Mini-Max oder die unglaublichen Abenteuer des Maxwell Smart
Maxwell Smart, ein hochintellektueller, aber stümperhafter Spion, der für die CONTROL-Agentur arbeitet, bekämpft mit Hilfe seines kompetenten Partners Agent 99 die bösen Mächte der rivalisie... Alles lesenMaxwell Smart, ein hochintellektueller, aber stümperhafter Spion, der für die CONTROL-Agentur arbeitet, bekämpft mit Hilfe seines kompetenten Partners Agent 99 die bösen Mächte der rivalisierenden Spionageagentur KAOS.Maxwell Smart, ein hochintellektueller, aber stümperhafter Spion, der für die CONTROL-Agentur arbeitet, bekämpft mit Hilfe seines kompetenten Partners Agent 99 die bösen Mächte der rivalisierenden Spionageagentur KAOS.
- 7 Primetime Emmys gewonnen
- 11 Gewinne & 13 Nominierungen insgesamt
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At one time, Smart was assigned to solve a case of a spate of kidnappings of blond young women. It turns out that The Claw was just after one blond woman. He explains to Smart: "Unfortunately to us orientals, all blond women look alike."
Unfortunately, the movies were not as funny as the original season episodes.
Nobody but Don Adams could have played Maxwell Smart. He IS Maxwell Smart! Adams comic timing and expressions are superb. It's a pity he hasn't gotten the recognition he deserves. Surrounded by the first rate Barbara Feldon ('99') and Edward Platt ('The Chief'), supported by a fabulous group of comic actors (particularly Bernie Kopell as Siegfried), and some talented guest stars (most unforgettable - Larry Storch as 'The Groovy Guru'!), and with consistently funny scripts, this show set a standard in comedy that is as good as, if not better than, much more "respected" shows like 'M.A.S.H.', 'Taxi' and 'Cheers'.
Forget the reunions, movies and attempts to revive 'Get Smart'. Just stick with the original and best "grooovy baby" Super Spy! There's nothing as hilarious as this show at its best! One of the greatest TV shows of all time.
No matter how many times you see it - its still funny..it will ALWAYS be funny - it even transcends humor. It is something so comfortable and embraceable you can temporarily forget every day to day hassle that may be niggling at you. For those with even longer memories, Maxwell Smart had his embryonic exposure as the store detective "Glick" in the Bill Dana show...almost exactly the same character. No matter, the combination of Don Adams, Barbara Feldon and the long suffering (and late) Ed Platt were arguably the most charismatic acting trilogy ever screened. Dear old Bernie Kopell as Siegfried, Max's nemesis in CHAOS and David Ketchum as the insanely hidden Agent 13 combined to raise GET SMART to heights will never again be assailed. Probably the only show ever came close to being as fondly remembered is the Adam West/Burt Ward BATMAN series of the same period.
Think about it! How many people in the Western World of most any age have never heard of Max's shoe-phone, the cone of silence? or the phrase "Would you believe?" THAT is a measure of the penetration of GET SMART in current society. Along with THE FLINSTONES, our lives have all been enriched by this most enduring of legends!
Get Smart is a very original, amusing, witty comedy that EASILY outdoes the
mediocre Naked Gun movies.
Someone said "Do yourself a favor and change the channel." To that I have to
say: Do yourself a favor and disregard that silly review.
No TV show is for anyone, but Get Smart is definately worth a look if you're
interested in a fun comedy.
I wish they made more shows like this nowadays. :(
Truly a show to be treasured and remembered.
'Nuff said.
But, since IMDb won't let me get away with saying just that, I'll just have to write more.
How can you go wrong with something by Mel Brooks and Buck Henry? It's obvious that the actors are thoroughly enjoying themselves in this show, and this enthusiasm was infectious. I was a very little girl in 1965, and I used to sit up with my father to watch TV after dinner and the nightly installment of whatever book he was reading to us. We sat together and watched Get Smart, Hogan's Heroes, McHale's Navy, among others, all of which are now considered classics. Why? Because, while the shows themselves were very topical (Get Smart was about the Cold War - as is Bullwinkle -- and Hogan and McHale fought in WWII which had ended barely 20 years earlier), the humor itself did not rely on specific current events. They were just out-and-out funny.
They still are.
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- WissenswertesWhen Don Adams was negotiating his salary, he had his choice between more money per week and no ownership stake in the show, or less money per week and part ownership. Adams chose the ownership deal and never regretted it considering the series' durable popularity in syndication gave him a regular income even as he struggled with being typecast by it.
- PatzerIn the closing credit sequence, one of the double doors fails to merge completely when it closes.
- Zitate
Maxwell Smart: [running gag, after being warned by the Chief that his next assignment will be the most dangerous yet] ... And loving it!
- Crazy CreditsThe opening credits are a sequence of Maxwell Smart going through a seemingly endless series of doors to reach CONTROL headquarters.
The closing credits are of Smart leaving CONTROL through the same doors, but he changes his mind about leaving and starts back toward the CONTROL entrance. The door nearest Smart closes and injures his nose.
- VerbindungenFeatured in A Secret Agent's Dilemma, or A Clear Case of Mind Over Mata Hari (1965)
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