Gauner gegen Gauner

This was a great series. I was so disappointed when it canceled so prematurely. There just is no accounting for American tastes (the Osbournes, etc.). Anyways, I'd enjoy watching them again.. altho it occurs to me that in so doing I might have to relive my disappointment over the limited number of episodes. Oh well..

I have been looking for DVD's of The Rogues for several years now. I am happy to hear that at least someone has begun the process of making them available but only in Europe - I assume in PAL format. What a shame it's not available in the US. Hopefully the light will dawn that a small bit of money could be made by releasing the series US format. It was one of the truly great series broadcast during a time when prime time TV was not 90% mindless junk. Please someone bring back a most memorable series which featured imaginative writing and excellent acting. I would add in order to have the requisite number of lines that I suspect there are a great number of people who would jump from the woodwork to buy or rent The Rogues DVDs

'The Rogues' was my favorite television series, the season it was on the air. From the opening strains of Nelson Riddle's bouncy, hummable theme, and the introductory credits of stars Charles Boyer, David Niven, Gig Young, Robert Coote, and Gladys Cooper, I would be enthralled!

Certainly the program had faults; as with most television programs of that period, the sets tended to look sparse and generic, and the 'European' locales were all done on the studio backlot (it was amazing how often the same 'Town Square' would appear!), but plot-wise, the weekly 'sting', carried out by the St. Clair/Fleming clans against some nasty villain, were a joy (Picture 'Mission Impossible' with humor), and the appearances of Young (usually), Niven (occasionally), and Boyer (rarely) made each new episode a much-anticipated 'event'.

Some of the comments posted for this show have bemoaned how shallow American audiences were, in allowing this series to be canceled after a single season, while 'The Beverly Hillbillies' would run 'forever'. While I agree that 'The Rogues' was a far better program, the fault wasn't entirely because of audience's tastes. NBC placed the series in a 'suicide' timeslot, where it competed against a long-established 'hit' (much as ABC and CBS did to series on Thursdays in the 80s and 90s, when NBC dominated the evening with 'Cosby', 'Cheers', 'Friends', and 'ER'). Also, Four Star Productions (whose bosses included Niven, Boyer, and Dick Powell) created the series around the availability of the actors, between film assignments (none of the leads wanted to commit themselves 'exclusively' to television, which was still considered a 'step down' for an actor, despite the participation of Fred MacMurray, Robert Young, Donna Reed, and Loretta Young on the small screen), and scheduling conflicts were a problem, even during the single season 'run' (which was why a young Larry Hagman appeared, in place of Gig Young, for one 'caper'). Had 'The Rogues' been a 'hit', the series would have seen major changes in casting in subsequent seasons!

There was a loyal fan base for the series during it's run; the summer after it's cancellation, Gig Young toured the country in a 'road' production of 'The Music Man', which I had the good fortune to see. At one point in the show, a character pointed at 'Professor' Harold Hill (Young), and sputtered, "You...you...ROGUE!", which literally brought the house down, and caused Young to break character, momentarily, to take a bow, and flash his famous crooked grin. After the performance, I had an opportunity to meet the actor (whose later life would include an Oscar for THEY SHOOT HORSES, DON'T THEY?, yet, ultimately, end in tragedy, when, in a fit of depression, he would murder his wife, then commit suicide, in 1978), and Young expressed amazement at how popular the series was, and how gratifying the audience response to the 'Rogue' line was, each performance.

'The Rogues' had a glorious 'moment in the sun', and will always be cherished by those of us who loved it!

David Niven and Charles Boyer were two of the stars who formed FOUR STARS in the 1950s, and did many television programs as stars or producers. THE ROGUES was to be a series for them and Gig Young to alternate the leading role each week as the hero/anti-hero of the episode. Gig Young joined them to do the episodes, but as time passed he was the lead in most of the episodes (occasionally Boyer would appear). Larry Hagman (not yet on I DREAM OF JEANNIE, and decades from DALLAS and "J.R.Ewing") substituted for Young on several later episodes. And Dame Gladys Cooper and Robert Coote rounded out the family of regulars - the Fleming/St.Claire clan - who took on the greedy and cruel of the world.

They had great villains: Walter Matthau (before his "Whiplash Willy" performance catapulted him to stardom), George Sanders, John McGiver, Robert Webber, Everett Sloane, Telly Savalas (before THE DIRTY DOZEN and before he discovered lollipops in Kojack), J.D.Cannon, and others. In every episode the clan would manipulate the antagonist at his weak spot and remove a sizable amount of his (occasionally her) cash. Webber is a pretentious sex-magazine publisher (actually it is not fair to Bob Guiccione or Hugh Hefner to compare him to them - they have more class), who they convince to buy the original "Shakespearean" manuscript of THE AWFUL TRAGEDY OF KING HAROLD THE FAIR. It is neatly denounced as a forgery by Shakespearean critic and expert John Abbott at the episode's end.

Sanders is left with the ruins of his couturier business (based on stolen fashion ideas) when he is manipulated into cornering the marabou market. Before he does he has a choice moment of near apoplexy dealing with a call from an hysterical woman (Dame Gladys, trying to slow down Sanders for the plot) demanding he produce her philandering husband "Harry". Sanders ends up telling her he fully sympathizes with "Harry" for his philandering before slamming the phone down. Coote scares the hell out of selfish Horatio T. White (John McGiver), shipping tycoon, by dressing up as McGiver's dead partner appearing at a window on a stormy night. Young tells a corrupt Arab sheik that he has the weapons he ordered (and gives the "ace of spades" as his calling card. The sheik turns red in the face claiming he has no knowledge of the man. The memories of the bits from the shows warm me...I wish the shows would be revived one day. Or put on DVD

This was one of our favorite shows during the one brief season it was on. I've taken every opportunity to watch reruns, but they are almost never available. I would watch every episode many times over again, and hope to be able to at some time. The writing was clever and sharply witty, delivered by actors who knew exactly how to speak the lines and how to fit their expressions and actions to the words. I could take each one and say his or her performance was priceless. It's sad that it did not receive the audience in the U.S. to keep it running for many seasons.