IMDb-BEWERTUNG
7,5/10
49.899
IHRE BEWERTUNG
Ein "typischer" Tag im Leben der Beatles, einschließlich vieler ihrer berühmtesten Songs.Ein "typischer" Tag im Leben der Beatles, einschließlich vieler ihrer berühmtesten Songs.Ein "typischer" Tag im Leben der Beatles, einschließlich vieler ihrer berühmtesten Songs.
- Für 2 Oscars nominiert
- 2 Gewinne & 7 Nominierungen insgesamt
Edward Malin
- Hotel Waiter
- (as Eddie Malin)
David Janson
- Young Boy
- (as David Jaxon)
Lewis Alexander
- Casino Patron
- (Nicht genannt)
Tony Allen
- Sound Man
- (Nicht genannt)
Empfohlene Bewertungen
This is it. There has never been and never will be another band like the Beatles. The innocence of the generation is showcased in A Hard Day's Night. The perfect musical for any audience, the Beatles capture a time that can never be repeated. Like 4 childhood friends knowing that the Old can never get them down, they represented everything good and right of the world. They reflected the generation that wanted to be heard. Almost 40 years later, they are still as young as ever. Timeless, beautiful, true. A Hard Day's Night is perfection!
"A Hard Day's Night" doesn't seem dated now, but it does seem familiar. We're used to all its madcap editing and photography now thanks to television and music videos, and we can only sit back and imagine (or try to remember) what it looked like through eyes that had never seen anything like it before. Watching it today, "A Hard Day's Night" still seems fresh and original, because it's still different (we're used to music videos, but not feature-length music videos), but to the 1960's audience it would have seemed entirely different from anything they had previously seen (especially if they were expecting a traditional rock musical, considering that the only good one of those made prior to this which I've seen is "Go Johnny Go").
Lester infuses the film with nonstop quick cutting and energetic pacing, giving the film an almost documentary-like feel (and somehow managing to integrate the biggest pop band in the world into the French 'nouvelle vague' style of film-making). When Orson Welles was interviewed in Playboy magazine in 1967 he said that the film directors that appealed to him the most were 'the old masters- by which I mean John Ford, John Ford, and John Ford. With Ford at his best you feel that the movie had lived and breathed in the real world, even though it may have been written by mother Machree'. When questioned about younger directors he enjoyed the most he named Stanley Kubrick and Richard Lester.
It seems absurd after Kubrick's long and distinguished career and Lester's career which while featuring some famously good films, also includes "Butch and Sundance: The Early Days" (a cheap prequel with none of the original cast), and the notoriously horrible "Superman III" to compare the two directors, but looking at Welles' reasoning behind loving John Ford films, it all makes sense. "A Hard Day's Night" really does feel real, we are basically transported into a day in The Beatles' life and given a VIP pass to accompany them wherever they go. It's a fascinating adventure which the screenplay handles very well.
The Beatles were not actors, but they really come off as themselves because all they have to be is the cocky, wisecracking, and rather charming men they were in real life. The screenwriter is smart enough not to provide them with any real acting, which really helps the film. That's not to say there isn't any good acting in the film, quite to the contrary actually, since Wilfrid Bramble is hilarious as McCartney's grandfather and was presumably cast thanks to his very funny co-starring role on Britcom "Steptoe and Son", which was one of the shows I frequently watched as a kid (and was remade for American audiences as "Sanford and Son").
The film is effortlessly charming, relying on the Beatles' natural charisma to carry the film but also including enough wit to warrant comparisons to later great British comedies and also to the later Beatles films (including Lester's later, slightly funnier and more experimental "Help!"). The Beatles were not yet the musical innovators they would later become, but there's something I personally prefer about their simple, short, and perfect Merseybeat songs, especially those on this soundtrack, which contains some of the most joyous and memorable pop songs ever written.
9/10
Lester infuses the film with nonstop quick cutting and energetic pacing, giving the film an almost documentary-like feel (and somehow managing to integrate the biggest pop band in the world into the French 'nouvelle vague' style of film-making). When Orson Welles was interviewed in Playboy magazine in 1967 he said that the film directors that appealed to him the most were 'the old masters- by which I mean John Ford, John Ford, and John Ford. With Ford at his best you feel that the movie had lived and breathed in the real world, even though it may have been written by mother Machree'. When questioned about younger directors he enjoyed the most he named Stanley Kubrick and Richard Lester.
It seems absurd after Kubrick's long and distinguished career and Lester's career which while featuring some famously good films, also includes "Butch and Sundance: The Early Days" (a cheap prequel with none of the original cast), and the notoriously horrible "Superman III" to compare the two directors, but looking at Welles' reasoning behind loving John Ford films, it all makes sense. "A Hard Day's Night" really does feel real, we are basically transported into a day in The Beatles' life and given a VIP pass to accompany them wherever they go. It's a fascinating adventure which the screenplay handles very well.
The Beatles were not actors, but they really come off as themselves because all they have to be is the cocky, wisecracking, and rather charming men they were in real life. The screenwriter is smart enough not to provide them with any real acting, which really helps the film. That's not to say there isn't any good acting in the film, quite to the contrary actually, since Wilfrid Bramble is hilarious as McCartney's grandfather and was presumably cast thanks to his very funny co-starring role on Britcom "Steptoe and Son", which was one of the shows I frequently watched as a kid (and was remade for American audiences as "Sanford and Son").
The film is effortlessly charming, relying on the Beatles' natural charisma to carry the film but also including enough wit to warrant comparisons to later great British comedies and also to the later Beatles films (including Lester's later, slightly funnier and more experimental "Help!"). The Beatles were not yet the musical innovators they would later become, but there's something I personally prefer about their simple, short, and perfect Merseybeat songs, especially those on this soundtrack, which contains some of the most joyous and memorable pop songs ever written.
9/10
I first saw this film way back in the day. Saw it, didn't hear or understand much of it, what with all those pubescent young females screaming their lungs out in the audience. When the young females were resting I had to contend with the Fab Four's Liverpudlian speech patterns which were as yet unfamiliar to me. Still very few soundtracks produced as many hits as did A Hard Day's Night.
As much as The Beatles themselves revolutionized popular music, A Hard Day's Night also was a revolutionary film of its own. What you're seeing here is nothing less than the first music video, albeit a rather lengthy 90+ minute one.
Director Richard Lester wisely eschewed the idea of a plot and basically did a docucomedy with songs about 12 hours in the life of John, Paul, George, and Ringo. They gave Paul a grandfather, played by Wilfred Brambell who when he wasn't getting into mischief on his own was influencing Ringo to spread his wings so to speak.
Will Ringo get back to the studio in time for the big Broacast? Actually 32 years before that in Paramount's The Big Broadcast the same was asked of straying Bing Crosby. Of course you know the answer.
A Hard Day's Night is must viewing for anyone who's trying to learn about the sixties. Or somebody who just likes the music of Paul McCartney and the lyrics of John Lennon.
As much as The Beatles themselves revolutionized popular music, A Hard Day's Night also was a revolutionary film of its own. What you're seeing here is nothing less than the first music video, albeit a rather lengthy 90+ minute one.
Director Richard Lester wisely eschewed the idea of a plot and basically did a docucomedy with songs about 12 hours in the life of John, Paul, George, and Ringo. They gave Paul a grandfather, played by Wilfred Brambell who when he wasn't getting into mischief on his own was influencing Ringo to spread his wings so to speak.
Will Ringo get back to the studio in time for the big Broacast? Actually 32 years before that in Paramount's The Big Broadcast the same was asked of straying Bing Crosby. Of course you know the answer.
A Hard Day's Night is must viewing for anyone who's trying to learn about the sixties. Or somebody who just likes the music of Paul McCartney and the lyrics of John Lennon.
This film is charming. A black and white production that relies upon the music and personalities of The Beatles. It has a 'loose' plot, The Beatles' lives over a 48-hour period, looking after Paul's grandfather, which serves as an excuse for hi-jinks and bursting into song. Directed by Richard Lester, it manages to convey the social feel of its time, what it is like to be alone, ageing, class divisions, and an England that does not exist any more. It is witty,nostalgic and makes you aware of how fresh The Beatles were before they (and the 60's) got complicated.
Here are some of lines from the film, whether they were scripted or spontaneous I know not, but it doesn't detract from the humour:
Who's that little old man? Ringo: He belongs to Paul.
I shall call the guard. Paul: Ah, but what? They don't take kindly to insults.
Have you seen Paul's grandfather? John: Of course! he's concealed about me person.
They've gone potty out there. The place is surging with girls. John: Please sir, can I have one to surge with sir?
What would you call that hairstyle that you're wearing? George: Arthur.
George (about Ringo): He's very fussy about his drums you know. They loom large in his legend.
Well quite frankly I wasn't expecting a musical arranger to question my ability picture-wise. John: I could listen to him for hours.
If you ever wanted to have lived during the 60's a film like this epitomises why. There's a really lively night club scene where you get to watch, almost like a 'fly on the wall', The Beatles being themselves.
Watch it, buy the Hard Day's Night Album and drift away into a pleasant and sentimental 60's daydream.
Here are some of lines from the film, whether they were scripted or spontaneous I know not, but it doesn't detract from the humour:
Who's that little old man? Ringo: He belongs to Paul.
I shall call the guard. Paul: Ah, but what? They don't take kindly to insults.
Have you seen Paul's grandfather? John: Of course! he's concealed about me person.
They've gone potty out there. The place is surging with girls. John: Please sir, can I have one to surge with sir?
What would you call that hairstyle that you're wearing? George: Arthur.
George (about Ringo): He's very fussy about his drums you know. They loom large in his legend.
Well quite frankly I wasn't expecting a musical arranger to question my ability picture-wise. John: I could listen to him for hours.
If you ever wanted to have lived during the 60's a film like this epitomises why. There's a really lively night club scene where you get to watch, almost like a 'fly on the wall', The Beatles being themselves.
Watch it, buy the Hard Day's Night Album and drift away into a pleasant and sentimental 60's daydream.
"The first 60's film to ever waken my musical interest in pop music and electric guitars...not to mention, I wasn't even born then!" The film is full of great music and British humor by the Fab Four. It stars The Beatles themselves - John Lennon, Paul McCartney, George Harrison, and Ringo Starr in their first acting debut. The music they perform in this 'black and white' film are 7 'Lennon & McCartney' classics - from the title song, "A Hard Day's Night", to "Can't Buy Me Love" and "She Loves You". In the comedy skits of the film, The Beatles' drummer Ringo Starr, definitely leaves the other lads in a so-call 'run against time'. It's a fun and exciting film...a pop film on what 'Beatlemania' was all about back then in 1964. This classic is a must see for all upcoming Beatle fans from all around the world, as well as people and kids of all ages. "And for those of you who never felt the magic and excitement of The Beatles...like me, I promise that you will by the end of this fab film!"
Wusstest du schon
- WissenswertesJohn Lennon's written answer to the female reporter asking him if he has any hobbies is the word "tits."
- PatzerWhile Ringo and the young boy walk along the riverside, Ringo visibly mouths the boy's lines before the boy does.
- Crazy CreditsWhen the film premiered on NBC in 1967, the network's "in living color" peacock logo was replaced with a penguin, who was presented in "lively black-and-white."
The penguin pulls out a set of animated Beatles from its chest, who briefly play their music and then run away from a mob of fans.
- Alternative VersionenThe 1981 re-release opens with a short prologue set to "I'll Cry Instead", a number originally recorded for the film but not used. The reissue also features a new stereo soundtrack.
- VerbindungenEdited into The Beatles: She Loves You - A Hard Day's Night Version (1964)
- SoundtracksA Hard Day's Night
(uncredited)
Written by John Lennon and Paul McCartney
Performed by The Beatles
Published by Capitol Records
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- ¡Yeah, Yeah, Yeah, Paul, John, George y Ringo!
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 560.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.480.356 $
- Eröffnungswochenende in den USA und in Kanada
- 50.445 $
- 3. Dez. 2000
- Weltweiter Bruttoertrag
- 2.368.408 $
- Laufzeit1 Stunde 27 Minuten
- Farbe
- Seitenverhältnis
- 1.66 : 1
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