IMDb-BEWERTUNG
6,9/10
13.044
IHRE BEWERTUNG
Die besten Männer Frankreichs - ein mutiger Journalist und ein äußerst energischer Kommissar - begeben sich auf die Spur eines mysteriösen kriminellen Superhirns.Die besten Männer Frankreichs - ein mutiger Journalist und ein äußerst energischer Kommissar - begeben sich auf die Spur eines mysteriösen kriminellen Superhirns.Die besten Männer Frankreichs - ein mutiger Journalist und ein äußerst energischer Kommissar - begeben sich auf die Spur eines mysteriösen kriminellen Superhirns.
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The Fantomas novels were resurrected in the early 1960s as France's own answer to the James Bond frenzy that swept the Continent and the world. The first one of the trilogy was filmed in 1963-64 and released in 1964. This film is shot in normal aspect ratio 4:3, whereas the following two were filmed in anamorphic wide screen.
The opening sequence of the film is already a gas: Fantomas pulls up in a chauffeured driven Rolls Royce Silver Cloud to a fancy jeweler's store next to the Paris Ritz Hotel. His mask identifies him as a British Lord. He pays for the jewelery with a personal check and then drives off with his stunning lady friend, smiling and laughing his distinct laughter. Next, we see the check being held in the hands of the jeweler, when suddenly, the amount and signature written on it disappear (invisible ink!) and the word "FANTOMAS" appear. Pretty high-grade stuff for 1964.
Interesting to note that in all three films, the actor Jean Marais played both the criminal mastermind Fantoms and ladies man Fandor, the journalist.
I also enjoyed looking at the journalist Fandor's hip mansard apartment. Top gimmick is the rubber masks that offer Fantomas anyone's identity at will. The flying Citroen car debuted here and was used on an AMC car that flew with retractable wings 10 years later in a Bond movie.
It would be so nice to be able to get the Fantomas films on DVD here in North America.
The opening sequence of the film is already a gas: Fantomas pulls up in a chauffeured driven Rolls Royce Silver Cloud to a fancy jeweler's store next to the Paris Ritz Hotel. His mask identifies him as a British Lord. He pays for the jewelery with a personal check and then drives off with his stunning lady friend, smiling and laughing his distinct laughter. Next, we see the check being held in the hands of the jeweler, when suddenly, the amount and signature written on it disappear (invisible ink!) and the word "FANTOMAS" appear. Pretty high-grade stuff for 1964.
Interesting to note that in all three films, the actor Jean Marais played both the criminal mastermind Fantoms and ladies man Fandor, the journalist.
I also enjoyed looking at the journalist Fandor's hip mansard apartment. Top gimmick is the rubber masks that offer Fantomas anyone's identity at will. The flying Citroen car debuted here and was used on an AMC car that flew with retractable wings 10 years later in a Bond movie.
It would be so nice to be able to get the Fantomas films on DVD here in North America.
It was wonderful for me to discover this classic French gem so late.
Why?
Because I was brought up on 007, and Fantomas harks back to early Bond in many ways: Thematically, musically, visually. But whereas Bond films perpetrate English rational thinking and ironic humor, Fantomas goes the French way: Farce, sexyness, and ...Louis DeFunés!!!
We are nearer to comic- book villainy here.
We also notice that lots of FRANCS were put where the Brits put their POUNDS. By this I don't doubt for a minute that by showing off Paris and the French Riviera the French government certainly wished to rival Britain's skilfully propaganda operation perpetrated by Bond films. (Let's not forget that Ian Fleming, who authored the books, was a British agent).
But though Marais has much of Roger Moore's (a future Bond) suave appeal, it is the zany, manic DeFunés who steals the show...turning the film into something hard to classify. In fact he single-handedly wreaks havoc, and triggers off material for Peter Sellers' future inventions like Inspector Clouseau (of the Suretée).
The stunts in this film are amazing, and coarsely riveting. Marais and elderly DeFunés pull off quite a few themselves. And the inflatable dinghy finale is so tongue-in- cheek it will have you giggling like a toddler.
Vive la Liberté!
Why?
Because I was brought up on 007, and Fantomas harks back to early Bond in many ways: Thematically, musically, visually. But whereas Bond films perpetrate English rational thinking and ironic humor, Fantomas goes the French way: Farce, sexyness, and ...Louis DeFunés!!!
We are nearer to comic- book villainy here.
We also notice that lots of FRANCS were put where the Brits put their POUNDS. By this I don't doubt for a minute that by showing off Paris and the French Riviera the French government certainly wished to rival Britain's skilfully propaganda operation perpetrated by Bond films. (Let's not forget that Ian Fleming, who authored the books, was a British agent).
But though Marais has much of Roger Moore's (a future Bond) suave appeal, it is the zany, manic DeFunés who steals the show...turning the film into something hard to classify. In fact he single-handedly wreaks havoc, and triggers off material for Peter Sellers' future inventions like Inspector Clouseau (of the Suretée).
The stunts in this film are amazing, and coarsely riveting. Marais and elderly DeFunés pull off quite a few themselves. And the inflatable dinghy finale is so tongue-in- cheek it will have you giggling like a toddler.
Vive la Liberté!
The Fantomas novels were resurrected in the early 1960's as France's own answer to the James Bond frenzy that swept the Continent and the world. The first one of the trilogy was filmed in 1963-64 and released in 1964. This film was just Brilliant, from the acting, the super funny dialogue and to the incredible action. YES! the film had some really amazing action for its budget, make and year of release.
The opening sequence of the film is already a gas: Fantomas pulls up in a chauffeured driven Rolls Royce Silver Cloud to a fancy jeweler's store next to the Paris Ritz Hotel. His mask identifies him as a British Lord. He pays for the jewelry with a personal check and then drives off with his stunning lady friend, smiling and laughing his distinct laughter. Next, we see the check being held in the hands of the jeweler, when suddenly, the amount and signature written on it disappear (invisible ink!) and the word "FANTOMAS" appear. Pretty high-grade stuff for 1964.
Interesting to note that in all three films, the actor Jean Marais played both the criminal mastermind Fantomas and ladies man Fandor, the journalist.
I also enjoyed looking at the journalist Fandor's hip mansard apartment. Top gimmick is the rubber masks that offer Fantomas anyone's identity at will. The flying Citroen car debuted here and was used on an AMC car that flew with retractable wings 10 years later in a Bond movie.
It would be so nice to be able to get the Fantomas films on DVD here in North America.
The opening sequence of the film is already a gas: Fantomas pulls up in a chauffeured driven Rolls Royce Silver Cloud to a fancy jeweler's store next to the Paris Ritz Hotel. His mask identifies him as a British Lord. He pays for the jewelry with a personal check and then drives off with his stunning lady friend, smiling and laughing his distinct laughter. Next, we see the check being held in the hands of the jeweler, when suddenly, the amount and signature written on it disappear (invisible ink!) and the word "FANTOMAS" appear. Pretty high-grade stuff for 1964.
Interesting to note that in all three films, the actor Jean Marais played both the criminal mastermind Fantomas and ladies man Fandor, the journalist.
I also enjoyed looking at the journalist Fandor's hip mansard apartment. Top gimmick is the rubber masks that offer Fantomas anyone's identity at will. The flying Citroen car debuted here and was used on an AMC car that flew with retractable wings 10 years later in a Bond movie.
It would be so nice to be able to get the Fantomas films on DVD here in North America.
This is a freewheeling fun narrative. Weeeeeeee. Funny parts along with the things happening.
11/19 p.s. This is a technical marvel of a flick that shows motorcycles in a chase sequence as they crash and riders flip through the air like out of The Road Warrior from predating the same type of action being done here way before.
11/19 p.s. This is a technical marvel of a flick that shows motorcycles in a chase sequence as they crash and riders flip through the air like out of The Road Warrior from predating the same type of action being done here way before.
Wusstest du schon
- WissenswertesMylène Demongeot said in her memoirs that Jean Marais was very jealous of Louis de Funès success and Marais was not so involved with the rest of the crew.
- PatzerA lot of time passed between Fantomas taken Juve and Fandor out of jail and the police finding out that they escaped. But just right after that, the police locate them with the helicopter, even though they did not know which way they took and which car they used.
- VerbindungenEdited into Operation: Secret Agents, Spies & Thighs (2007)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Tội Phạm Khét Tiếng
- Drehorte
- Place de la Concorde, Paris 8, Paris, Frankreich(first scene)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 44 Min.(104 min)
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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