Helden ohne Hosen

Comedy is a funny animal. You never know when laughter is going to strike next, and you just never know what you're going to find funny. Recently, I laughed in child-like glee during Walt Disney's "Pinocchio", and all the way through the 1931 French farce "Le Million". I found the 2009 romantic comedy "I Love You, Man" delightful, and I almost had to call 911 I was laughing so hard during "The Sunshine Boys". but Stanley Kramer's laborious, sour, mammoth wannabe laff-fest "It's a Mad (etc.) World" didn't elicit a single chuckle from me. I believe that the harder the film-maker seems to be trying, the less likely it is that he'll succeed. The best comedy, no matter how many hours are spent setting up a gag, must appear as if it happens totally by accident. But one thing for sure - laughter is a gift. I'll take it wherever I can find it.

"Advance to the Rear" is a funny movie. It made me laugh. There you have it. That's my review. Part of me feels that this movie shouldn't work. It's a total contrivance. But it's so feather-light, so airy, so unpretentious, and so good-natured that one just gives in to it. It's as if the film-makers and the actors are saying: "We've put together this little concoction for your amusement, and we hope that you have a good time." It helps that Glenn Ford and Melvyn Douglas are the stars - Ford taking things way too seriously and becoming seriously undone, and Douglas, demoted to Captain, wincing at every mishap and quite beside himself about what his wife will think ("I married well! All my friends are generals!"). Even if you don't think that men running around in their long-johns is funny you might get a hoot out of the injun from West Point, the guy whose scent attracts horses and the ski attack on water barrel rings. As for Stella Stevens - she can be the angel on top of my Christmas tree anytime.

This is one heckuva fun film. Although a pretty descriptive writeup has already been given, I gotta tip the proverbial hat to what seems to be the inspiration for the F-TROOP television series that debuted the following year. And, the use of balladeers, THE NEW CHRISTY MINSTRELS, to help set scenes for the film hearkens unto many a great "tried and true" stories of the period...including the legendary CAT BALLOU with Stubby Kaye & Nat King Cole as the Balladeers in question.

I am going to have to track this down and plant it near THE HALLELUJAH TRAIL (another good comedy set in the same time period) on my viewing shelf.

It is impossible to see this film and not find it intelligently hilarious. You will laugh your way through it and never once feel your time has been wasted. The premise is simple and, in an odd way, that may in fact be it's strength.

During the last days of the Civil War, a contingent of Union soldiers, have made an uneasy accommodation with their Confederate counterparts stationed a few miles away. Every day at a certain time, each side fires a round of cannon fire at the other, timed to a deliberate miss. The aim of both sides is to, hopefully, last out the war in this manner: reasonably safe and secure.

This arrangement works quite well, until a brash headstrong Union Captain (played well by Glenn Ford)decides,on his own, to go out and capture a few of the "enemy". This of course forces their equally reluctant "enemy" to retaliate.

Ford's Commander,(played with exquisite timing by veteran actor Melvyn Douglas) is horrified. "What have you done?" he shouts at him, "take them back! How many times have I instructed you not to show initiative?" From this point on, the humor escalates and never ceases.

Staffed by some of the most recognized character actors of the time, we are treated to a highly skilled portrayal of an incredibly believable assortment of military misfits. What makes them believable is that their characterizations are delivered with depth. And this, in a sense, makes them somewhat realistic and all the more funnier.

This high caliber B-film is well scripted and, to it's credit, is finally being recognized for the cinematic gem that it is. My advice to all film lovers is to seek out this almost forgotten treasure. Trust me, you won't be disappointed.

I have just finished reading Jack Schaefer's book, "Company of Cowards", and by coincidence, I watched this film on TCM this morning. I have to say that, apart from the names of some of the characters, this film bears very little resemblance to the book. For example, in the film, the character of Hugo Zattig, is a villainous and duplicitous, Confederate officer, played by James Griffith. In the book, the character is one of the "Company of Cowards", whose honour is redeemed at the end of the book.

Technically, the book was a historical novel, centred around the fictional character of Jared Heath, himself a disgraced Union officer, busted to sergeant, who was detailed to take charge of a company of other disgraced officers who had also been demoted for crimes such as desertion, disobedience, brawling and other such offences that are not tolerated in any Army, past or present. The end of the novel describes how Jared Heath and his "Company of Cowards" manage to redeem themselves during a heroic battle against Comanche and the Kiowa Indians, with a few of them giving their own lives in the heat of battle.

I should imagine that the producers and MGM had a lot of debate about how this film should be made. Was it to be a film about the true horrors of war and how disgraced soldiers were treated by the other troopers, as depicted in the novel? No, it was to be made as a knockabout comedy, directed by George Marshall, who had already directed James Stewart in "Destry Rides Again" and Glen Ford in a few other films, such as another comedy western, "The Sheepman".

A question had already asked as to whether the television comedy series, "F Troop" was loosely based on this film. Well, as the series was released on ABC a year later, it is probably more than a coincidence that the producers of the series did take some inspiration from this film. Ken Berry would have been a more naïve version of the Glen Ford character.

Jack Schaefer's novel was a very serious study on how the American Civil War was fought, which went on to describe the horror of fighting in the Indians Wars, when many hostile Indian tribes took advantage of the fact that the "white men" were distracted with fighting each other.

There were also some political comments about why the Union government kept changing its mind as to the reason for the war, starting out with political wrangles about why the Federal Government should have control over the distant Southern States; with the economic disparity between the Southern States and the Northern States; the need to keep the Union together; and, finally, the Abolition of Slavery.

Jack Schaefer wrote "Shane", one of the greatest and most realistic westerns ever written and filmed - I wonder what he thought of how his original novel was brought to the screen.

I will give the film 8 out of 10 for the lively performances of Glen Ford and the lovely Stella Stevens.

This film was shown on Turner Classic Movies and in the absence of other reviews, this review is for the film itself, only. It's also known as "Advance In Reverse".

It's not hard to fall into liking this easy-going and ramshackle comedy, which switches easily from knockabout physical humour (with 'assorted' sound effects) to silly dialogue and a general feel that the assorted misfits of this Union regiment just aren't taking their roles that seriously. The story, for what it is has the regiment being sent out of reach of action but still manage to capture a rebel spy, played by Stella Stevens and they all end up in a heap of trouble. A $2 million gold bullion gets in the mix as do some rather "friendly" Indians.

Glenn Ford is easily the most recognisable as the captain and Melvyn Douglas as the Colonel "in charge" and these two string it all together and he's not bad at comic timing or deadpan delivery. He has a romantic fling with Stevens, as all the regiment do (in their dreams!) Destry Rides Again director George Stevens' film is in widescreen and (here) an attractively dark-greened tinged black & white and which runs for 96mins.

The comedy is gentle and clever rather than broad, or crude and the targets are fairly obvious but as it's all fairly sweet it's all a nicely pleasurable watch rather than anything classic or downright hilarious - though the scene where they storm the camp, dressed in long-johns, with boards on their feet down the dry grass slopes, to the soundtrack of a WW2 fighter plane battle is actually really rather humorous!