Füge eine Handlung in deiner Sprache hinzuA wandering ex-soldier encounters various problems wherever he visits in his travels.A wandering ex-soldier encounters various problems wherever he visits in his travels.A wandering ex-soldier encounters various problems wherever he visits in his travels.
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This series, this Western Series reminded me a lot another western TV show amed THE WESTERNER, same approach, same kind of hero, or mayI say anti-hero. Many characters studies far from stereotypes and cliches. A must see.
Could have been a cool show, especially with Rod Serling as the writer. But he's wearing politics on his sleeve, and while many Twilight Zone episodes are cautionary tales, they relate universally.
This show, fitfully titled THE LONER, about a former soldier on an endless road happening upon various human varmints who love the thought of war without having been through it... or without having learned from what they did experience while in it... takes away from what each story could have given the viewer other than a message, which overrides each plot-line and buries the theme: to where our wandering hero seems more like a brooding know-it-all than someone making the perfect pawn upon each eclectic adventure. In other words, he has so much to teach he never actually learns anything...
And worse yet, he never seems in danger so there's little to no urgency in his would-be, world-weary travels. He simply winds up lecturing everyone not as enlightened as he is...
A lot like the political side of Hollywood, which Rod Serling was much, much better and deeper than. But he had more of a sermon to tell her than a story. See the early Gunsmoke episodes for how a great Western series should be.
This show, fitfully titled THE LONER, about a former soldier on an endless road happening upon various human varmints who love the thought of war without having been through it... or without having learned from what they did experience while in it... takes away from what each story could have given the viewer other than a message, which overrides each plot-line and buries the theme: to where our wandering hero seems more like a brooding know-it-all than someone making the perfect pawn upon each eclectic adventure. In other words, he has so much to teach he never actually learns anything...
And worse yet, he never seems in danger so there's little to no urgency in his would-be, world-weary travels. He simply winds up lecturing everyone not as enlightened as he is...
A lot like the political side of Hollywood, which Rod Serling was much, much better and deeper than. But he had more of a sermon to tell her than a story. See the early Gunsmoke episodes for how a great Western series should be.
While many TV series from many years past have grown fonder as our memories of such series get older, like sci-fi, for example,only to come out as major embarrassments at worst,or ridiculously hokey, at best, it seems that the western holds out quite well Whether the western is fairly recent or very old, it still comes out as a welcome addition to any DVD collection. In short, this series is long overdue for release on DVD! I remember this series when it aired on CBS in 1965/1966. While I was going through a phase where westerns didn't hold my interest,this show still had me addicted. From the haunting theme song to the captivating plots on to the closing credits,this was one show that was as thought provoking as it was thrilling. Here is where this western stood above the rest. Most westerns centered around a plot which was more or less action based... the bad guys vs the good guys, whether the bad guys were Indians on the war path or bandits out to rob a bank or train. THE LONER was different as its plot often evolved around the main character's inner turmoil or lack of peace.
I ADORE Rod Serling's work so I was primed to love The Loner -- and rather disappointed to find it an average western on par with others of its kind but really nothing special.
That's not to say it's bad, it's interesting enough and not as preachy as some seem to find it. In fact, it's no more moralistic than the superior Have Gun Will Travel. Each has the same premise of a man dropped into someone else's circumstances that they will attend to according to their own moral code -- but, as much as I like Lloyd Bridges, he's nowhere as compelling as Richard Boone as Palidan.
Bridges's Colton is never fleshed out enough as a character, that's a big downside making it hard to feel invested in what happens or why.
Worth a one-time watch for Serling fansbut I can't see watching it again once you have.
That's not to say it's bad, it's interesting enough and not as preachy as some seem to find it. In fact, it's no more moralistic than the superior Have Gun Will Travel. Each has the same premise of a man dropped into someone else's circumstances that they will attend to according to their own moral code -- but, as much as I like Lloyd Bridges, he's nowhere as compelling as Richard Boone as Palidan.
Bridges's Colton is never fleshed out enough as a character, that's a big downside making it hard to feel invested in what happens or why.
Worth a one-time watch for Serling fansbut I can't see watching it again once you have.
10lprigge
Amazing how few people know of this TV series, and I was addicted to it as a teen in the 60s. Lloyd Bridges played a veteran of the Civil War, and the episodes were poignant because he never found peace even when helping people. And no, it wasn't like Chuck Connors in Branded - the stories were much more thoughtful and less physical. Rod Serling wrote the scripts, which I remember as being top notch and, in usual Serling style, thought provoking. What I particularly remember is the beautiful intro theme to the series - to this day, I can hear it and would love to own it. I've watched some of the episodes at the Museum of Radio and Television in NYC - unfortunately, they don't even have all of the episodes last I checked. Definitely an overlooked - and greatly underrated - classic TV Western.
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- WissenswertesLloyd Bridges' character was armed with an original M1860 Spencer carbine which was a very appropriate arm for the western period, but not the usual firearm of choice for any TV cowboy in those days. Bridges never fired his Spencer carbine although he did display it once in awhile to protect himself. The primary reason was due to the difficulty of the production company's armorer finding or making blanks of the long-obsolete .50 rim-fire cartridge the Spencer was chambered for. Reproductions of the Spencer carbine are now available in more modern calibers if they ever decide to bring back the show or add a bit more authenticity to another.
- VerbindungenFeatured in American Masters: Rod Serling: Submitted for Your Approval (1995)
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