It's Not Just You, Murray!

This is one of the early shorts made by Martin Scorsese when he was a student at NYU. In this one, a middle-aged man looks back at his life and how he got successful like making illegal gin during Prohibition or producing some hit Broadway shows. He credits a "friend" with his successes but that "friend" is...not a friend at all! Filmed in black-and-white with some jump cuts and still frames, this was quite an amusing short to watch as an example of the early work of Mr. Scorsese. So on that note, It's Not Just You, Murray! is worth a look. P.S. The mother of the leading character is played by the mother of the director, Catherine Scorsese.

Out of his earlier works, I would say Italianamerica is my favourite, but this short film is just as important.

Not to be compared with his more serious works, Scorsese's short film is a comedy piece where we are introduced to the life of a small time hood - Murray, who is oblivious to the fact that even his best friend is betraying him. This gives way for some interesting set pieces.

This film could have been a start of Scorsese's interaction with mob life. The ideas of male bonding etc, are used here, and will later be seen in Mean Streets in 73. Mean Streets was also influenced by I Viteloni by Fellini - so if you are interested in Scorsese's work, and how it came to be, watch that film.

If you are a Scorsese fan, you must see this - as it helps you understand his later works. Also recommended : Italianamerica/Big Shave/what's a nice girl like you doing in...

See some Truffaut to - for technique.

I guess It's Not Just You, Murray! Would count as Scorsese's first crime film, even though it's pretty light on the crime overall and feels more like a broad comedy. Still, I found it to be a fairly fun, is scattershot watch. Another key first is this is, I believe, the first time Scorsese put his mother in a role in one of his films, and she's responsible for some of this short's funniest moments.

I wasn't expecting it to turn into a Federico Fellini parody or homage; it felt a bit like they didn't know how to wrap things up in just 15 minutes. But the bulk of this short film is pretty entertaining, and also succeeded in making me laugh a handful of times - Scorsese's knack for comedy has always been underrated.

I attend NYU, and was lucky to be shown a print of this short. The movie is entirely innovative, and does have some of Scorsese's trademark themes, such as crime and, of course, his mother. The story centers around a man and all the horrible things his friend Murrary does to him.

This movie is, however, uncharacteristically funny for a Scorsese film. It is very similar to an early Woody Allen movie, such as Bananas, in that regard. It also contains some nods to avant garde cinema, such as Goddard or Fellini, especially in the last scene.

All in all, a fabulous little movie that shows inclinations of things to come from Scorsese~

This cute, inventive student film is Scorsese's second time in the director's chair, and this film is the beginning of his fascination with crime and double-crosses. Like with his brilliant debut, What's A Nice Girl Like You Doing In A Place Like This?, his techniques in generally unfolding the story and his clever cinematographic eye...you know what? I praise too much. I think I'm boring when I praise. I praise Martin Scorsese all the time. Everything he makes turns to gold in my eyes because I think he makes movies the precise way I think they should be made. I love the guy, that's all. There's nothing specific to say pertaining to why I like even his early student short films such as this one. I just think he's the man. If you think he is the man, I would check this one out just to say you saw it and to see the foundations of his ingenious later work.