Aufstand in Arizona

The first of Whitney and Murphy's "Didactic History Trilogy" whereby they seek to re-educate the viewer on the American West. Probably the closest Hollywood ever got to Rossellini's TV and the polar opposite of the cartoon nihilism of Leone. Best scene: Murphy, always tortured by whiskey, uses whiskey to torture the bad. Audie Murphy gives a good performance in his role as Jeff Stanton, the captain who acts like he is in charge and is determined to stop the Apaches from causing trouble.

Elsewhere, Linda Lawson is respectable in her role as Dawn Gillis, the missionary who Jeff adores, while Michael Dante is decent as Red Hawk, one of the men who is captured, and L.

The "War Hero" who is a "War Hero" to War Heroes...Audie Murphy is and was Virtually Neglected by Movie Archeologists and Never Got Much Respect from the Professional "Critics' '.

Truth be Told...His Obvious "Screen Presence" and Acting was Always a "Work in Progress" for the "Medal of Honor" Recipient and the Most Decorated Soldier of WWII.

Audie Said..."Acting was a battle I never won."

His Movies, for the Most Part were B-Westerns, usually in Glorious Technicolor, and the Humble, but Troubled Man, Gave it His All and Delivered Highly Entertaining Movies,

that Always Made Money for Everyone Involved, and were at Least Average, "Bang for the Buck" to His Faithful Fans.

In this One, at the Start of the 3rd Act in His 50 Movie Career, is Not Flawless, it does Contain Irritating and Grainy Stock Footage, but the Remainder of the Film is "Spot-On" Concerning the On-Going Effort of Reversing the Indian Stereotypes,

Starting with "Broken Arrow" (1950), Ushering in a More Nuanced Portrayal, Showing some Respect for the Native American and Their Dealing with the Invaders and Their Evil Deeds, Stealing Their Land, Culture, and Displacement.

Good Performances All Around the Rousing and Engaging Story.

With Michael Dante as the Apache Warrior and Linda Dawson at the Center of a Mild "Love Triangle", as a Missionary Working and Living with the Apaches. L. Q. Jones (a Sam Peckinpah Friendly) is Feisty as a Nasty Villain.

All Audie Murphy Movies are...

Worth a Watch.

This is a fully-fledged 90 minutes approximately action Western film , fast moving , tense , rousing scenes and excitement throughout its running time . A young cavalry officer called (Audie Murphy) is assigned the job of bringing in a band of Apaches Miscalero led by Vitorio (Vitale) and his son Red Hawk (Michael Dante) who have been terrorizing the countryside . They have escaped from San Carlos reserve , illustrating the callous disregard with which the government treated the Apaches as the US agency fails to deliver even the meager provisions without proper supplies for survival . But the captain Stanton is caught in the crossfire of passions and greed . There arrives a new Colonel (John Archer) and Stanton turns into second-in-command and he subsequently is dismissed .

The picture packs whirlwinds of manic action , thrills , fights , sustained energy and often commendable results . The film has a slickness and crude vigour , though some scenes are failures . The Indian attacks , shootouts , pyrotechnics , battles , riding pursuits , all of them are spectacular and the film is another passable Hollywood product but of B-series . It contains some vigorous and ingeniously done action scenes , but others no-nonsense . The highlights of the movie are the overlong fighting between Stanton and Red Hawk and the final Indian attack to cavalry . Gorgeous outdoors filmed on location in Bronson Canyon , Mojave, California and Red Rock Canyon State Park Cantil, California . It was professionally directed by William Witney who spent his entire career making serials and second-features , one of them is this ¨Apache rifles¨ , providing the screenplay allowed him to keep them thrilling at his own moving and relentless gallop . It has a rigour look , hard-edged scenes , action-packed , wild energy , exciting images that , in the eyes of connoisseurs makes one of the most acceptable of his kind .

This traditional Western was regularly directed by William Witney , though contains some vigorous scenes . Witney was a craftsman who directed 140 titles from the 30s . Oklahoma-born William Witney began his long screen career as a studio messenger in silent days joining Republic Pictures shortly after . By 1936 , he was already script supervisor on serials and his own directorial career started the following year . Witney graduated to director at 21, he was Hollywood's youngest , and he teamed with director John English on many of the period's best serials . He realized many of the era's best serials , most of them highlighted by kinetic fight and chase scenes that helped change the face of action movie-making and from 1956 , he transferred these stirring energies to TV Westerns with prolific and enjoyable results . The favorite shooting was the 1939 serial ¨Zorro's fighting legion¨ . As his pictures were mainly serials , after WWII service with US Marines , he moved on to Roy Rogers Westerns , inserting into them a new tough backbone that offended some Rogers purists . In 1954 he made one of the best films ¨The outcast¨ with John Derek , besides his television work which includes some quite exciting episodes of such series as ¨High Chaparral¨, ¨Bonanza¨, ¨Laramie¨, ¨Zorro¨, ¨The Virginian¨ and ¨Wagon train¨ and he followed to work for cinema and was capable of making large-scale movies as ¨Santa Fe Passage¨ involving a wagon train against Indians , ¨The Bonnie Parker story¨about the famous gun-moll , and specially ¨Master of the world¨ an amusing Jules Verne adventure with Vincent Price and Charles Bronson . The motion picture will appeal to Western buffs ; it's an agreeable popcorn story plenty of shots with Indians , soldiers and gunfighters .

This is a serious-minded and sincere effort at presenting some of the difficult aspects of US-Native American relations in the old west, albeit through a Hollywood lens. It delivers above its low budget and features a remarkably lean script in a conventional style.

Massacres anywhere were extremely brutal in the 19th century and one is depicted in this film as is a Custer type of US army blunder. This movie is violent but it is depicted within the context of what actually happened in those days, and isn't gratuitous or exploitative.

Audie Murphy is very watchable with his undeniable screen presence and his strong war hero credentials. You know that he could really lead these soldiers to hell and back if necessary. In fact, he literally could. A love triangle is rather awkwardly shoe-horned into the movie featuring beautiful and soft spoken actress Linda Lawson (who is virtually forgotten nowadays). She is perfect as a compassionate activist endeavoring for progress on the frontier. Her gentle acting style works well against the believable controlled violence personality that Murphy was able to develop for all of his soldier roles.

Acting by the supporting cast is uniformly good and features the ultimate movie rabble-rouser L.Q Jones. Jones rouses a lot of rabble in this one.

This skillfully edited and filmed low budget movie is worth your viewing time.

Provoked by gold miners invading their homeland, the Apaches go on the warpath. Audie Murphy's cavalry captain brings about a peace that lasts until the murder of a new Indian agent is blamed on the tribe and the ruthless tactics of commanding officer (John Archer) make matters worse. Murphy turns from hating Indians to helping them and ultimately proposes marriage to Linda Lawson's half-breed.

A thoughtful western featuring a clash of cultures, a powder keg situation brought on by greedy miners whose heinous actions cause the Apaches to break the reservation and go on the warpath. Sounds familiar, but there's some nicely drawn characters, a very good cast ( Michael Dante is excellent as Redhawk and L. Q. Jones is quite nasty as the villain), and a bit more depth and an engaging build-up before the lead and arrows fly.

But it's the Audie's understated performance as an Indian-hating ( actually I wouldn't say he hates them, but is confused and bitter) cavalry captain that carries the briskly-plotted film. The action is sporadic with the narrative in the centre, however, when the action comes, it's stirring. There's a particular scene that is quite fresh: Audie and L. Q fight it out in the desert, then stop and duck as the Apaches rush by, and there's a point when they slip into a crevasse of a rock as they rush by again. Energetic western with a strong narrative that ends on a positive note.