Blutige Seide

When the model Isabella (Francesca Ungaro) is murdered by a masked killer, the models of the fashion house managed by Contessa Cristina Como (Eva Bartok) and her lover Max Marian (Cameron Mitchell) are shaken with the crime. The model Nicole (Ariana Gorini) finds Isabella's diary and late night she borrows the car of her friend Peggy Peyton (Mary Arden) and heads to the shop of her boyfriend Frank Sacalo (Dante DiPaolo) to meet him. However, the masked killer follows Nicole and kills her expecting to find the journal. But Peggy had stolen the diary to destroy pages that compromises her and she is also murdered by the killer. Meanwhile Inspector Silvester (Thomas Reiner) has a list of suspects that includes Frank, who blackmails Marquis Richard Morell (Franco Ressel) to give the necessary alibi to him. Who might be the killer and why the diary is so important to him?

"Sei donne per l'assassino", a.k.a. "Blood and Black Lace" is a giallo film directed by Mario Bava and one of his best movies. The colors, shadows and stylish camera-work give the perfect environment to the gruesome murders. The plot is standard with a masked killer that the police believe that is a sexual maniac stalking and killing beautiful women. The conclusion gives a good explanation to the mystery and the plot is well-resolved. My vote is seven.

Title (Brazil): Not Available

Note: On 01 March 2017 I saw this film again. Note: On 07 June 2020 I saw this film again.

Title (Brazil):"Seis Mulheres Para o Assassino" ("Six Women for a Killer")

My Rating : 7/10

'Blood and Black Lace' has all the spice and style I like in slashers/thrillers. Giallo filmmaking at its apex.

This is some damn fine atmospheric murder mystery filmed in true Mario Bava style.

Superb. Love this movie!

Watching this film it's amazing how much cinema has changed in the past 30 years. This is the film that inspired the entire giallo genre, where the visual drive of film takes priority over the narrative. The script is therefore extremely perfunctory, with atrociously dubbed dialogue, minimalistic characterisation and outmoded sexual politics to say the least. If the script lacks sophistication however, visually this film is nothing short of stunning. Bava eschews rapid editing for a more langorous style of long gliding tracking shots and pans. Surprisingly ungraphic as well, considering its successors; the build up to the murder is more important than the act itself. What I find most amazing is how so much is achieved on a cinematic level on such a low budget. Every shot is planned to make the most of the sumptuous sets as possible; there is always something of visual interest onscreen, from the inspired use of foreground in the moving camera shots to pictural composition and the masterly use of colour and lighting. The second murder in the antiques shop is particularly stunning. Ultimately, as in a lot of the films of the genre (the early Argento films for example), the lack of any real narrative focus means that the film loses momentum towards the end. Still, stylistically a masterpiece.

Blood and Black Lace (1964)

**** (out of 4)

Mario Bava's ground-breaking murder-mystery takes place around a model agency where one by one women begin to be murdered by a person dressed in black and a haunting white mask. A police inspector appears to have a list of suspects narrowed down but soon he realizes that there are many twists ahead of him.

BLOOD AND BLACK LACE might not have been the first giallo ever made but there's no question that it had the biggest impact on the genre and it influenced everything that was to follow. It's easy to watch this film and see how it would influence the likes of all Italian mysteries going forward and especially those of Dario Argento. It's been said that Bava was a genius with the camera and that's obviously true by watching this Technicolor gem that jumps off the screen from the opening shot to the very last.

To me the real star here is the actual look of the film. From the opening shot to the very last you're greeted with some of the greatest and more lured images that you're ever going to see. Several directors were able to work wonders with Technicolor but I really can't think of too many who used the colors so well. Just take a look at the great detail in the various red colors throughout the picture. Whether it's a diary, a phone or blood flowing through a tub, the color just jumps out. The solid black look of the killer is something else that really stands out in the picture and just take a look at the sequence where a light flickers on and off to highlight the killer.

The film offers up some very good performances from the cast. Even though Cameron Mitchell is the only "name" here, everyone does a very good job in their roles. The death scenes are quite poetic in their own right and there's no doubt that the mystery keeps you guessing right up to the end. Another thing I've always loved about this picture is Bava's style. It really just seems as if the camera is floating from one scene to the next in a poetic way that captures the beauty of everything we're seeing on the screen but also ties everything together.

BLOOD AND BLACK LACE is one of those landmark films that has been copied dozens of times over the years but it's lost none of its luster. The film is as impressive today as it was the day it was released.

Made in 1966 but holding up today this is a textbook example of how to do a giallo. Carlo Rustichelli's film score, Ubaldo Terzano's cinematography, a good troupe of actors and Mario Bava's tense direction add up to a thrilling film. A good giallo is not just about the kills but the mystery narrative that contains them and this does both excellently. It's a darn fine movie.