Back Door to Hell

Hollywood has frequently (and variably) dealt with the WWII Pacific conflict: this is another such film, for which 'indie' director Hellman managed to secure the backing of a major studio, Twentieth-Century Fox (though the end result being just 69 minutes long, it was clearly sold as a 'programmer'). Anyway, Hellman's talent for introspection is even more evident (in an otherwise slightly-plotted effort) than before, with the emphasis on characterization (pertaining especially to the initial-distrust-which-develops-into-mutual-respect between the different races involved)...though the action, whenever the film resorts to it, is sufficiently well-handled.

Jack Nicholson co-stars as one of a trio of American soldiers who arrive by raft to the Philippines in anticipation of the imminent Allied invasion of Japan. Though good as always, and already displaying his chameleon-like abilities, the role (joker, radio operator and Japanese interpreter all rolled into one!) does not allow him to shine like he did in the simultaneously-shot FLIGHT TO FURY (1964), another Hellman collaboration. The chief reason for this has to do with the fact that the central figures here are Nicholson's conscientious superior (a youthful-looking but undeniably effective Jimmie Rodgers) and the dehumanized leader of the rebel army (imposingly played by Gerald Maga).

The third member of the outfit, then, is blood-thirsty John Hackett (who co-wrote the film!), while the locals also number among them a strong-willed girl who became attached to Maga after he lost his family during the early days of the war. The two units clash over the treatment to be accorded some Japanese officers they capture, but soon they are fighting them side by side: the Americans' radio having been rendered useless in a skirmish, the trio then decide to infiltrate the enemy camp in order to send word back home that their mission is accomplished. Caught in the act, however, Nicholson succumbs to a hail of bullets and, when the two groups eventually reconvene, the girl tells Rodgers that Maga has fallen as well!

Though reasonably impressive as a cinematic exercise, the general tone proves rather too low-key for the film to be properly gripping as a whole. Besides, the overall pace is decidedly leisurely (consequently feeling longer than its running-time would suggest!), while the overly familiar situations that unfold throughout do not exactly help make it a distinguished example within such a prolific genre.

A trio of American soldiers sneak into the Japanese-held Philippines to scout it out for the forthcoming invasion. However, once they meet up with the local partisans, they come to realize that the war these locals have been waging isn't a 'nice' war but a war without rules and a war without pity. At first, the soldiers balk at this--murdering and torturing prisoners ISN'T what they were trained to do! However, they must forge some alliance with these Filipinos and work behind enemy lines without being detected...and this might just mean adopting the same tactics as their new allies.

While the very low budget in this film is rather apparent (with the use of non-stars, at least at that time, as well as a HUGE chunk of stock footage near the end), it's a good but certainly not great film. I appreciated how the film presented a side of war not seen in WWII films made during the war--that sometimes soldiers need to be vicious and not exactly noble creatures! Plus, it gives you a chance to see Jack Nicholson in the sort of film in which you might never expect him to act. Mildly interesting.

One time pop singing star Jimmy Rodgers is teamed with a VERY young Jack Nicholson, in this tale of three Intel-recon rangers, landing in the Phillipines, just prior to McArthur's return. This is an early directorial effort by Monte Hellman, and combined with the young cast, and several Phillipino actors there is a sense of awkwardness to the film that actually lends to its authenticity. The story, centered on knocking out a Japanese communication center is simple, the dialogue terse. Theatre owner/producer Lippert is credited as an executive producer, and the film is reminscent of his earlier release "Silent Raiders" (1954). Worth a look, just to see a young Nicholson, honing his craft.

I'm 62 yrs old and had thought I'd seen every b&w WWII film made in the USA. I saw this film today for the fist time. I was completely surprised by the performance of Jimmie Rogers and several of the Filipino actors. Not enough attention has been paid to the sacrifices made by the Filipine people during WWII. I think this film had a certain raw elegance that rises above the sometimes stilted dialog and,thus,deserves more air-time.

I remember Jimmie Rogers as a singer in the 1950's. I was surprised and impressed with his acting in this film. He played the young soldier thrust into a position of leadership by world events and, like so many other young men (me among them), tried his best. He was thoughtful and serious, but not ponderous as he tried to lead other young men through the moral/ethical mine field that war represents. Also,this film is worth your time just for the opportunity to see a very young Jack Nicholson at work. I must also add here that I am definitely a sucker for black & white films. I think Ted Turner should be drawn and quartered. for colorizing the classics!

Finally, all of the Filipine actors had decent, meaningful dialog and were shown to be the resourceful, dedicated and very effective fighters that they,in fact, were. Joe Bradley Virginia Beach, VA

'Back Door to Hell' is much better war film that one can expect from low budgeted B-movie. Little rough on the edges, but well put together with good story, enough tension and enough meaty characters to care for till to the end. The big battle in the end is cut together from stock footage, but that shouldn't come as a big shock.

Three men reconnaissance unit with hardened cynical sergeant Jersey (John Hackett) and philosophical wise cracker Burnett (Jack Nicholson) led by lieutenant Craig (played by pop singer Jimmy Rodgers who also was one of the financial backers), are on the mission in Luzon, Phillipines to gather information about the movements of Japanese troops prior to American invasion. Team must meet with guerrilla leader Miguel, but they find new leader Paco (Conrad Maga) instead, and learn that Miguel has been killed off by Paco himself. No certain explanation is given, except Paco's ambiguous answer, that you can't trust people during the occupation.

'Back Door to Hell' is not your typical anti-war film, nor 'we are the awesome heroes' type action piece. The film has a little existential and philosophical point of view, but it rather just depicts the war and its horrors. All this is enlivened by the location of Philippines.

The film didn't get much praise upon its release, and it is rather forgotten today, except when someone points it out as one of the earliest roles of Jack Nicholson (whose performance alone is definitely the reason to check out the film). But there are much more in that film. You can say that 'Back Door to Hell' is a film with personality.

Many great lines come from Jack Nicholson's character, but my favorite one is his answer to Jersey, when he asks: "We're all gonna die anyway - tomorrow, next week, 30 years from now. Did that little thought ever penetrate your thick skull?" And Burnett retorts: "Yeah, once when I was a boy, but naturally I dismissed it as being too outrageous."

P.S. Can anyone confirm, was it Japanese/American character actor Mako Iwamatsu in the role of captured Japanese soldier?