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Unter Geiern

  • 1964
  • 12
  • 1 Std. 38 Min.
IMDb-BEWERTUNG
5,9/10
1956
IHRE BEWERTUNG
Unter Geiern (1964)
AbenteuerDramaWestern

Gesetzeslose tarnen sich als Indianer und begehen Verbrechen gegen die Siedler, doch Winnetou und Old Surehand sind fest entschlossen, die Banditen zu entlarven und den Frieden zwischen den ... Alles lesenGesetzeslose tarnen sich als Indianer und begehen Verbrechen gegen die Siedler, doch Winnetou und Old Surehand sind fest entschlossen, die Banditen zu entlarven und den Frieden zwischen den Siedlern und den Indianern aufrechtzuerhalten.Gesetzeslose tarnen sich als Indianer und begehen Verbrechen gegen die Siedler, doch Winnetou und Old Surehand sind fest entschlossen, die Banditen zu entlarven und den Frieden zwischen den Siedlern und den Indianern aufrechtzuerhalten.

  • Regie
    • Alfred Vohrer
  • Drehbuch
    • Karl May
    • Eberhard Keindorff
    • Johanna Sibelius
  • Hauptbesetzung
    • Pierre Brice
    • Götz George
    • Elke Sommer
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,9/10
    1956
    IHRE BEWERTUNG
    • Regie
      • Alfred Vohrer
    • Drehbuch
      • Karl May
      • Eberhard Keindorff
      • Johanna Sibelius
    • Hauptbesetzung
      • Pierre Brice
      • Götz George
      • Elke Sommer
    • 10Benutzerrezensionen
    • 6Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 wins total

    Fotos28

    Poster ansehen
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    + 23
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    Topbesetzung48

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    Pierre Brice
    Pierre Brice
    • Winnetou
    Götz George
    Götz George
    • Martin Bauman Jr.
    Elke Sommer
    Elke Sommer
    • Annie Dillman
    Stewart Granger
    Stewart Granger
    • Old Surehand
    Sieghardt Rupp
    Sieghardt Rupp
    • Preston
    Miha Baloh
    Miha Baloh
    • 'Reverend' Weller
    • (as Mihail Baloh)
    Walter Barnes
    Walter Barnes
    • Martin Bauman Sr.
    Renato Baldini
    Renato Baldini
    • Judge George Leader
    Terence Hill
    Terence Hill
    • Baker Jr.
    • (as Mario Girotti)
    Vojislav Miric
    • Stewart
    • (as Voja Miric)
    Louis Velle
    Louis Velle
    • Gordon
    Stojan 'Stole' Arandjelovic
    • Milton
    • (as Stole Arandjelovic)
    Ilija Ivezic
    • Jackie
    Dusan Bulajic
    • Bloomfield
    Davor Antolic
    • Rod
    Boris Dvornik
    • Fred
    Mirko Kraljev
    • Bill
    Djordje Nenadovic
    • Miller
    • Regie
      • Alfred Vohrer
    • Drehbuch
      • Karl May
      • Eberhard Keindorff
      • Johanna Sibelius
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen10

    5,91.9K
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    Empfohlene Bewertungen

    6whpratt1

    Horrible Film

    Thought I might be interested in this film because I like the acting of Stewart Granger over the years and in this so called film he plays the role of a so called superman named "Old Surehand" which is a big joke. The acting is horrible and you will be completely confused as to what is really going on between Indians and white people. This film should be called a comedy film because the entire film goes around in circle after circle and makes absolutely no sense at all. Elke Sommer, (Annie Dillman) was added to the film to give some romantic charm to the film but her acting and performance was a big waste of time. I wish I had never seen this film, it is a HORRIBLE FILM!
    7coltras35

    Frontier Hellcat

    Old Surehand and Winnetou investigate the murders of a mother and daughter. The surviving husband believes that his wife and daughter were murdered by Indians, but Old Surehand suspects that it is the work of a gang of robbers and bandits known as the Vultures, who disguise themselves as Indians while committing their crimes.

    The fifth West German production of a film based on Karl May's Winnetou novels is a fairly entertaining western with some sharp cinematography, fine action and settings. Stewart Granger takes over from Lex Barker as old SureHand, and does a fine job adding his charm and wit to the character

    Frontier Hellcat is slightly darker than the previous four films, opening as it does with house burning and murder. There's stunts, exciting practical effects (explosions, etc.). There's also a tense, character-building scene where Surehand must prove himself to a tribal chief by shooting down arrows fired his way-while he's tied up! It's a solid escapist western with comic book style leanings.
    1islandlures

    A Merry-Go-'Round

    Yup..." A Merry-Go-'Round". That is what this film should have been titled because that was all the story of this picture did. 'Round and 'round and 'round it went. I stopped watching it a little after halfway into the film I was afraid it would never end. One of the WORST films I've ever seen. The story line was a collection of almost every Western movie ever shown. Except for the horses, the acting of all the Casts were pathetic, to say the least. A total waste of my money and my time.
    4Uriah43

    The Fifth Film in the Winnetou Series (More or Less)

    This film begins with a settler named "Martin Bauman Sr." (Walter Barnes) and his son, "Martin Bauman Jr." (Gotz George), joining Apache Chief "Winnetou" (Pierre Brice) on a hunt for a grizzly bear that has been attacking livestock. While they are away from the ranch, bandits arrive, murder his wife and daughter, and leave evidence suggesting that the perpetrators come from a nearby Shoshone tribe. Consumed by rage against the Shoshone, the father cries out for revenge and lashes out at Winnetou when he disagrees with his conclusions about the identity of the perpetrators. His anger is further stoked when a preacher named "Reverend Weller" (Miha Beloe) arrives and swears he witnessed the Shoshone kill his family. Yet, despite this eyewitness account, a famous frontiersman known as "Old Surehand" (Stewart Granger) remains unconvinced and, with the help of Winnetou, decides to uncover the real identity of the perpetrators before the situation escalates. Now, instead of revealing more, I'll simply say that this fifth film in the series wasn't nearly as good as any of its predecessors, largely due to the rambling plot and some absurd action scenes. Likewise, while I have a certain fondness for her, Elke Summer (as "Annie Dillman") could have significantly improved her performance as well. That said, while this film wasn't entirely bad, it definitely wasn't as good as any of the other films in the series, and I have rated it accordingly. Slightly below average.
    Poseidon-3

    Middling entry in a series

    Continuing in the tradition of previous German-made westerns based on the books of Karl May, this later entry can't hold a candle to earlier films such as "The Treasure of Silver Lake". This one has Granger as leading man and, though he has occasional moments of wit and presence, for the most part he isn't interesting enough to carry the film. He is joined (as in most all of these films) by Brice as Apache Chief Winnetou. The chemistry between the two doesn't quite match that of Brice and Granger's predecessor Lex Barker (who played a different character, but the roles are very similar.) The plot involves Granger and Brice setting out to discover who murdered a frontier mother and daughter. The surviving father blames the Indians while Brice feels that it was a gang of thieves called The Vultures (they certainly don't SOUND like a very friendly band of men!) In the mix is Sommer who is en route to see her father and is wearing a belt filled with gold. The son of the murdered family (George) finds himself falling for her as he investigates the murders along with Granger and Brice. Their adventures take them across various terrain and eventually alongside a wagon train which is beset by infiltrating bandits. This film lacks the grandeur and the production values of earlier films in the series. The lighting is about the worst that can be without having everyone completely in the dark. There is some unintentional humor as in seeing Sommer's extreme bubble bouffant hair-do in an old west setting and the usual hilarity that results from the awful dubbing (Why do these old-fashioned vocal dubbers always sound like they smoke 4 packs of cigarettes a day?) Most fun is seeing George bounce all over the place as if he has springs in his boots. No American western ever had anyone quite so gymnastic in his approach to action scenes. (Also note that, perhaps due to a European sensibility, the men in these films seem to touch each other so much more often than in American westerns. Look for it, it's really unusual.) The film just seems to have a deadening pall over it for some reason. It does not have the style, energy or vividness of the earlier works. It comes to life briefly during a pretty rousing "circle the wagons" stand off and an interlude at an Indian camp at which Granger has to prove his word to a disbelieving (and hilariously bulked up) chief. It's an okay movie to see once, but has no real lasting impact.

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    Verwandte Interessen

    Still frame
    Abenteuer
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama
    John Wayne and Harry Carey Jr. in Der schwarze Falke (1956)
    Western

    Handlung

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    Wusstest du schon

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    • Wissenswertes
      Stewart Granger's voice was dubbed by another actor for the English-language version of this film.
    • Patzer
      The film depicted a Shoshone encampment in which a totem pole was prominently displayed amongst the tee-pees. The Shoshone, nomadic in nature, did not have totem poles as part of their tribal culture. The totem pole was found only in cultures of the Indigenous peoples of the Pacific Northwest Coast of North America (Washington State and British Columbia, Canada).
    • Verbindungen
      Followed by Der Ölprinz (1965)

    Top-Auswahl

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    FAQ17

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    Details

    Ändern
    • Erscheinungsdatum
      • 8. Dezember 1964 (Westdeutschland)
    • Herkunftsländer
      • Westdeutschland
      • Frankreich
      • Italien
      • Jugoslawien
    • Sprache
      • Deutsch
    • Auch bekannt als
      • Frontier Hellcat
    • Drehorte
      • Krka Falls, Krka National Park, Kroatien
    • Produktionsfirmen
      • Rialto Film
      • Jadran
      • Société Nouvelle de Cinématographie (SNC)
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

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    • Laufzeit
      • 1 Std. 38 Min.(98 min)
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 2.35 : 1

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