Die schwarze Tulpe

First of all, this film has nothing to do with Alexandre Dumas' great novel, which takes place entirely in Holland in the 17th century and mainly is about cultivating tulips, which was a craze in Holland at that time. In the novel they struggled with the challenge of bringing forth an entirely black tulip, which is botanically impossible. Here they present black tulips galore, as if they grew in thousands, like another signature of another scarlet pimpernel, which underscores the aburdity of the script of this film, which is practically all nonsense with great sequences of sword-fighting, colourful rides and excursions, great chases on horseback, plenty of romantic flirts and courting and a thronged mess of general fighting. The colours and cinematography is outstanding like the dazzling show-off of brilliant French theatre and diction, but the script is just awful, all characters being casually superficial and disturbingly cynical, with only Akim Tamiroff standing out as something of an original character, but you are never informed of why and how he was ultimately hanged. This is casual superficial entertainment in dashing colours and swashbuckling splendour but nothing else, with no realism and no link with reality at all. Pity, because Christian-Jacque made some of the most brilliant costume films of France, the greatest being perhaps "Fanfan la Tulipe" 1952 with Gerard Philippe and Gina Lollobrigida, which was much more ingenious and original.

....,even when he's not at his best are always better than the rest.Although it's a swashbuckler,an action-packed story ,it's the kind of movie which loses much of its strength when watched dubbed .Released at the end of the swashbucklers era ,whose hero was most of the time Jean Marais ,"la tulipe noire" is more tongue in cheek,more picaresque,more libertine,closer to "Tom Jones " than "le bossu" or "le miracle des loups" .Christian-Jacques and Henri Jeanson wanted to match the scale and quality (and commercial success and critical acclaim) of their earlier and better "Fanfan la tulipe" (1951).In both works ,they take liberties with history and it's much fun:in "la tulipe noire" the characters know a priori that the 14th of July will be an important date ,they talk about revolution before the storming of the Bastille;and in the last pictures ,they say people will remember the 19th (!) of July.The villain (the evil prince who comes with his army to kill all the Parisians) about to be executed by the rebels says "I will remember my death all my life".

Alain Delon plays two parts ,twins ,and he's well cast as the dazzling heroes ,even if Jeanson deflates them a bit.Henri Decae' s cinematography is as splendid as ever.However the plot is sometimes confused and Philippe De Broca's "Cartouche" starring Jean-Paul Belmondo and released at the same time,is more rewarding .

NB:it has nothing to do with Alexandre Dumas's novel,which took place in Holland where the hero was trying to create a ...black tulip.

French version of the Zorro legend set during the period just prior to the French Revolution plays like Zorro the Gay Blade at times. Its an amusing romp with Alain Delon in the heroic lead (Delon would take up the mantle of Zorro a decade later and sleep walk his way through the role). Its the typical stuff with the "bandit" hailed as hero while the ruling class hates his guts. Filled with funny remarks and great action this is a film to search out, or would be if there were any decent copies floating around. The only way it seems to see this is on really bad low budget videotapes, which is a shame since its better than most swashbuckling romps that have appeared over the years.

this is the famous novel by Dumas la tulipe noir, not Zorro or whatever I have read in other reviews. I can recall many names in this film, extremely popular in our cinema, television and theater, like Adolfo Marsillach, as the Police Chief la Mouche, Alvaro de luna, before being a most celebrated bandit in Spanish television, José Luis Pellicena, glory of Spanish theater thorough decades, and many others. Very pretty actresses, you can't beat a famous Miss Italy, Virna Lisi, and on top of that, the most handsome and charming of all, Alain Delon, 28 year old by then, at the peak of his career to make this film version of revolution, adventure, romance, comedy and all the ingredients of the great Alexandre Dumas novel.

I would advise you to try this, despite the respect I have for another's reviewer opinion. I don't know if my viewing of an original, French spoken version on the big screen may have lost in incredibly funny innuendo, great colours, beautiful cinematography - if they are reduced to a poor VHS copy, possibly carelessly dubbed into a foreign language.

At least the acting by Alain Delon, and his equal, Virna Lisi, are still outstanding, as the continuous, imaginative action scenes. The two principals prove to be fine swords, against each other, and a number of enemies, and police rascals.

The Black Tulip is a Zorro type avenger, but a character more rich than its American counterpart. Without giving the plot away, I may add that American viewers will be both thrilled, and surprised, how a French action films' director is able to mix comedy, and drama so well.

Besides getting one of the film's DVD editions, people should be aware that a copy of the French version exists (possibly uncut) at the Alliance Française Médiathèque, a French cultural institution, and that they allow people to see the film there, and even borrow it! Ask for conditions at mediatheque@alliance-francaise.or.th and ask for their film PAL #161... Ah, next time I'll go to France!...