IMDb-BEWERTUNG
7,6/10
25.095
IHRE BEWERTUNG
Das Leben eines verklemmten englischen Autors verändert sich für immer, als er nach Kreta reist und dort auf den geselligen Alexis Zorba trifft.Das Leben eines verklemmten englischen Autors verändert sich für immer, als er nach Kreta reist und dort auf den geselligen Alexis Zorba trifft.Das Leben eines verklemmten englischen Autors verändert sich für immer, als er nach Kreta reist und dort auf den geselligen Alexis Zorba trifft.
- Regie
- Drehbuch
- Hauptbesetzung
- 3 Oscars gewonnen
- 8 Gewinne & 16 Nominierungen insgesamt
Giorgos Foundas
- Mavrandoni
- (as George Foundas)
Yorgo Voyagis
- Pavlo
- (as George Voyadjis)
George P. Cosmatos
- Acne Faced Boy
- (Nicht genannt)
Nikos Papadakis
- Extra
- (Nicht genannt)
Empfohlene Bewertungen
10zitrinr
OK, I admit I've seen this movie a dozen times. But it never fails to inspire. Was there ever a man who lived life as fully as Alexis Zorba? Was there ever a character who understood so much about living and dying, women and men? Zorba ripping a piece of lamb from the spit and biting into it with joy and verve, dancing in pain or dancing from joy, expressing his wonderment at the sight of a dolphin, gives this character a special place in movie history.
If the rich storytelling and great Quinn performance were not enough, we get the young Alan Bates in a fine part doing a fine piece of acting, and the extraordinary pair of performances by Lila Kedrova and, especially, Irene Pappas, who need not speak a word to convey an entire menu of emotions.
The final scenes are among the best in movies. The music is among the best. Indeed, the MOVIE is among the best.
A GREAT movie.
If the rich storytelling and great Quinn performance were not enough, we get the young Alan Bates in a fine part doing a fine piece of acting, and the extraordinary pair of performances by Lila Kedrova and, especially, Irene Pappas, who need not speak a word to convey an entire menu of emotions.
The final scenes are among the best in movies. The music is among the best. Indeed, the MOVIE is among the best.
A GREAT movie.
Anthony Quinn's performance is phenomenal. In a world filled with ignorance, lack of vision, hate, and the most shameful examples of human depravity, Zorba provides beautifully imperfect goodness. There is no pretense about who Zorba is. Despite his imperfections (and there are so many), he is genuine love, kindness and passion. The scene where Zorba remains by his dying wife's (Madame Hortense) side is pure and sweet and extremely moving. While the greedy masses, like vultures, swoop in to steal any possible item from this woman's home, Zorba provides profound comfort, while most others would have reacted differently. I can't believe it took me 40 years to see this movie. Gracias, Señor Quinn!
Anthony Quinn's Zorba became a point of reference, in fact I'm writing this review 54 years after its first release. He is everything and more. Alan Bates is outstanding walking that very thin line but totally committed to that duality that makes him so human, so real. Lila Kedrova won an Oscar for her performance, deservedly so. Simone Signoret had been offered the part and she was the one who suggested Lila Kedrova to the director, Michael Cacoyanis. I love that story. Zorba has also the power of Irene Papas who makes her silent calling absolutely riveting and the contagious Mikis Theodorakis's score all together in a beautiful, savage, compelling film that doesn't show any signs of aging
What an exuberant film - not to be missed! It chronicles sadness and joy so beautifully that one can't help but want to weep, laugh, and dance along. There are four wonderful performances, led by Anthony Quinn, whose enthusiam for life almost leaps from the screen, giving rise to an almost sacrilegious thought: How could Rex Harrison's stuffy, embalmed Professor Henry Higgins have won the Best Actor Oscar over Quinn as Zorba? Lila Kedrova is heartbreaking as Madame Hortense, the dying prostitute with a colorful past. The always-enjoyable Alan Bates, and the striking Irene Papas as the Widow. Like Anna Magnani, Papas was an actress who transcended any language barrier, who didn't need dialogue at all - her face and body said everything she needed to.
For the most part the film looks great on DVD, with crisp, clear black-and-white photography. But I have one quibble: the transfer seems to have been made from the same source as the videotape prints in circulation, because there are a couple of instances of obvious post-production looping (possibly for prime-time television broadcasts), changing 'goddam' to 'old damn,' for instance - they even do this in the English subtitles. But read Quinn's lips - there's no mistaking what the original lines were! I'd expected that the original unedited soundtrack would have been restored.
For the most part the film looks great on DVD, with crisp, clear black-and-white photography. But I have one quibble: the transfer seems to have been made from the same source as the videotape prints in circulation, because there are a couple of instances of obvious post-production looping (possibly for prime-time television broadcasts), changing 'goddam' to 'old damn,' for instance - they even do this in the English subtitles. But read Quinn's lips - there's no mistaking what the original lines were! I'd expected that the original unedited soundtrack would have been restored.
When I first saw Zorba the Greek 4 years ago, I inwardly thanked my philosophy teacher for having us watch this masterpiece. Today, I am still greatful to him. This movie is definetely one of my all time favorite. The whole cast is great, the story is really close from the book (except for some details that an author can write in a book, but a director can't put easily in a film), images are wonderful, Crete is.perfect. If you have never seen this movie, I recommend it to you.
Wusstest du schon
- WissenswertesAnthony Quinn (Alexis Zorba) had a broken foot during filming, and thus couldn't perform the dance on the beach as scripted, which called for much leaping around. The dance is called "syrtaki", and contains elements from various traditional Greek dances. It was created especially for this movie.
- PatzerNear the end of the movie, when the log is coming down the hill it is seen as fairly round and the bark is rough and peeling, like a natural log. But when the log gets to the end of the cable, it appears to be a fake log with no bark and a visible framework that makes it look multi-sided rather than round.
- Zitate
Basil: I don't want any trouble.
Alexis Zorba: Life is trouble. Only death is not. To be alive is to undo your belt and *look* for trouble.
- VerbindungenFeatured in V.I.P.-Schaukel: Folge #3.2 (1973)
- SoundtracksRiri Ririka
from the operetta "Our Ririka" (1929) (uncredited)
Written by Stathis Mastoras
Performed by Madame Hortense (Lila Kedrova)
Top-Auswahl
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Details
Box Office
- Budget
- 783.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 1.358 $
- Laufzeit
- 2 Std. 22 Min.(142 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.66 : 1
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