Aufgrund eines technischen Fehlers erhalten amerikanische Flugzeuggeschwader den Befehl, über Moskau Atombomben abzuwerfen. Kann ein absoluter Vernichtungskrieg abgewendet werden?Aufgrund eines technischen Fehlers erhalten amerikanische Flugzeuggeschwader den Befehl, über Moskau Atombomben abzuwerfen. Kann ein absoluter Vernichtungskrieg abgewendet werden?Aufgrund eines technischen Fehlers erhalten amerikanische Flugzeuggeschwader den Befehl, über Moskau Atombomben abzuwerfen. Kann ein absoluter Vernichtungskrieg abgewendet werden?
- Nominiert für 1 BAFTA Award
- 3 Nominierungen insgesamt
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22 January 2010. Even in black and white, this edgy, raw and gripping nuclear apocalyptic thriller retains is powerful and emotional message even after 46 years. Even though some of the equipment is dated in this movie, the serious and almost seemingly electronic starkness is able to project a impressive, compelling impression of sophistication that maintains a level of captivating images that breath intelligence and innovation of government operations even years ago. The acting and substance of this thriller contains a constant level of tension, off-balance conflict that hits home even today. While almost deviating, particularly in the beginning to the dated acting dramatics of the 60s, this movie successful keeps its attention on seemingly realistic and heightened elements of military and political strategy, operations and equipment, tactics that all fit well together making the entire movie a unified and seamless experience in accidental tragedy. 9/10.
This cold war era classic certainly made you think if it's storyline was possible. The plausibility of the solution to avert an all-out retaliatory nuclear war that the American and Soviet leaders decide on in the film is still debated but this film captures the essence of the cold war paranoia in this film directed by Sidney Lumet. This was Lumet's seventh film of his career and he was known for his dramas that were screen stage plays with 12 Angry Men, Long Days Journey Into Night and The Pawnbroker. Henry Fonda heads up an excellent cast including Walter Matthau, Fritz Weaver, Larry Hagman, Dan O'Herlihy, Ed Binns and Frank Overton. In 1958 author Peter George wrote the novel Red Alert and would go on to win an out of court settlement over the authors of Fail Safe, Eugene Burdick and Harvey Wheeler, on plagiarism charges. Interestingly the dramatic novel Red Alert would serve as the basic premise for this dramatic film and in the dark comedy Dr. Strangelove which were both released in the same year by the same studio. Good tension and drama from this script by Walter Bernstein. Weather it could or couldn't have happened as it did in this story it's still a compelling film 42 years later. I would give it an 8.5 out of 10.
I'm a child of the 1970s, but this movie still scared me. You didn't have to grow up during the 50s or 60s to appreciate this. Anways in the 1980s, when Reagan was in office, nuclear war seemed a very real prospect. This movie is deadly serious, NO humor at all, and lit very sparsely. The battles between Russian and US planes seen as blips on a huge screen, is just as scary as if we had seen it realistically. Frightening, harrowing...hard to believe this film still has that effect now. Well worth watching but it's very very grim. Also, Fonda is superb as the President.
Interesting that both Failsafe and Dr. Strangelove both came out in 1964 the year that Barry Goldwater and his candidacy brought up the nuclear issue. After seeing both those films together with the flip comments Goldwater made about nuclear war, he was never to be anything other than a Senator from Arizona.
Everyone remembers Stanley Kubrick's black comedy Dr. Strangelove about a nuclear exchange. Failsafe which is as serious as a crutch is less remembered. Still viewed today it still has an important message, maybe more important now than when it was a bi-polar world. At least everyone then seemed to be on one side or the other.
My favorite performer in this film is Frank Overton who worked mostly in television. On the big screen he's probably best known as the small town sheriff in To Kill A Mockingbird. Though he did a lot of television work until he died in 1967, Failsafe turned out to be his last big screen performance. Overton does a great job as the general in charge of the Strategic Air Command in Omaha who is very reluctantly trying to help the Russians shoot down SAC bombers who've had one squad of them accidentally given the go ahead for nuclear war.
Henry Fonda is the beleaguered president of the United States who is issuing commands from a deep underground bunker beneath the White House with only Russian interpreter Larry Hagman there. The whole claustrophobic atmosphere adds to the desperation of Fonda's performance. By the way note the large closeups of Fonda as he's trying to order the SAC bombers back from their mission.
You might also note in a tiny role at the SAC command center Dom DeLuise in a very serious role as a sergeant. This may be the only time DeLuise ever had a serious part.
At the Pentagon is Defense Department consultant Walter Matthau also in a serious role as a Herman Kahn type, looking to 'win' a nuclear exchange. He's one frightening fellow.
The world is no longer bi-polar, but the lessons of Failsafe have yet to be learned.
Everyone remembers Stanley Kubrick's black comedy Dr. Strangelove about a nuclear exchange. Failsafe which is as serious as a crutch is less remembered. Still viewed today it still has an important message, maybe more important now than when it was a bi-polar world. At least everyone then seemed to be on one side or the other.
My favorite performer in this film is Frank Overton who worked mostly in television. On the big screen he's probably best known as the small town sheriff in To Kill A Mockingbird. Though he did a lot of television work until he died in 1967, Failsafe turned out to be his last big screen performance. Overton does a great job as the general in charge of the Strategic Air Command in Omaha who is very reluctantly trying to help the Russians shoot down SAC bombers who've had one squad of them accidentally given the go ahead for nuclear war.
Henry Fonda is the beleaguered president of the United States who is issuing commands from a deep underground bunker beneath the White House with only Russian interpreter Larry Hagman there. The whole claustrophobic atmosphere adds to the desperation of Fonda's performance. By the way note the large closeups of Fonda as he's trying to order the SAC bombers back from their mission.
You might also note in a tiny role at the SAC command center Dom DeLuise in a very serious role as a sergeant. This may be the only time DeLuise ever had a serious part.
At the Pentagon is Defense Department consultant Walter Matthau also in a serious role as a Herman Kahn type, looking to 'win' a nuclear exchange. He's one frightening fellow.
The world is no longer bi-polar, but the lessons of Failsafe have yet to be learned.
I was thoroughly in suspense throughout this magnificent film. I almost felt as if I was watching World War III unfurl like the Gulf War did on CNN, it was that convincing. Fonda as the President and Matthau as the Professor, in truly memorable performances, are superb in their roles and indeed the entire cast is strongly competent. Besides the unforgettable ending, by way of the President's unthinkable concession, are the arguments and attitudes of the Professor and Colonel Cascio. At the time it must have been very tempting to many hawks in Cold War administrations to end the deadlock whenever a seemingly decisive opening presented itself. I strongly recommend this film for its believablity and realism and even the final credits! 10/10.
Wusstest du schon
- WissenswertesThe "computer-generated" image on the control-room screen (including the map of the world, the planes and the explosions) was entirely drawn and animated by hand.
- PatzerThe interior shots of the bombers, Convair B-58 Hustlers (see Trivia), actually were shot inside of a commercial airline simulator then under repair at a a New York airport. The three crew members sit within feet of each other, in an open cockpit layout. In an actual B-58, the world's first fly-by-wire and supersonic bomber (and capable of twice the speed of sound), the three-man crew of pilot, bombardier/navigator, and defense systems specialist were seated in-line and had no physical contact with one another. To make survivable ejection possible on such a high-speed aircraft, each compartment was specifically designed as wholly contained clam-shell "pod" that would be ejected intact if the need arose. As a result, the crew had to rely on an internal telecommunications system to talk, or a string-and-pulley system that ran along the cabin wall to exchange notes if those systems failed. It's speculated that this pod design was incorporated as a presidential safeguard on modern 747 versions of Air Force One, as implied in the film Air Force One (1997).
- Zitate
US Ambassador: [over the phone] I can hear the sound of explosions from the north east. The sky is very bright. All lit up.
[phone melts and high pitched whining sound starts]
- Crazy Credits[FINAL CREDIT]: The producers of this film wish to stress that it is the stated position of the Department of Defense and the United States Air Force that a rigidly enforced system of safeguards and controls insure that occurrences such as those depicted in this story cannot happen
- VerbindungenFeatured in Henry Fonda: The Man and His Movies (1982)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Límite de seguridad
- Drehorte
- Westbury, Long Island, New York, USA(Roosevelt Field: President's bunker)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 3.924.000 $
- Laufzeit
- 1 Std. 52 Min.(112 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
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