Zwei Geheimdienstagenten, die mit einer breiten Palette von Geräten ausgestattet sind, arbeiten für die Regierung im Alten Westen.Zwei Geheimdienstagenten, die mit einer breiten Palette von Geräten ausgestattet sind, arbeiten für die Regierung im Alten Westen.Zwei Geheimdienstagenten, die mit einer breiten Palette von Geräten ausgestattet sind, arbeiten für die Regierung im Alten Westen.
- 1 Primetime Emmy gewonnen
- 1 Gewinn & 6 Nominierungen insgesamt
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Looking back at this show after all these years, two things stand out. First, doing this show must have been nirvana for Ross Martin. In almost every episode, he got to change costumes, add makeup, and play a completely new character, usually with a different voice and/or accent. What character actor doesn't dream of that, and what a marvelous talent he was!
Second, when this show first aired, I was going through puberty, so it was probably a big influence - but I cannot recall a TV series that consistently featured, week in and week out, more drop dead gorgeous women than this one did. To the producers I say thank you, thank you, thank you!!
Second, when this show first aired, I was going through puberty, so it was probably a big influence - but I cannot recall a TV series that consistently featured, week in and week out, more drop dead gorgeous women than this one did. To the producers I say thank you, thank you, thank you!!
At the peak of the 007 craze (1965), television was virtually inundated with 'secret agent' series, some clever ("The Man from U.N.C.L.E."), some dazzling ("The Avengers"), some novel ("I Spy"), and more than a few just bad ("Amos Burke, Secret Agent"). Yet the most unabashedly entertaining series of the genre was also the most far-fetched, set in the 1870s, with two Secret Service agents operating out of a private train. "The Wild Wild West" lived up to it's title, and had more imagination, action, and romance than any other series of it's time.
The brainchild of producer Michael Garrison, the Sci Fi/Western starred 30-year old TV veteran Robert Conrad ("Hawaiian Eye") as James West, an impossibly handsome, yet dedicated secret agent. While Conrad's acting skills were no threat to Olivier, as an ex-boxer, he was in superb physical condition, and performed nearly all of his own stunts, throughout the series' run. Dressed in a waist coat and tight toreador pants ("If I turned the wrong way, they'd split", he joked), he exuded a sex appeal that no other TV star of the sixties could match.
His partner, Artemus Gordon, was portrayed by respected character actor Ross Martin, a 45-year old with impeccable credentials ("Mr. Lucky", "The Twilight Zone") over a twenty-year career. He had begun acting on radio in the forties, playing a wide variety of characters, and his role as Gordon gave him a similar opportunity, as a master of disguise. Witty, and with a childlike thirst for knowledge, Martin and 'Gordon' had much in common, and he and Conrad quickly developed a friendship that would continue until his death, in 1981. The loyalty between the pair was so strong, in fact, that when Martin suffered a mild heart attack, during the series' run, the star and producers refused to write his character out of the show, but filled his 'position' with 'guest stars', until he was healthy enough to resume the role.
The premise of the show was simple; each week, in episodes always entitled "The Night of...", a megalomaniac would come up with a nefarious scheme, involving prototype weapons way ahead of their time, and West and Gordon would have to defeat him and his gang (a group of stuntmen who would reappear, every episode, in a variety of guises), while West would seduce the inevitably beautiful girl involved with the bad guys. Each episode would feature two spectacular brawls between West and the henchmen, one or two disguises for Gordon, and a climax where the heroes, held prisoner, would have to find a clever means to escape, and destroy the weapon. Many of Hollywood's legendary actors would guest as the villain, but the most popular, by far, who would reappear the most frequently, was the brilliantly funny, yet evil dwarf, Dr. Miguelito Loveless, portrayed by gifted actor Michael Dunn. A 31-year old best remembered for his work in the film, SHIP OF FOOLS, Dunn's 'Loveless' was as popular as Conrad and Martin, and his episodes were always the most stylish and entertaining.
Unlike the rest of television's 'spy genre', the cancellation of "The Wild Wild West" was not due to declining ratings, but to CBS' knee-jerk reaction to protests that the program was excessively violent. The network constantly badgered the producers to 'tone down' the show, and they finally refused to 'soften' the program any further, preferring to end the series 'on top' rather than see it lose the qualities that made it work.
Two high-rated TV 'reunion' movies were made, in 1979 and 1980, featuring the original stars, and more were planned, but, with the death of Ross Martin, Robert Conrad decided to 'retire' the franchise, out of respect to his friend.
The legendary status of the show led to an inevitable big screen adaptation, in 1999. While Conrad was invited to make a cameo, after reading the script, he publicly ridiculed it, saying it demeaned the memory of both Martin and Michael Dunn. George Clooney, who had signed to play Artemus Gordon, felt he had a point, and left the project, his role then filled by Kevin Kline. The resulting film, starring Will Smith as 'Jim' West, Kline, and Kenneth Branagh as a crippled Dr. 'Arliss' Loveless, was everything Conrad had said; tasteless, and totally lacking the chemistry and magic of the series. It quickly bombed at the box office, ending Smith's string of hit films.
"The Wild Wild West" maintains a unique position among 'spy' shows, and television in the 1960s, with a fan base that is extremely loyal, to this day. It is STILL one of the most entertaining series in syndication, and a tribute to Michael Garrison's vision, and Robert Conrad and Ross Martin's terrific chemistry together.
Accept no substitutes!
The brainchild of producer Michael Garrison, the Sci Fi/Western starred 30-year old TV veteran Robert Conrad ("Hawaiian Eye") as James West, an impossibly handsome, yet dedicated secret agent. While Conrad's acting skills were no threat to Olivier, as an ex-boxer, he was in superb physical condition, and performed nearly all of his own stunts, throughout the series' run. Dressed in a waist coat and tight toreador pants ("If I turned the wrong way, they'd split", he joked), he exuded a sex appeal that no other TV star of the sixties could match.
His partner, Artemus Gordon, was portrayed by respected character actor Ross Martin, a 45-year old with impeccable credentials ("Mr. Lucky", "The Twilight Zone") over a twenty-year career. He had begun acting on radio in the forties, playing a wide variety of characters, and his role as Gordon gave him a similar opportunity, as a master of disguise. Witty, and with a childlike thirst for knowledge, Martin and 'Gordon' had much in common, and he and Conrad quickly developed a friendship that would continue until his death, in 1981. The loyalty between the pair was so strong, in fact, that when Martin suffered a mild heart attack, during the series' run, the star and producers refused to write his character out of the show, but filled his 'position' with 'guest stars', until he was healthy enough to resume the role.
The premise of the show was simple; each week, in episodes always entitled "The Night of...", a megalomaniac would come up with a nefarious scheme, involving prototype weapons way ahead of their time, and West and Gordon would have to defeat him and his gang (a group of stuntmen who would reappear, every episode, in a variety of guises), while West would seduce the inevitably beautiful girl involved with the bad guys. Each episode would feature two spectacular brawls between West and the henchmen, one or two disguises for Gordon, and a climax where the heroes, held prisoner, would have to find a clever means to escape, and destroy the weapon. Many of Hollywood's legendary actors would guest as the villain, but the most popular, by far, who would reappear the most frequently, was the brilliantly funny, yet evil dwarf, Dr. Miguelito Loveless, portrayed by gifted actor Michael Dunn. A 31-year old best remembered for his work in the film, SHIP OF FOOLS, Dunn's 'Loveless' was as popular as Conrad and Martin, and his episodes were always the most stylish and entertaining.
Unlike the rest of television's 'spy genre', the cancellation of "The Wild Wild West" was not due to declining ratings, but to CBS' knee-jerk reaction to protests that the program was excessively violent. The network constantly badgered the producers to 'tone down' the show, and they finally refused to 'soften' the program any further, preferring to end the series 'on top' rather than see it lose the qualities that made it work.
Two high-rated TV 'reunion' movies were made, in 1979 and 1980, featuring the original stars, and more were planned, but, with the death of Ross Martin, Robert Conrad decided to 'retire' the franchise, out of respect to his friend.
The legendary status of the show led to an inevitable big screen adaptation, in 1999. While Conrad was invited to make a cameo, after reading the script, he publicly ridiculed it, saying it demeaned the memory of both Martin and Michael Dunn. George Clooney, who had signed to play Artemus Gordon, felt he had a point, and left the project, his role then filled by Kevin Kline. The resulting film, starring Will Smith as 'Jim' West, Kline, and Kenneth Branagh as a crippled Dr. 'Arliss' Loveless, was everything Conrad had said; tasteless, and totally lacking the chemistry and magic of the series. It quickly bombed at the box office, ending Smith's string of hit films.
"The Wild Wild West" maintains a unique position among 'spy' shows, and television in the 1960s, with a fan base that is extremely loyal, to this day. It is STILL one of the most entertaining series in syndication, and a tribute to Michael Garrison's vision, and Robert Conrad and Ross Martin's terrific chemistry together.
Accept no substitutes!
I have loved this show since I was a child and I still do. The chemistry between the two partners & friends is impeccable (not like the movie in which they were always at odds). And as a young girl, I was totally swept away with the James West character as played by Robert Conrad. There will never be another TV character or series to compare.
I loved the "Wild, Wild West" TV series that blended horror , the western & Steam-punk on many episodes. Robert Conrad was James West &Ross Martin was Artemus Gordon, "Man of a thousand faces".It had different stories each week but there were recurring villains- Dr. Miguelito Loveless ( What a great name for a villain !) was played by Michael Dunn ( Star Trek's" Plato's Step-Children") &Count Manzeppi (magician turned assassin) was played by Victor Buono. "Wild, Wild West" was the closest TV ever got to capturing the flavor of comic books. I hope you will someday get to see this series, perhaps on DVD. There are a few episodes out on video. I particularly recommend " The Night the Wizard Shook the Earth", the first Dr. Loveless episode. I loved the Dr. Loveless episodes & the 2 with Victor Buono as Count Manzeppi. Quintessential "Wild, Wild West "episode- "Night of the Vicious Valentine" that deservedly won guest-star Agnes Moorehead an Emmy.
In 1965 someone had the bright idea to mix the two most popular genres at that time, spy shows and westerns, and came up with this classic series. The western elements were obviously the horses, Indians and a strong hero and the espionage elements were the gadgets and megalomaniacal villains. Robert Conrad was excellent as Jim West and Ross Martin was just as great as the master of disguise Artemis Gordon. This chemistry between the two leads helped to make this show a classic. However, Michael Dunn pretty much stole the show as Miguelito Loveless, or as Artie would often call him, "The Little Wizard". This show will always be one of the wildest things about the decade of the 60's.
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- WissenswertesRoss Martin read a script when it was first given to him, then did a pen-and-ink drawing of the character he was going to play, down to the last detail, glasses, mustache, clothes, posture, shoes, et cetera. Then he brought the sketch to make-up artist Don Schoenfeld, and together they molded his face until it looked like the drawing.
- PatzerThe United States Secret Service is frequently employed as bodyguards for President Grant. But this was not the case in the 19th century, when the Service was a Treasury operation used to catch counterfeiters. The duty of being presidential bodyguards was assigned to the Secret Service in 1901 after President William McKinley's murder. McKinley's immediate successor Theodore Roosevelt was the first chief executive to benefit from this change.
- Crazy CreditsThe opening credits as originally designed for the pilot (and included on the season 1 DVD) show the animated cowboy knocking down the woman trying to stab him. In the first season as aired, the cowboy kisses the woman, who dreamily turns away instead of trying to stab him. Later episodes reinstated the cowboy knocking the woman down.
- VerbindungenEdited into Alias Smith & Jones: Ein Jahr Galgenfrist (1971)
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