Ist ja irre - Agenten auf dem Pulverfaß

When the evil forces of STENCH strike at a British research laboratory they get away with a top secret chemical formula. With the British agents spread thin across the world, The Chief has very few options open to him to follow up the lead into the mysterious Milchmann who led the attack. The Chief scraps the bottom of the barrel and comes up with Simkins – probably one of his worst agents. Assigning Simkins with a handful of trainee agents – Crump, Honeybutt and Bind – the ragtag band set off to meet up with Agent Carstairs in Vienna.

Despite being made in the mid-sixties this Carry On film has more in common with those made early in the series (Teacher and Sergeant) more than it does with those made around the same time as it (Jack, Cruising, Cowboy). It is not just the black and white that made me think this but also the fact that the humour seems fresher and slicker than the heavy innuendo and crudity of the later films. Others have said this has more in common with Ealing than Carry On – they are wrong, but I can see what they mean because the light spy spoof is very much an early Carry On. The material isn't great though but it does produce easy and obvious comedy and those looking to just to fill a wet Sunday afternoon.

The cast make a big difference even though not all the regulars are present. Williams and Hawtrey are the most fun as both play up their camp characters to good effect – they both get the best lines as well. Windsor is pretty good as she isn't just used as an object. Cribbins was pretty dull I thought but Dale was good value in a small role. Additional support from Barker, Laye and a few others all helps. Overall a Carry On like they first made them; not brilliant but light fun.

This is one of the funnier efforts by the team. Its obviously a send up of other movies of the genre and is shot in glorious black and white which sometimes I prefer. Black and white seems to suit the carry on movies. Life may indeed be in colour but these movies were never a depiction of life. The campery of Kenneth Williams and Charles Hawtrey is as funny as ever. There are those two wonderfully reliable old British actors Eric Barker and the fabulous Richard Wattis as his assistant. It would be hard to find better actors to play the chief and his off sider. I loved the performance of Judith Furse.. hilariously butch.Bernard Cribbins is a great talent and he brings so much more to the series than the annoying Kenneth Connor did. This might have been the first with the great Barbara Windsor and what a spectacular career she had. She actually steals the film and I found myself roaring with laughter. Its a very good carry on but above all the introduction of one of Britains finest stars Magnificent Barbara Windsor. Barbara Windsor was much more than the sexy little bomb shell that added so much to these films and many others. She was a brilliant comedienne and I hope she gets the recognition she richly deserved. Her timing is brilliant.

Yes its all very corny but all great comedy is corny. Its rather fun seeing their idea of modern technology,those mobile phones are fun. Wonder what they would think of what we use today. I love the cheap effects of the movie such as the car wash, rather not explain but its hilarious. Its great fun seeing one of Australias most loved exports, John Bluthall in the early stages of a great career.

A grown man shouldn't really be discussing a 'Carry On' film, but this has always been my personal favourite; and the series soon went into a precipitous decline after the franchise was taken over by Rank in 1966.

It actually rewards knowledge of classic adventure films of the forties like 'The Maltese Falcon' and 'The Third Man', both referenced by the presence of Eric Pohlmann - since he is referred to as 'The Fat Man' and was actually in 'The Third Man (not to mention having recently voiced Blofeld in 'From Russia with Love') - and has some genuinely witty dialogue, including "Was it - THEM?" "Well it certainly wasn't - US!!" and "So you knew my father!!". There's even a little mild satire, such as the cipher clerk with a Russian accent played by Gerton (sic) Klauber squinting at an intercepted message as he reads it aloud to the head of MI5; and the sign on their table that greets our heroes in a Viennese restaurant reading 'Reserved for Party of British Agents'.

Cinematographer Alan Hume actually graduated to the James Bond series. The opening sequence beginning with Victor Maddern driving up to the north entrance of Pinewood Studios anticipates that of 'Get Smart!', while the finale at STENCH headquarters is well worth the wait. Embellished with atmospheric music from Eric Rogers, presided over by the memorably strange Dr. Crow and staffed by stern henchwomen dressed like Modesty Blaise, (SPOILER COMING:) it obligingly has a prominently displayed panel for blowing the place up like the lever in Frankenstein's laboratory at the end of 'Bride of Frankenstein'.

Richard Wattis did three days work on this; his one and only 'Carry On'. Liz Fraser had sadly just left the series, and her replacement by Barbara Windsor (although playing a genius with a photographic memory) showed the series was coarsening. But Dilys Laye compensates by providing a memorable dragon lady.

This is yet another popular (and good) entry in the "Carry On" series. Like JACK, CLEO and SCREAMING, it's a parody of a current film or fad – in its case the box-office sensation that were the James Bond extravaganzas (in fact, it was the first of innumerable spoofs/imitations of that long-running franchise). Kenneth Williams (complete with funny accent) is more or less at his best here; accompanying him are Barbara Windsor (this proved to be her series debut), Bernard Cribbins, Charles Hawtrey, Dilys Laye (as a femme fatale), Jim Dale (playing the gang's long-suffering contact man) and Eric Barker (as, what else, their superior).

While it cleverly features an androgynous villain (played by Judith Furse and voiced by John Bluthal), the film also lampoons earlier classic British thrillers – such as Hitchcock's 1930s efforts and THE THIRD MAN (1949). The action takes place in a variety of locales from a Viennese café to an Algerian harem; typical espionage elements are the gang's donning of various disguises to follow or elude enemy agents and the perilous train journey. By the way, the villains' headquarters are amusingly accessed via a public convenience – which also pays off with an inspired surreal ending. In a direct nod to the Bond model, we get silly acronyms for the various organizations involved (such as S.T.E.N.C.H., S.M.U.T., S.N.O.G., etc).

After "Carry On Cabby", I expected "Carry On Spying" to descend into the campy sixties, but truthfully, this one was entertaining. Without regulars Sid James, Hattie Jacques (I suspect she was offered the villianess role) and Kenneth Conner, I expected this one to focus entirely on Williams buffoonery.

He was more of a nitwit here than a snotty know-it-all, but he was given the spotlight this time.

So this was Barbara Windsor! She truly was entertaining and not just because of her physique. She's not boring to watch or listen to.

Obviously Bernard Cribbins was filling in the Kenneth Conner spot, and quite honestly, Cribbins (whom I only know from the Doctor Who movies with Peter Cushing) he wasn't as Jim Carrey-esque as Conner has been in the previous films.

What an entertaining series this is, watching the transition from "Carry On Sergeant" to "Carry On Spying" thus far. I do look forward to what I have left to see of these films.

After this, it is on to "Carry On Cleo"!