Yeah Yeah Yeah

"The first 60's film to ever waken my musical interest in pop music and electric guitars...not to mention, I wasn't even born then!" The film is full of great music and British humor by the Fab Four. It stars The Beatles themselves - John Lennon, Paul McCartney, George Harrison, and Ringo Starr in their first acting debut. The music they perform in this 'black and white' film are 7 'Lennon & McCartney' classics - from the title song, "A Hard Day's Night", to "Can't Buy Me Love" and "She Loves You". In the comedy skits of the film, The Beatles' drummer Ringo Starr, definitely leaves the other lads in a so-call 'run against time'. It's a fun and exciting film...a pop film on what 'Beatlemania' was all about back then in 1964. This classic is a must see for all upcoming Beatle fans from all around the world, as well as people and kids of all ages. "And for those of you who never felt the magic and excitement of The Beatles...like me, I promise that you will by the end of this fab film!"

Excellent production, script, acting and what BRILLIANT music composed under the duress of filming and touring! John Lennon's tour-de-force (he wrote 11 1/2 songs on the album, Paul McCartney wrote half of "And I Love Her" and all of "Things We Said Today"). The script captures perfectly the joys and draining madness of Beatlmania. The Beatles prove in this film that they are deserving of the fame and adulation.

This is it. There has never been and never will be another band like the Beatles. The innocence of the generation is showcased in A Hard Day's Night. The perfect musical for any audience, the Beatles capture a time that can never be repeated. Like 4 childhood friends knowing that the Old can never get them down, they represented everything good and right of the world. They reflected the generation that wanted to be heard. Almost 40 years later, they are still as young as ever. Timeless, beautiful, true. A Hard Day's Night is perfection!

This film is charming. A black and white production that relies upon the music and personalities of The Beatles. It has a 'loose' plot, The Beatles' lives over a 48-hour period, looking after Paul's grandfather, which serves as an excuse for hi-jinks and bursting into song. Directed by Richard Lester, it manages to convey the social feel of its time, what it is like to be alone, ageing, class divisions, and an England that does not exist any more. It is witty,nostalgic and makes you aware of how fresh The Beatles were before they (and the 60's) got complicated.

Here are some of lines from the film, whether they were scripted or spontaneous I know not, but it doesn't detract from the humour:

Who's that little old man? Ringo: He belongs to Paul.

I shall call the guard. Paul: Ah, but what? They don't take kindly to insults.

Have you seen Paul's grandfather? John: Of course! he's concealed about me person.

They've gone potty out there. The place is surging with girls. John: Please sir, can I have one to surge with sir?

What would you call that hairstyle that you're wearing? George: Arthur.

George (about Ringo): He's very fussy about his drums you know. They loom large in his legend.

Well quite frankly I wasn't expecting a musical arranger to question my ability picture-wise. John: I could listen to him for hours.

If you ever wanted to have lived during the 60's a film like this epitomises why. There's a really lively night club scene where you get to watch, almost like a 'fly on the wall', The Beatles being themselves.

Watch it, buy the Hard Day's Night Album and drift away into a pleasant and sentimental 60's daydream.

I was in my mid-thirties when the Beatles came to America, and appeared at Shea Stadium and (famously) on the Ed Sullivan. I saw their success, with the screaming girls, as just another teen-age phenomenon. I must have read in some column that this film was interesting for its direction and photography. That was true. What I did not expect was that I would be caught up by the Beatles themselves, both as personalities and as musicians. Those who comment adversely on their lack of acting ability are way off base, because neither they nor the director were looking for dramatic skill; only for a degree of naturalness, which was achieved. Those who criticize the technical aspects are not well-acquainted with new developments in film technique especially in France; for instance, the jump shot. Those who criticize lack of plot must be interested only in straight narrative. I suggest that all the previously mentioned critics see the documentary materials on the making of the film, particularly those contained in the DVD set. They will see, for better or worse, that the creators and performers achieved what they wanted, allowing room for the unexpected. For forty years now I have been an admirer, own all their recordings, etc.; and taught this movie in my history of film class regularly. Don't believe the nay-sayers; see for yourself.