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The Beatles

  • Fernsehserie
  • 1965–1969
  • TV-G
  • 30 Min.
IMDb-BEWERTUNG
7,0/10
628
IHRE BEWERTUNG
The Beatles in The Beatles (1965)
FamilieKomödieMusikAnimationsfilmHandgezeichnete Animation

Füge eine Handlung in deiner Sprache hinzuThe musical adventures of the greatest of the Rock Bands.The musical adventures of the greatest of the Rock Bands.The musical adventures of the greatest of the Rock Bands.

  • Stoffentwicklung
    • Al Brodax
  • Hauptbesetzung
    • The Beatles
    • Paul Frees
    • Lance Percival
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,0/10
    628
    IHRE BEWERTUNG
    • Stoffentwicklung
      • Al Brodax
    • Hauptbesetzung
      • The Beatles
      • Paul Frees
      • Lance Percival
    • 13Benutzerrezensionen
    • 1Kritische Rezension
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
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    The Beatles
    The Beatles
    • The Beatles
    Paul Frees
    Paul Frees
    • George Harrison…
    • 1965–1967
    Lance Percival
    • Paul McCartney…
    • 1965–1967
    • Stoffentwicklung
      • Al Brodax
    • Komplette Besetzung und alle Crew-Mitglieder
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    Crazy Ian

    This show replayed in Canada

    I remember several of this show's episodes because it replayed on Teletoon in Canada (I think, it might've been the Family Channel). Anyways, the cartoons were very Monkey-esque, that is they usually ended up in some sort of a jam or situation, but then they sang a song and everything worked out well. I realize that it's silly to describe the Beatles' cartoons as Monkey-esque, because the Beatles predated the Monkees, however that seems like the most apt way to describe these cartoons. They were NOT very good. They typically invoked rarer songs that really didn't get a lot of airplay (not the hits). For the longest time I understood that the Beatles actually voiced themselves, however this apparently was not the case. They don't really voice themselves in 'Yellow Submarine' either, except in the live-action epilogue. These cartoons seemed very formulaic for the time, and the basic premise was often redone to correspond to the musical group of the time. For example, I recall large similarities between the Beatles cartoons and the Jackson 5 cartoons, however the Jackson 5 typically had a more 'futuristic' viewpoint (they went into space and encountered aliens and stuff like that). I'm also reminded of old Scooby-Doo cartoons, where there were those interminable chase scenes over the dubbing of a musical number. Apparently the Beatles themselves were not overly enamoured with these pieces either. Having said that, I'm sure that now is a good time to get these cartoons out as a DVD collection to span the entire Beatles' media contributions. I'm sure that a lot of people would be all over them purely for the sake of nostalgia, entertainment, and curiosity.
    9johnstonjames

    Cute Animation, Funny Humor, And A Good Time Sing-A-Long

    love these cartoons. the animation looks like cartoon veteran Gene Dietch had something to do with them. it looks more like Dietch than the style of Brodax's other Beatles toon 'Yellow Submarine'.

    i can't say the voices sounded anything like the Beatles, and i very much doubt the Beatles would say things like "guv'nor". still, the animation is very cute and lively and the sing-a-longs just adorable. i even heard a few Beatle songs i'd never heard before (thought i'd heard 'em all).

    these little cartoons are so cute and adorable that i'm surprised they aren't easier to get ( i had to order from a foreign seller). and i wish someone would restore them and make a better DVD transfer. but then again, just try to find a decent, restored copy of the BBC television classic 'Magical Mystery Tour'.

    these are a great way for parents to introduce their babies to the ever pleasing sounds of the Fab Four.
    6jeffandnhi

    The Beatles changed Saturday Mornings, too.

    In 1965 Ed Vane took over as head of daytime programming at ABC. Saturday mornings were dominated by CBS- Vane wanted to change that. He felt the best bet was a Beatles cartoon. Working with Al Brodax at King Features, a deal was made for 26 shows with 2 cartoons per show at a budget of $32,000/show (cheap for 1965). And Brodax had just 5 months before the premiere. Result was a rush job with all the animation outsourced outside the U. S. Results were as you would expect-simple animation with lots of cycles repeating. Still, "The Beatles" was the top rated cartoon for the year, and ABC came in #1 on Saturday mornings. That shocked CBS into opening its wallet and spending millions on a complete revamp of their lineup.

    13 more Beatles cartoons were made over the next two seasons- since they're not as rushed the quality is noticeably better. Al Brodax went on to produce the Yellow Submarine film.
    rosaliez

    Does this stick out in anyone else's mind?

    I couldn't have been more than four or five when this show came out! Many years later (like 25!) "I'll Follow The Sun" came on the radio at work. I mentioned to my friend how whenever I heard this song I could vividly recall how it was featured in one of the episodes of the cartoon, even though I only saw the episode once in my life. She said she saw it as a child as well and clearly remembered the scene, with the sun in one corner and the Beatles in a cluster looking up and following it. And strangely, it was the one and only element either one of us could remember about the series at all. I would love to have the opportunity to see this series again, perhaps on Cartoon Network or TV Land.
    6Richard Keith Carson

    Surely this must have some value

    Whatever the real Beatles may have thought of this, it is what turned me on to them. I was 8 and thought I didn't like them. The language I most understood was cartoons, and when this came on, I completely turned around.

    I actually don't remember the story cartoons very much. Mainly, I remember the "singalong" segment in the middle. Paul, John, or George would introduce the segment (which was sort of a Mitch Miller "follow the bouncing ball" breakfaster, only without the ball). He then would call for the "prop man," and Ringo would come out and say, "The regular prop man's sick, so I'm taking his place." The other Beatle would say something like, "Well, this next song is a really swinging number," and Ringo would say, "Swinging number, eh? I think I've got just the thing," and would go offstage and then reappear on a trapeze, which he would proceed to screw up. It was totally predictable, stupid, and always funny, or is in retrospect.

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    • Wissenswertes
      The Beatles themselves reportedly did not care for this series. They were also less than enthusiastic about the idea of Brodax and Dunning doing a feature film. However, they changed their minds about the feature film when they began seeing completed footage from Yellow Submarine (1968). (John Lennon admitted in the 1970s that he "got a blast" out of watching reruns of the old cartoons.)
    • Patzer
      There are numerous occasions when the cartoon depicts the wrong singer, usually choosing John Lennon in favor of Paul McCartney or George Harrison.
    • Verbindungen
      Featured in Zappa (2020)
    • Soundtracks
      And Your Bird Can Sing
      (uncredited)

      Written by John Lennon and Paul McCartney

      Performed by The Beatles

      [Opening credits for Seasons 2 and 3]

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    FAQ

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    Details

    Ändern
    • Erscheinungsdatum
      • 25. September 1965 (Vereinigte Staaten)
    • Herkunftsländer
      • Vereinigte Staaten
      • Australien
      • Vereinigtes Königreich
      • Kanada
    • Sprache
      • Englisch
    • Auch bekannt als
      • アニメ・ザ・ビートルズ
    • Produktionsfirmen
      • King Features Syndicate
      • Artransa/Graphik
      • Canawest Studios
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    Technische Daten

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    • Laufzeit
      30 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.33 : 1

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