Rotbart

Watching "Red Beard" is a wonderful experience, so beautiful that memory of it still lingers in my mind. Everything I mean everything is so subtle, calm and human that one falls in love with it. One can fell the joy and pleasure in self.

Direction is yet again top notch and Mifune' shows the world, again, that he is among the very best if not the best. Music needs special mention as it is the least bothered area in Kurosawa's movies. Every sub plot has its own density, cheers and insight into human social values. The way movie paces itself is brilliant. Kurosawa takes his time to establish his characters and once it is done emphasis shifted to story and sub-plots.

On moral grounds it teaches us all that humanity is the only sky above all humans and one must not forget this fact.

All technical aspects including camera handling, set designs, acting from supporting staff is very good. Wants to mention the acting of the little girl (I think Otoyo) is so close to life that it makes you believe of that.

A must watch for everyone.

9/10

In the Nineteenth Century, in Japan, the arrogant and proud just-graduated Dr. Noboru Yasumoto (Yuzo Kayama) is forced to work in the Koshikawa Clinic, a non-profit health facility ruled by Dr. Kyojio Niide (Toshirô Mifune), a.k.a. "Red Beard". "Red Beard" is a good, sentimental, but also very firm, strong and fair man. While in the clinic, Dr. Yasumoto becomes responsible for healing the hurt teenager Otoyo (Terumi Niki), and he learns a lesson of humanity, becoming a better man.

"Akahige" is another magnificent work of Master Akira Kurosawa. The touching and low-paced story is very beautiful, and shows the redemption of a spoiled man that becomes a human being, learning important and worthwhile values of life. It is almost impossible to highlight one individual performance in such a spectacular cast, but Toshirô Mifune shows his versatility in the role of the good "Red Beard". The 185 running time, with intermission, does not make any part of this interesting story boring, and this film is highly recommended for any sensitive audience. My vote is nine.

Title (Brazil): "O Barba Ruiva" ("The Red Beard")

First of all let me say that this film is a real tear jerker. If you want to see a film that talks about compassion then you are going to want to see this film. In a world where pettiness abounds to see the big-hearted nature of the main characters and how such compassion literally changes people for the better -- you're going to want to see this film.

For years I avoided this film (like IKIRU) because it was not a samurai film. But after getting over those ridiculous reasons, I finally figured I needed to complete my Kurosawa education by seeing it.

And boy was I glad I did.

It is one of those films that does change you. Like every classic it stands the test of time not because of its entertainment value but because it is a great experience. Even months after seeing the film the first time I found myself always examining my own life against the noble attitudes of the main characters.

Yes, it's three hours long. And yes, you're going to want to spend time to digest it. But the three hours you devote to this film is worth it. If you loved TO KILL A MOCKINGBIRD, you're going to love this film.

"Red Beard" is the noble conclusion to Kurosawa's monochrome period which undoubtedly contained his finest work. Although there were beautifully choreographed action scenes still to come in "Kagemusha" and "Ran", nothing was quite the same after this quiet meditation on the stirrings of humanity in a dark and otherwise uncaring world. The period is early 19th century, the place a hospital for the socially impoverished run by a doctor who manages to combine idealism and pragmatism, the two essential ingredients needed to facilitate the emergence of enlightenment. Although the great Toshiro Mifune dominates the film as the hospital head, it is the effect of his presence on the young doctor who pays him a visit that is the main theme of the narrative. Yasumoto, selfish and ambitious, has no intention to begin with of devoting his services to the hospital but one by one his defences collapse as he learns from the example of an idealist who has shed all vestiges of selfishness. There are constant reminders that medicine was at a rudimentary stage in its development and of the dedication needed by pioneers at a time when most answers still remained unknown and everything was largely a matter of easing rather than curing. I would not claim that "Red Beard" is among Kurosawa's half dozen greatest works. At just over three hours it sprawls in a discursive way. A lengthy flashback of a dying patient's reasons for seeking a form of absolution rather impedes the narrative flow in spite of some impressive visuals of snowscapes and an earthquake. But then the structure of the whole film rather has the episodic quality of a soap opera where momentum is maintained by proceeding from one crisis to another. Nevertheless it is full of wonderfully contrasted sequences from the knockabout humour of Mifune applying his medical skills to warding off a group of assailants by breaking their limbs like matchsticks to the tender scene of the young doctor being nursed back from sickness by the girl rescued from enslavement in a brothel. And then there is the rain. Where would a Kurosawa film be without those torrential downpours to remind us of the physical discomfiture that a journey towards enlightenment entails.

This film is practically never mentioned when Akira Kursawas best films are listed. I think this film should be at least one of the first three of such a list! I do love most of his films very much and my private choice of his best film is always this one. I saw it only once, maybe 20 years ago, but the memory of it is still very strong,. Some scenes burned their image into my mind forever! When I saw it at a small art house cinema here in Vienna, Austria, it was like a lovely dream you want to go on and on. I left the cinema thinking I just saw the best film of my life.

True, it not comparable with the story telling masterpiece Rashomon or the complex Seven Samurai. The film does not feature new ways of telling a story. But I think it is Kurosawas most human legacy in a body of work which is rich of statements on humanity. and human weaknesses and strengths. Looking at any list of current films in the cinemas today one can only wish there would be much more films like Red Beard. Films like that can influence the way we see the world, like the current films packed with violence already do. It would be a much better world for sure!

I don't go so far as to single out any part of the story. I would wish every one would see the film as I did, knowing nothing about it except the title and the director. The film speaks for itself.