toys. Why? Well, Prune hates children and wants to make them miserable. Can Santa and his friend, Mr. Whipple, manage to earn the money needed to keep Prune away and save Christmas? And, can they do this even with Prune and his evil butler doing their best to stop them?

While the film is in color and looks good, the story is strongly hindered by too many songs...and not very good ones at that. The story also isn't particularly good nor enjoyable.

Overall, this is the perfect film to show bad children as punishment for all their misdeeds. For the exceptionally bad kids, I'd recommend instead that they see the films in my first paragraph...those are best shown to especially evil children!

This obscure Italian musical fantasy was actually made in the then-prevalent style: elaborately-mounted, garishly-colored and broadly comic in tone (bringing to mind both THE GREAT RACE {1965}, with Rossano Brazzi's Phineas T. Prune looking quite a bit like Jack Lemmon's Professor Fate from that film and CHITTY CHITTY BANG BANG {1968}, which also involved a child-hating villain) – in fact, it comes complete with an animated title sequence! Incidentally, the anti-Christmas feeling inherent within the film would turn up again the same year in Chuck Jones' animated rendition of Dr. Seuss' HOW THE GRINCH STOLE Christmas (by the way, I will be checking out the 2000 live-action version as part of my ongoing Christmas binge)! Writer/director/star Brazzi – who, curiously enough, died on Christmas Eve 1994 – had already proved his vocal mettle (in heavily-accented English) with the popular musical SOUTH PACIFIC (1958). For the record, this was his first of only 3 directorial efforts – the others being no less intriguing, and admirably versatile, namely the caper CRIMINAL AFFAIR (1968) and the giallo PSYCHOUT FOR MURDER (1969; which I have opted to acquire in its original cut, since a 'harder' version was commissioned for the overseas market that reportedly saw the involvement of cult figure Renato Polselli!).

Anyway, while the film under review emerges as no unsung gem, it was a harmless and surprisingly engaging addition to the Yuletide movie lore, its plot also recalling the seasonal perennials MIRACLE ON 34TH STREET (1947; in view of the fact that the real Santa Claus seeks employment in a department store to fill just that role!) and the much-filmed "A Christmas Carol" (given Prune's eventual softening). The songs (music by future Jess Franco{!} regular Bruno Nicolai and lyrics by one Paul Tripp, who also co-stars as the lawyer – Brazzi's own neighbor! – helping Santa thwart the villain's plans to disrupt the eagerly-awaited festivities) are hardly classics, but the title tune in particular is quite pleasant. Being an international production (here presented dubbed in English albeit still sporting the original Italian credits), Father Christmas is played by an unknown Italian actor (Alberto Rabagliati) – who, amusingly, gets the shivers in having to deal with children, since he usually encounters them while they are asleep (similarly, he and Tripp get carried away trying out the toys in the store, which merely elicits a head-shaking reaction from prospective customers)! His spouse, then, is played by Brazzi's own second wife (Lydia) and the wiry elderly clerk at Santa's workshop is the ever-reliable character actor Mischa Auer in one of his last films. Typically, a number of midgets are behind the bearded fat man in the red suit or, more precisely, the toys he distributes door-to-door all around the world every Christmas Eve.

With respect to Prune's beef with the Christmas period, it transpires that he has purchased the entire North Pole so that, knowing Santa will not be able to pay the lease, he can evict the latter (which Brazzi takes great pleasure in, turning up every day like clockwork expressly to upset the old man's meal!) and, therefore, no toys will be manufactured and delivered from then on! In fact, Santa takes up the extra employment in order to meet his new landlord's demands (which the latter nips in the bud by purchasing the establishment too and firing St. Nick and his attorney on the spot!). Incidentally, one quibble I have with films purporting to present the Real McCoy: if Santa is supposed to be the be-all-and-end-all of Christmas gifts (in that he has to bring them personally to kids, with his herd of reindeer and all), where do the plentiful toys in sundry department stores across the globe come from?! As expected, Brazzi's scheme (aided in his nefarious exploits by cadaverous butler John Karlsen) is ultimately foiled, with children everywhere willingly giving their pocket money to save Santa from his predicament. Prune, on the other hand, is revealed to have believed in Father Christmas himself once upon a time…but his letter asking for a sail-boat had gotten misplaced, and this was the reason he grew up detesting all things connected to the proverbial 'jolly' season!

Santa says... (from the film)"Christmas isn't coming this year". I heard this line over and over in the endless commercials promoting it back when this film was released in the 60s. Of course back then I had to see it and I did in the cinema. Back in the day when going to the movies was an event. Remember no video or dvd back then! I just ordered it on dvd. I am sure I will not be disappointed I don't remember much about it but it should at least be interesting,taking yet another trip down nostalgia lane