IMDb-BEWERTUNG
7,3/10
8585
IHRE BEWERTUNG
Der Italienurlauber Marèchal (Louis de Funès) hat Glück im Unglück: Ihm wird nach einem Unfall ein Auto zur Verfügung gestellt. Leider weiß er nicht, dass es voller Schmuggelware ist…Der Italienurlauber Marèchal (Louis de Funès) hat Glück im Unglück: Ihm wird nach einem Unfall ein Auto zur Verfügung gestellt. Leider weiß er nicht, dass es voller Schmuggelware ist…Der Italienurlauber Marèchal (Louis de Funès) hat Glück im Unglück: Ihm wird nach einem Unfall ein Auto zur Verfügung gestellt. Leider weiß er nicht, dass es voller Schmuggelware ist…
- Auszeichnungen
- 1 Nominierung insgesamt
Henri Génès
- Martial - l'ami d'Antoine
- (as Henri Genés)
Jack Ary
- Le commissaire
- (as Jacques Ary)
Jacques Ferrière
- Le chauffeur de Saroyan
- (as Jacques Ferriere)
Guy Grosso
- Un douanier
- (as Grosso)
Michel Modo
- Un douanier
- (as Modo)
Bernard Meusnier
- Le secrétaire de Saroyan
- (as Bernard Meunier)
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Bourvil plays the role of Antoine Marechal, a seemingly witless insurance salesman, who on his way to a vacation in Italy in his "deux cheveaux" automobile gets hit and has his car literally destroyed by the Rolls Royce of Leopold Saroyan, an affluent industrialist played by Louis de Funes. In order to make amends, Saroyan offers to have Marechal complete his trip to Italy in his convertible Cadillac (replete with a mobile phone and phonograph player - this is no less than twenty years before the advent of cellular phones and CD players). What Marechal doesn't know is that the Cadillac is also laden with stolen jewelry and drugs to be smuggled unwittingly by him across the border. What's more, Saroyan and two cronies as well as a smattering of other criminals tail Marechal during his journey across Italy and try to intercept or recharge, as the case may be, the merchandise on board the Cadillac. The hi-jinks in this movie are incredibly funny. This film is a worthy precursor to de Funes' "The Adventures of Rabbi Jacob."
I first watched Le Corniaud when I was still a student in colonial Mozambique and found it roaringly funny - the scenes of sugar cubes placed in the gasoline tank (twice) with de Funes promptly getting his aides to suck out the gasoline; that marvellous camp shower scene; and Bourvil missing the plot altogether, unwittingly dispersing the contraband goods all over the place and always finding gorgeous women for company - it is all zany, unpretentious fun from a time long gone when fun could be politically incorrect without anyone giving it a second thought or being offended by it.
I have watched Le Corniaud twice since Mozambique and though the story is a bit patchy the leading duo is in top form, the Italian scenery is to die for, and it has such wonderful vignettes that I cannot help but laugh and laugh and laugh.
I have watched Le Corniaud twice since Mozambique and though the story is a bit patchy the leading duo is in top form, the Italian scenery is to die for, and it has such wonderful vignettes that I cannot help but laugh and laugh and laugh.
It's a fun ride and there's no time to get bored. Some scenes in particular are genuinely funny (the shower scene with Louis de Funes is a classic, the whole shooting scene in the gardens is superb) and the film makers were positively inspired to produce quality comedy rather than just injecting generic humor into the movie just to fill in the scenes. It's more a case of actual gags, with natural organic humor, that were thought up carefully rather than just cramming a bit of processed haha to get through to the end.
It's carefully written and crafted, and it's quite a ride with all sorts of twists and bumps and new characters adding an extra dynamic to the story and Bourvil and De Funes do very well to add that warm organic feel to it as it easily could've been a film which comedy tag would only be honorary, and focused mostly on the plot. Many comedies are tagged as 'comedy' but aren't actually funny, they're just comedy in tone but won't actually make you laugh.
The last part, say about the last half hour, is a little bit stretchy, kind of takes a turn of its own and feels a tad different from the rest of the film, somewhat slows down the momentum, and does feel like they had to mix it up and were compelled to come up with content to finish off the picture, although the very last image is very true to the film.
7.5/10.
It's carefully written and crafted, and it's quite a ride with all sorts of twists and bumps and new characters adding an extra dynamic to the story and Bourvil and De Funes do very well to add that warm organic feel to it as it easily could've been a film which comedy tag would only be honorary, and focused mostly on the plot. Many comedies are tagged as 'comedy' but aren't actually funny, they're just comedy in tone but won't actually make you laugh.
The last part, say about the last half hour, is a little bit stretchy, kind of takes a turn of its own and feels a tad different from the rest of the film, somewhat slows down the momentum, and does feel like they had to mix it up and were compelled to come up with content to finish off the picture, although the very last image is very true to the film.
7.5/10.
Of course this movie is dated (43 years by now), but in my opinion that rather adds to the fun. We get to see quite many street scenes of the time, in France and Italy, and of course lots of cars from that period (including two Rolls-Royces). For railfans, even a "Picasso" railcar is thrown in...
I'm normally not a fan of Louis de Funès' frantic humour, which is also evidenced here, but he also has very admirable (non-talking) moments, like the Cadillac repair to a classical music score, or the muscle comparison in the camping shower.
In all, a turbulent comedy plus Italian road movie. Very lovely. The German DVD I bought (Universal 2008, titled "Louis, das Schlitzohr") also has English, Spanish and Dutch dubs, but not the original French soundtrack. Still, jolly good fun which made my Friday night perfect :^)
I'm normally not a fan of Louis de Funès' frantic humour, which is also evidenced here, but he also has very admirable (non-talking) moments, like the Cadillac repair to a classical music score, or the muscle comparison in the camping shower.
In all, a turbulent comedy plus Italian road movie. Very lovely. The German DVD I bought (Universal 2008, titled "Louis, das Schlitzohr") also has English, Spanish and Dutch dubs, but not the original French soundtrack. Still, jolly good fun which made my Friday night perfect :^)
This was playing on French TV when I was on a recent trip to France. I laughed often during this marvelous old film. Even though my understanding of the language is minimal, I enjoyed this movie very much.
It has some wonderful physical comedy and the vintage cars and clothes are a treat to watch. The main character, who remains oblivious throughout the story, is a lovable clueless man. The crooks are appropriately stupid.
The camp shower scene is a classic. Even my husband laughed out loud during that ... a rare occurrence.
I wish I knew where to buy this film with English subtitles to watch it on a dreary winter night! It would a fun one to share with others to raise serotonin levels for all.
It has some wonderful physical comedy and the vintage cars and clothes are a treat to watch. The main character, who remains oblivious throughout the story, is a lovable clueless man. The crooks are appropriately stupid.
The camp shower scene is a classic. Even my husband laughed out loud during that ... a rare occurrence.
I wish I knew where to buy this film with English subtitles to watch it on a dreary winter night! It would a fun one to share with others to raise serotonin levels for all.
Wusstest du schon
- WissenswertesNext to Die große Sause (1966) this was Louis de Funès biggest success in France.
- PatzerMaréchal falls in the sea backwards, but in the next shot he is clearly falling frontwards.
- Zitate
Leopold Saroyan: But he's honest. You can see it in his face. And that's the best passport there is. For a customs officer, the person's the suspect, not the car.
- VerbindungenFeatured in Louis de Funès - Die Macht des Lachens (2003)
- SoundtracksLa Boutique Fantasque
(uncredited)
Written by Gioachino Rossini and Ottorino Respighi
Performed by Orchestre Lamoureux
Conducted by Roberto Benzi
Top-Auswahl
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- Erscheinungsdatum
- Herkunftsländer
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- Auch bekannt als
- The Sucker
- Drehorte
- La Villa d'Este, Tivoli, Rom, Latium, Italien(shootout in fountains)
- Produktionsfirmen
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- Budget
- 5.300.000 FRF (geschätzt)
- Laufzeit1 Stunde 51 Minuten
- Seitenverhältnis
- 2.35 : 1
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What is the Mexican Spanish language plot outline for Scharfe Sachen für Monsieur (1965)?
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