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Nur für Offiziere

Originaltitel: The Americanization of Emily
  • 1964
  • 16
  • 1 Std. 55 Min.
IMDb-BEWERTUNG
7,3/10
5970
IHRE BEWERTUNG
Nur für Offiziere (1964)
An American Naval Officer's talent for living the good life in wartime is challenged when he falls in love and is sent on a dangerous mission.
trailer wiedergeben2:40
1 Video
99+ Fotos
Dark ComedyComedyDramaRomanceWar

Füge eine Handlung in deiner Sprache hinzuAn American Naval Officer's talent for living the good life in wartime is challenged when he falls in love and is sent on a dangerous mission.An American Naval Officer's talent for living the good life in wartime is challenged when he falls in love and is sent on a dangerous mission.An American Naval Officer's talent for living the good life in wartime is challenged when he falls in love and is sent on a dangerous mission.

  • Regie
    • Arthur Hiller
  • Drehbuch
    • Paddy Chayefsky
    • William Bradford Huie
  • Hauptbesetzung
    • James Garner
    • Julie Andrews
    • Melvyn Douglas
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,3/10
    5970
    IHRE BEWERTUNG
    • Regie
      • Arthur Hiller
    • Drehbuch
      • Paddy Chayefsky
      • William Bradford Huie
    • Hauptbesetzung
      • James Garner
      • Julie Andrews
      • Melvyn Douglas
    • 93Benutzerrezensionen
    • 32Kritische Rezensionen
    • 68Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 2 Oscars nominiert
      • 6 Nominierungen insgesamt

    Videos1

    Theatrical Trailer
    Trailer 2:40
    Theatrical Trailer

    Fotos117

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    Topbesetzung34

    Ändern
    James Garner
    James Garner
    • Lt. Commander Charles E. Madison
    Julie Andrews
    Julie Andrews
    • Emily Barham
    Melvyn Douglas
    Melvyn Douglas
    • Admiral William Jessup
    James Coburn
    James Coburn
    • Lt. Commander 'Bus' Cummings
    Joyce Grenfell
    Joyce Grenfell
    • Mrs. Barham
    Edward Binns
    Edward Binns
    • Admiral Thomas Healy
    Liz Fraser
    Liz Fraser
    • Sheila
    Keenan Wynn
    Keenan Wynn
    • Old Sailor
    William Windom
    William Windom
    • Captain Harry Spaulding
    John Crawford
    John Crawford
    • Chief Petty Officer Paul Adams
    Douglas Henderson
    • Captain Marvin Ellender
    Edmon Ryan
    Edmon Ryan
    • Admiral Hoyle
    Steve Franken
    Steve Franken
    • Young Sailor
    Paul Newlan
    Paul Newlan
    • General William Hallerton
    Gary Cockrell
    Gary Cockrell
    • Lieutenant Victor Wade
    Alan Sues
    Alan Sues
    • Enright
    Bill Fraser
    • Port Commander
    Lou Byrne
    • Nurse Captain
    • Regie
      • Arthur Hiller
    • Drehbuch
      • Paddy Chayefsky
      • William Bradford Huie
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen93

    7,35.9K
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    Empfohlene Bewertungen

    9funkyfry

    Excellent, funny, sad, sexy

    This excellent film combines humor and drama in ways I've never seen before. Far from heavyhanded in either department, its notable trait is a kind of circular irony that runs through the film, becoming even more profound in the film's final scenes. Garner plays a man whose ideal is cowardice and self-service. Face dfinally with having to become and official "hero" and wanting no part of it, he has to realize that to be true to himself he has to play this role -- the nobility of any grand gesture of honesty in his cowardice would be too utside of his character! Andrews is magnificent and more sexy than usual as Emily, a girl afraid to have any man who's not a coward! No sentimentality, just good old dark irony. Very well written. Good film!
    9llsee46

    A black comedy about the excesses of war set against the backdrop of D-Day.

    I first saw this movie in 1964 at the Air Force base where I was stationed. At the time I thought it was an odd choice to show on base, but in those days, I guess the military wasn't so sensitive that they had to censor the films shown on base. The movie practically disappeared for 40 years, and I was pleased to see that it is now released on DVD. I watched the DVD this weekend and was happy to find that the film still seemed fresh and had aged very well.

    Watching this movie reminds one of why James Garner and Julie Andrews became stars. They are both extremely likable and have good chemistry together. Garner's character, Charlie Madison, is just a rift on his Maverick TV personae, but is well suited to the character. Andrews, in a non-singing role, is luminescent. She plays a British war widow the way all Americans think of British women. It is a classic portrayal. The star of this film though, is the script by Paddy Chayefsky. Snappy, witty dialog and that strong dose of black humor amply illustrate why Chayefsky should be considered on of the finest script writers of all time. This is equal to his work in Network.

    The DVD extras are sparse. There is a 6 minute 1964 MGM featurette on the filming of the Omaha Beach scene. It is only notable by comparison of Mr Garner's treatment during filming to how today's over-indulged, ego-inflated, and under-whelming movie stars are treated. Recommended.
    9ryancm

    Intellectual black comedy

    Get ready for a well written, directed and acted film about a very cowardly man in service. He's played by James Garner in an incredible performance. It has been said EMILY is his favorite film and I agree. Along with Garner is an amazing performance by Julie Andrews who looks terrific. A great character study and movie that makes you think. So unlike todays films where the special effects and fancy camera movement take the place of good old fashioned writing and acting. Superb also in support roles are Melvyn Douglas and James Coburn. The only flaw is that the women, including Andrews, don't have that "1945" look. Much too modern looking, especially the hair styles.
    9claudiaeilcinema

    Paddy Chayefsky, what a writer!

    Think of Network or The Hospital, Paddy Chayefsky was seeing into the future and what he saw was ugly. Here we have an insane admiral and how his men, who know he's crazy, stand in line to follow his wishes/commands. An anti war film without sentimentality. Julie Andrews is a total delight as the tough cookie with a razor sharp mind. James Garner has the best lines of his career. His tea with Joyce Grenfell is a superb written scene. Joyce Grenfell as Julie's mother is divine, yes, divine! Melvyn Douglas as the crazy man in charge is the Howard Beale of the situation and what he does with it is pure genius. Highly recommend it.
    Doctor_Bombay

    Wonderfully crafted romantic drama

    There can be no Paddy Chayefsky without comedy, nor can there be without drama. His work is always serious, channeled with humor, but his presentation is so on-point, so honest, so blatant, that as viewers we are forced to soak it all up, and we are left the better for it.

    Set in wartime, the Americanization of Emily looks at changing times in a very changing world. The ‘balloon will go up' any day now, signaling the Invasion of Europe and all around will be forever changed.

    It is not solely the warriors, the decision makers, that are central to the battle. Chayefsky knows that, and shows us that war will change all it touches, from the simple Emily (Julie Andrews), a kind, intelligent, sensitive single English woman to the devil-may-care ‘scrounger', Lt Cmdr Charles Madison (James Garner-somewhat a reprise of his role in The Great Escape).

    This movie is a romance, and a serious examination of people over-matched by forces outside their control, who struggle to do everything in their control to find their way.

    A well-told story, skillfully delivered. It's hard to ask for much more than that.

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    Handlung

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    • Wissenswertes
      James Garner said that this was his favorite of his movies.
    • Patzer
      The women's hairstyles, dress fashions, makeup and shoes are all strictly 1964 not 1944.
    • Zitate

      Lt. Cmdr. Charles E. Madison: You American-haters bore me to tears, Ms. Barham. I've dealt with Europeans all my life. I know all about us parvenus from the States who come over here and race around your old cathedral towns with our cameras and Coca-Cola bottles... Brawl in your pubs, paw at your women, and act like we own the world. We overtip, we talk too loud, we think we can buy anything with a Hershey bar. I've had Germans and Italians tell me how politically ingenuous we are, and perhaps so. But we haven't managed a Hitler or a Mussolini yet. I've had Frenchmen call me a savage because I only took half an hour for lunch. Hell, Ms. Barham, the only reason the French take two hours for lunch is because the service in their restaurants is lousy. The most tedious lot are you British. We crass Americans didn't introduce war into your little island. This war, Ms. Barham to which we Americans are so insensitive, is the result of 2,000 years of European greed, barbarism, superstition, and stupidity. Don't blame it on our Coca-Cola bottles. Europe was a going brothel long before we came to town.

    • Crazy Credits
      The three women that James Coburn sleeps with are collectively credited as "The Three Nameless Broads (in order of appearance)".
    • Verbindungen
      Featured in MGM Is on the Move! (1964)
    • Soundtracks
      Emily
      Music composed by Johnny Mandel

      Lyrics by Johnny Mercer

    Top-Auswahl

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    FAQ16

    • How long is The Americanization of Emily?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 25. Dezember 1964 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Nunca comprarás mi amor
    • Drehorte
      • Mandalay Beach, Oxnard, Kalifornien, USA(D-Day landing scenes)
    • Produktionsfirma
      • Filmways Pictures
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 2.700.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 55 Minuten
    • Farbe
      • Black and White
    • Sound-Mix
      • Stereo
    • Seitenverhältnis
      • 1.85 : 1

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