12 O'Clock High

This was a not only a thinking man's series about WWII but also one that had a psychological approach to the fatigue and emotional stress that these men had to face in the line of duty. This was one of the best if not the greatest television shows of its day that depicted the outcome of the challenges of the 918th Bombardment Group of the United States Air Force during the horrors of battle in WWII.

When "Twelve O'Clock High",premiered on ABC in the fall of 1964,it was like a show unlike no other since it was based on the classic 1949 war film that starred Gregory Peck. The television show was a remarkable achievement that lasted three years on the air from 1964 until 1967,and produced 78 episodes,with the last 17 episodes in color in its final season. The black and white episodes lasted only two seasons from 1964 until 1966,while the color episodes ran from 1966 until 1967(the 61 episodes were in black and white from 1964-1966;the 17 episodes were in color from 1966-1967,in its final season). "Twelve O'Clock High" was head and shoulders above its competition and it is ranked to "Combat!" as one of the most intense dramas to ever depict about the horrors and scars and emotional traumas in the line of duty,that was World War II. While utilizing stock war footage for bombardment and astounding dogfight scenes,the brilliant story lines really addressed the timeless issues of the warfare and the effects on some of the individuals who were in the line of battle both on the ground and in the air. Issues and subject matter like heroism and cowardice,and integrity along with compassion and commitment were the order of the day. And it was brought to life on a intimate scale.

It also made a huge star out of actor Robert Lansing as General Frank Savage. His character during the first two seasons of the show brought more depth and integrity to the character than any other actor I have ever seen and it shows in the earlier episodes of the series. With a beautiful soaring theme by composer Dominic Frontiere,the strong production values of legendary producer Quinn Martin("The Untouchables", "The Fugitive","The FBI","The Invaders")along with long time QM associates Charles Larson,Phillip Saltzman,and fellow executives Howard Alston,Adrian Samish,and John Conwell as well as the supporting cast of the series including Frank Overton,John Larkin,and Andrew Duggan. The series garnered rave reviews,and was poised for a long network run on the small screen. However,the network executives over at ABC stepped in to make improvements which killed it. When the program was retooled for the second season,Robert Lansing's character of General Savage was killed off.....reportedly his plane was shot down somewhere over in Europe in hostile German country(in a gripping second season opener episode titled "The Loneliest Place In The World",which aired on September 13,1965).

However,Paul Burke(from the 1950's cop show Naked City)was brought in as his replacement and from there the results to the changes really killed it. Paul Burke to me was never the right choice for the role and simply out he was not a very good actor. The show took even a major dive when the episodes were in color. When the show was cancelled in the summer of 1967,after struggling for two seasons with the new cast,the network downplayed this show just to ignore the fact the this series had promise after it received rave reviews and a Golden Globe Nomination during the first season of the series.

I recently had a chance to see this show again after many years. I thought that it was a great show before, and I feel the same way now (I refer to the Robert Lansing/season one show -- I agree completely with the comments that head this list).

Robert Lansing, and the writers, show how leadership happens, when the commander doesn't have the option of starting over with someone else. He knows that his unit is only as strong as the weakest member, and he uses his knowledge and his leadership ability to get his men to do their best, even when it may cost him personal popularity.

The combat scenes are well done, but so are the scenes when the airmen are back at the base, or off duty, in wartime England, socializing with the civilians before risking their lives on another day time bombing run deep into Germany.

It is truly fine to be among the fans and supporters of this fine old chestnut. I am also in my fifties, and I knew a lot of WWII vets when I was a kid. My father rebuilt the big airfield at Foggia in Italy and the pastor of the church I went to was a nose gunner in B-24's. I've known 17, 24, and 29 pilots. To them the series was right on the money.

I always liked Lansing's Savage better than Peck's, but none of you noticed that the first few episodes were written by the men who wrote the original novel. In most cases, that usually makes for high production values and attention to characterization. Lay and Bartlett had a good ear for the experience because they lived it.

I have used "The Men and the Boys" and "Golden Boy Had Nine Black Sheep" as teaching tools in my European history and American history classes. The kids generally take to them, once they get past them being in black and white.

When this comes out so I can put it alongside "Rawhide" on my shelves, I will truly be a happy man.

Bob Potter Wilmington, Delaware

Quinn Martin & Irwin Allen were 2 of the mainstays of 1960's ABC TV. It amazes me that this show did not last longer. It is very well done. Between this, the Fugitive, & The FBI, Martin pulled a big load for ABC.

This series presented the story of the bombing crews in World War 2, specifically the B series bombers with the machine gunners in the turrets & the bombing runs over Europe. While the movie is well done, this series is also excellently done.

The surprise is this lasted only 3 seasons. I often wondered when a quality series like this one got canceled if the ratings were rigged back then. They would cancel quality series like this & Star Trek in 3 seasons. Yet some series that were real garbage in comparison would last longer.

The pretty much male cast in this show were all excellent actors who seemed to fit their roles very well. When this was made, the planes were still available to use to make things look realistic too. Overall, this was an excellent series. The stories were always the same & Martin did not get a chance to produce a finale for this one. Considering it went off about the same time as the Fugitive, it is hard to imagine him being able to finale this, though a re-creation of V-E day for these bomber crews would be exciting.

'Twelve O'Clock High', the television version of Gregory Peck's classic war film, was a remarkable achievement when it debuted, in 1964. While utilizing stock war footage for bombardment and dogfight scenes, the story lines addressed the timeless issues of warfare (heroism and cowardice, integrity, loyalty) on an intimate scale that 'the big screen' couldn't match. It also made a star of Robert Lansing, the rugged, pensive actor who had previously garnered rave reviews in the series, '87th Precinct'. His 'Frank Savage' was a man of courage and a conscience, and he lifted each episode far above the 'typical' TV war show of the era.

With a soaring, beautiful theme (by the versatile Dominic Frontiere), the strong production values of Quinn Martin, and a veteran supporting cast including Frank Overton and John Larkin, the series garnered rave reviews, and was poised for a long, award-winning 'life' on the small screen.

Unfortunately, ABC stepped in, however, and decided to 'improve' the series...

The network produced figures that indicated that younger audiences weren't watching in big enough numbers, and that the show didn't provide enough 'action' for fans craving battle scenes. Lansing wasn't 'pretty' enough to attract female viewers, and there were no 'hunky' co-stars to fill the gap. As for offering a 'Message'? Sure, that was okay...as long as it didn't interfere with the bullets flying, the plane crashes, and the mostly happy endings.

So the program was retooled for the second season. Robert Lansing was killed off, shot down over Europe, and Paul Burke was brought in as his replacement. Best known from the cop show, 'Naked City', Burke was actually two years older than Lansing, but he had a more 'classic' leading man 'look', and had gotten a lot of female fan mail during the run of the earlier show. Most of the older cast also got the ax, and young Chris Robinson was brought in, as another potential 'heartthrob'.

The result of the changes was a diluted show, with less 'heart', if more 'glamor' and 'action'. While Burke tried to provide Lansing's subtlety and depth, he simply wasn't as good an actor, and the series lost the very qualities that had made it, initially, so memorable.

When 'Twelve O'Clock High' was canceled, after struggling through two seasons with the new cast, ABC downplayed the event, choosing to ignore the fact that the series had begun so promisingly, and that they had 'killed' it.

But for those of us who remember that first season with fondness, it is a reminder that creative minds make 'Classic TV', not network demographics!