Ein Anwalt aus New York City und seine Frau versuchen, als vornehme Bauern in der bizarren Gemeinde Hooterville zu leben.Ein Anwalt aus New York City und seine Frau versuchen, als vornehme Bauern in der bizarren Gemeinde Hooterville zu leben.Ein Anwalt aus New York City und seine Frau versuchen, als vornehme Bauern in der bizarren Gemeinde Hooterville zu leben.
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This series while as corny as it can be had something which endeared it to all of us who watched it. This series had a heart which beat strongly & carried us through each week to the conclusion with Oliver & Lisa in their Monroe remodeled open air bedroom.
While there were times the series got too hung up on Arnold, & Ebb Dawson's love life, the characters of Hooterville always made for great comedy. There were times that Paul Henning was winking & smiling as he made fun of Lawyers, American Farmers, Mobsters, Hollywood, & many other targets during the shows run.
The characters he created were amazing. The physical comedy in this along with the great verbal comedy blended together into as fine a 1960's sitcom as could be produced.
Eddie Albert was kind of old for his role, but brought it off with an amazing energy. Ava Gabor was given a character where she could put herself into it, & this series turned out to the best role of her life. Pat Buttrum & the rest of the cast were great in support with special credos to Alvy Moore as Mr. Kimble who created one of the more amazing county agents ever portrayed.
All of this, higher pay, full benefits, & a years supply of cracked crab. It just don't get any better than that.
While there were times the series got too hung up on Arnold, & Ebb Dawson's love life, the characters of Hooterville always made for great comedy. There were times that Paul Henning was winking & smiling as he made fun of Lawyers, American Farmers, Mobsters, Hollywood, & many other targets during the shows run.
The characters he created were amazing. The physical comedy in this along with the great verbal comedy blended together into as fine a 1960's sitcom as could be produced.
Eddie Albert was kind of old for his role, but brought it off with an amazing energy. Ava Gabor was given a character where she could put herself into it, & this series turned out to the best role of her life. Pat Buttrum & the rest of the cast were great in support with special credos to Alvy Moore as Mr. Kimble who created one of the more amazing county agents ever portrayed.
All of this, higher pay, full benefits, & a years supply of cracked crab. It just don't get any better than that.
Watching this as a child during the late 1960's I didn't like this show. I didn't find it funny because it frustrated me! With all of the locals frustrating Mr. Douglas endlessly, they frustrated me too. Stumbling upon the show years later, the frustration was gone and I could finally enjoy the humor of it all. This was light years ahead of the tame (and boring) "Pettycoat Junction." This was life with "The Three Stooges." I always loved the on-going home improvement projects with the closet doors opening to the outside, the telephone poll phone, the over-blown big chic New York City furniture stuffed into a little farmhouse, Lisa's pink appliances, her cooking, Arnold the pig and many more. When they say they don't make 'em like they used to, they don't, and that's a darn shame.
I always thought that if Salvador Dali wanted to do a TV sitcom, he'd come up with something like "Green Acres".
This show was a lot of fun, and thank God it never took itself seriously. It was also one of the first to really break the "fourth wall", making self-referential remarks, such as the characters pointing to the credits as they rolled, or having the characters refer to background music being played--I don't think any sitcom had ever done that before! Anyway, Eddie Albert did a great job as perennial straight man to the lunacy around him, with everyone else in on the strangeness. I watched this show as a kid and never really appreciated Oliver's predicament, but now, as a middle-aged man, I know exactly how he feels.
Forty years after its heyday, the show holds up very well. Give it a look.
This show was a lot of fun, and thank God it never took itself seriously. It was also one of the first to really break the "fourth wall", making self-referential remarks, such as the characters pointing to the credits as they rolled, or having the characters refer to background music being played--I don't think any sitcom had ever done that before! Anyway, Eddie Albert did a great job as perennial straight man to the lunacy around him, with everyone else in on the strangeness. I watched this show as a kid and never really appreciated Oliver's predicament, but now, as a middle-aged man, I know exactly how he feels.
Forty years after its heyday, the show holds up very well. Give it a look.
I once heard "Green Acres" described as being "Twin Peaks:the sitcom," which isn't too far off base if you take away the darker elements of "Peaks."
I'm not sure it's the best television series either, but it certainly my favorite, and the best thing about it is that it was funny when I was four years old, still funny when I was a teenager, and even funnier now that I'm in my late 30's and can sit and watch the show with my young sons.
Eddie Albert and Eva Gabor should have won multiple emmy's. The writers stand alone as some of the funniest sitcom writers of all time. Jay Somers and Paul Henning are geniuses. The amazing thing about this show is at a time when most shows were star driven, this show gives all of the actors great lines and showcases for their talent.
Of course, Oliver and Lisa are my favorite denizens of Hooterville, but I have a lot of fondness for Eb (who is endlessly funny), Mr. Haney (who my kids think is the funniest person ever!) and Mr. Kimble (who ALWAYS cracks me up!).
"Green Acres" really is the place to be. It's funny, it's family friendly and it is one of the best shows of all time!
The DVD is great too, but I would have loved some extra commentaries from some of the surviving cast members!
David Cox Independence Missouri
I'm not sure it's the best television series either, but it certainly my favorite, and the best thing about it is that it was funny when I was four years old, still funny when I was a teenager, and even funnier now that I'm in my late 30's and can sit and watch the show with my young sons.
Eddie Albert and Eva Gabor should have won multiple emmy's. The writers stand alone as some of the funniest sitcom writers of all time. Jay Somers and Paul Henning are geniuses. The amazing thing about this show is at a time when most shows were star driven, this show gives all of the actors great lines and showcases for their talent.
Of course, Oliver and Lisa are my favorite denizens of Hooterville, but I have a lot of fondness for Eb (who is endlessly funny), Mr. Haney (who my kids think is the funniest person ever!) and Mr. Kimble (who ALWAYS cracks me up!).
"Green Acres" really is the place to be. It's funny, it's family friendly and it is one of the best shows of all time!
The DVD is great too, but I would have loved some extra commentaries from some of the surviving cast members!
David Cox Independence Missouri
This programme was traditionally thought of as just another of the cornpone country comedies that CBS used to be noted for, like "Petticoat Junction" or "The Beverly Hillbillies". But with its button-down straight man, Eddie Albert, surrounded by a wild assortment of extraordinary oddballs, "Green Acres" looks both backwards to the screwball comedies of the '30s and ahead to the Bob Newhart series of shows which followed a similar premise.
I am a fan of the British absurdist tradition, as exemplified both by university humour, like "Monty Python" and "Fawlty Towers", with its basis in the antics of the Goons (and Alfred Jarry), and by John Lennon's disassociated imagery, with its basis, probably, in Edward Lear (and Hilaire Belloc), but I personally happen to believe that this particular show belongs to a distinct comedy continuum, one that's entirely American. But I do agree completely that where these two styles are concerned, fans of one are bound to appreciate the other.
I am a fan of the British absurdist tradition, as exemplified both by university humour, like "Monty Python" and "Fawlty Towers", with its basis in the antics of the Goons (and Alfred Jarry), and by John Lennon's disassociated imagery, with its basis, probably, in Edward Lear (and Hilaire Belloc), but I personally happen to believe that this particular show belongs to a distinct comedy continuum, one that's entirely American. But I do agree completely that where these two styles are concerned, fans of one are bound to appreciate the other.
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- WissenswertesArnold the Piggy was the only cast member to win an award for a performance in a sitcom. He won the coveted "Patsy" Award in 1967, given to the best performance by an animal.
- PatzerIn the opening song when Oliver sings "You are my wife," he reaches for Lisa with his left hand. As Lisa sings "Goodbye city life," Oliver reaches in and grabs her with his right hand.
- Zitate
Lisa Douglas: When you married me you knew that I couldn't cook, I couldn't sew, and I couldn't keep house. All I could do was talk Hungarian and do imitations of Zsa Zsa Gabor.
Oliver Douglas: Who?
- Crazy CreditsIn some episodes, the opening credits appear in unusual locations (e.g.: chicken eggs, towels, writing on walls, breakfast items, newspaper headlines). In other episodes, the characters - particularly Lisa - react to the appearance of the credits superimposed over them or next to them.
- VerbindungenFeatured in Willkommen, Mr. Chance (1979)
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