IMDb-BEWERTUNG
5,6/10
1109
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAn amorphous cellular life-form descends from the atmosphere to consume carbon in the form of diamonds.An amorphous cellular life-form descends from the atmosphere to consume carbon in the form of diamonds.An amorphous cellular life-form descends from the atmosphere to consume carbon in the form of diamonds.
- Regie
- Drehbuch
- Hauptbesetzung
Robert Dunham
- Mark Jackson
- (as Dan Yuma)
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One of my sci-fi/horror/fantasy reviews written 50 years ago: Directed by Ishiro Honda; Produced by Yasuyoshi Tajitsu, for Toho; released to American TV as "Dagora, The Space Monster" by American-International TV. Screenplay by Shinichi Sekizawa; Photography by Hajime Koizumi; Edited by Ryohei Fujii; Music by Akira Ifukube; Special Effects by Eiji Tsuburaya. Starring: Yosuke Natsuki, Yoko Fujiyama, Nobuo Nakamura and Robert Dunham.
Japanese horror flick combines monster and gangster genres, with not only the physical plant of Tokyo in danger (as usual) from a giant gooey jellyfish from space, but also the loot and lives of some cheap criminals.
Japanese horror flick combines monster and gangster genres, with not only the physical plant of Tokyo in danger (as usual) from a giant gooey jellyfish from space, but also the loot and lives of some cheap criminals.
So look at the cover, read the premise, this is another Toho monster movie right? Wrong.
Dogora tells the story of mysterious creatures that come from space and seem to have an desire for diamonds. Meanwhile the police are after a prominent gang of diamond thieves (What a coincidence).
The latter get's considerably more screen time, this is essentially a crime drama rather than a sci-fi. Sure we have our creature (Though it's nothing like the cover suggests) but it's more of a side character than the movies antagonist.
The usual brand of Toho miniatures being used for sfx are present and I personally like that, it's when they tried to do computer generated effects that it all falls apart. Man are they ugly, it's 1964 so it's to be expected but it doesn't take away from just how much their ugliness takes you out of the movie. On the flip side however their are several effects done which I've not seen before from this period, they look great and are well ahead of their time.
If you can get past that this isn't a creature feature it's passable enough stuff, but I went in with expectations and they weren't met.
The Good:
Some great visuals
The Bad:
Some awful visuals
Isn't what it's advertised as
Dogora tells the story of mysterious creatures that come from space and seem to have an desire for diamonds. Meanwhile the police are after a prominent gang of diamond thieves (What a coincidence).
The latter get's considerably more screen time, this is essentially a crime drama rather than a sci-fi. Sure we have our creature (Though it's nothing like the cover suggests) but it's more of a side character than the movies antagonist.
The usual brand of Toho miniatures being used for sfx are present and I personally like that, it's when they tried to do computer generated effects that it all falls apart. Man are they ugly, it's 1964 so it's to be expected but it doesn't take away from just how much their ugliness takes you out of the movie. On the flip side however their are several effects done which I've not seen before from this period, they look great and are well ahead of their time.
If you can get past that this isn't a creature feature it's passable enough stuff, but I went in with expectations and they weren't met.
The Good:
Some great visuals
The Bad:
Some awful visuals
Isn't what it's advertised as
In the US, this is probably the least well known of the classic kaiju eiga. Sure, "Dogora" may not be a very good movie overall, but in my opinion it has one of the very best monsters in film history. Dogora is an enormous space jellyfish, vast, mindless, and cosmically terrifying. It floats through the atmosphere, draining the Earth of life-giving carbon. The full-grown Dogora is only on screen for five minutes (!!), but it's still an awe-inspiring sight as this huge, transparent creature, the size of a small town, sucks up buildings, vehicles, bridges and minerals.
The remainder of the movie is mostly an uninspired detective spoof, with two inept policemen and an enigmatic American agent hot on the trail of a gang of jewel thieves. It seems the monster has been getting to the diamonds first... With such an incredible monster, and such well-executed effects, it's a real shame the rest of the film is so mundane.
It's SUPPOSED to be a comedy. Unfortunately, the US television version dubbed the movie as a serious monster film, with disastrous results. Worse, though, is the Toho "international" version -- it may be more accurately translated, but it's performed by the most inept readers you'll hear outside of a Sandy Frank production. Anyway, even if you don't know Japanese, watching "Dogora" in the original language with no subtitles is still probably more enjoyable than suffering through the English versions.
The remainder of the movie is mostly an uninspired detective spoof, with two inept policemen and an enigmatic American agent hot on the trail of a gang of jewel thieves. It seems the monster has been getting to the diamonds first... With such an incredible monster, and such well-executed effects, it's a real shame the rest of the film is so mundane.
It's SUPPOSED to be a comedy. Unfortunately, the US television version dubbed the movie as a serious monster film, with disastrous results. Worse, though, is the Toho "international" version -- it may be more accurately translated, but it's performed by the most inept readers you'll hear outside of a Sandy Frank production. Anyway, even if you don't know Japanese, watching "Dogora" in the original language with no subtitles is still probably more enjoyable than suffering through the English versions.
Asides from the strange plot development which we don't know if this movie is a comedy or a kaijyu movie, I think this could be one of the best monster movie of all times. What's great and horrifying about this movie is the monster Dogora. It's kind of a space jellyfish that can defy gravity. The monster makes you think that perhaps somewhere in space there could be a life form like it, and when it arrives on earth, there's no telling how large it could be. None of the Toho monsters have real life creepiness like the Dogora. If the movie was made on a plot about this space monster arriving on earth and terrorizing the world while it multiplies would have made it a unique masterpiece. There's absolutely no movie like it. For its originality, and the special mood this monster brings to the story, this movie is a masterpiece.
In space, a big jellyfish destroys a satellite. The thing then comes to Earth and uses its twisting tentacles to get everything in its path. Buildings, trucks, and even a bridge get lifted up from the ground by the thing. The thing also has a craving for diamonds. Also involved in this mishmash are some diamond thieves who only want a truck of diamonds and a day to the beach without getting stung. Pretty interesting with imaginative special effects. The American print is terrible,dark, and scratched up. The dubbing is also bad.
Wusstest du schon
- WissenswertesEven though Robert Dunham spoke nearly perfect Japanese throughout most of the film, he did get away with one phrase of English. In the scene where the mob breaks into his hotel room and Hamako (Moll) snatches the key to the safe, he says in perfect English, "Hey, you can't take that!"
- PatzerIn the scenes featuring the smaller Dogoras, the strings holding them up are clearly seen.
- Crazy CreditsThe U.S. English dubbed version, released by American International under the title "Dagora, The Space Monster," has all of the cast and credits removed. The picture and sound contain an awkward jump from the main title to the first scene. It is believed that American International, for unknown reasons, physically cut the cast and credits from their initial release prints.
- VerbindungenFeatured in Chiller Theatre: Dagora, the Space Monster (1975)
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Details
- Laufzeit1 Stunde 23 Minuten
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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