Unearthly Stranger

To call this modest British film low budget is the worst kind of misrepresentation: the budget on creativity and skill at work here surpasses that found in most multi-million dollar productions.

Filmed in stark black-and-white with virtually no visual effects, "Unearthly Stranger" relies on sheer dramatic power to tell its story of an alien plan to sabotage Earth's developing ability for space travel. The film is written and directed with care and performed with a conviction that brings across the suspense and humanity of this story in a way rarely seen in the genre.

Many of the filmmakers would soon be working on TV's "The Avengers", including producer Albert Fennell and director John Krish. Fans of that series will also recognize many familiar faces among the cast. The strongest performances come from John Neville, distinguished stage actor and teacher, and the almost-unknown and very beautiful Gabriella Licudi who, in the title role, brings the concept of interplanetary communications to an entirely new level.

The odd man out in this production is certainly scenarist Rex Carlton. On the basis of this film, it is almost inconceivable that he is the same man responsible for the lurid "Brain That Wouldn't Die" and "Blood of Dracula's Castle", among others. One is tempted to give credit to Jeffrey Stone, who penned the original screen story. But this is a claim that's impossible to support, because Stone was involved as a writer on no other films. So, one can only say that none of Carlton's other screen work would ever approach the level of this, his most subtle and affecting accomplishment.

It is well worth tracking down for any fan of fine science fiction or, indeed, any fan of quality filmmaking.

One of the most entertaining films to come out of British studios in the Sixties which sadly has never been given the plaudits it richly deserved. Both Neville and Stone (who played an excellent part in "The Shining"), demonstrated total commitment and kept the pace and excitement of the plot going right to the end. And we shouldn't neglect to mention Patrick Newell, who played the 'sweet-toothed' security bod, with precision-like reality. I too was surprised by the similarity to the plot of William Sloane's "TO WALK THE NIGHT", an eerie and thought-provoking story I first read in 1959 and have read a dozen times since. The similarity is just too close to be coincidence and it is nothing short of criminal not to have Sloane's name on the credits. The film was excellent; the novel is superb, both deserve a place in any SF collection.

Just watched this on Talking Pictures TV, here in the UK, an independent channel that is always screening little known or forgotten movie gems. Unearthly Strangers being a good example. It starts off with one of the main characters running up a superb spiral staircase, had this been filmed in colour instead of black and white the effect would not have been anywhere near as good. But talking of effects, in regards to the aliens they are practically non existent. The only give away signs are that they don't blink, nor do they suffer burns when handling hot casserole dishes without wearing gloves! Acting is good. Gabriella Licudi is gorgeous. The film is very reliant on dialogue and may bore some viewers but the final scene is genuinely chilling and worth waiting for.

There are a handful of fine films that have never been released on tape or disk. Sometimes they show up on the few independent TV stations around the country that still have access to the old collections of movies that used to circulate in the days before cable. Nearly lost films, except in the memories of people who saw them at drive-ins or on TV before the current age of homogenous viewing. Unearthly Stranger is a perfect example of this kind of film. Not the masterpiece that Invasion of the Body Snatchers is, Unearthly Stranger is still a wonderful science fiction story with trappings of the paranoia that characterizes Body Snatchers, I Married a Monster, and other, earlier, SF films. Stranger was a throwback when it was new, and that may be why it was pretty much ignored when it was released. With DVD releases of an awful lot of true garbage, there really is no excuse for the continued neglect of this stylish, almost lost movie.

This film's basic premise isn't dissimilar to that for I MARRIED A MONSTER FROM OUTER SPACE (1958), so that I deliberately watched them on consecutive days. However, while I liked the latter well enough, UNEARTHLY STRANGER proved something else entirely; it also stands as a testament to how different American and British film-makers treat the same theme – the former usually take a common man's view of things, while the former tend to adopt an intellectual (and, therefore, more intriguing) approach.

Anyway, I knew beforehand of the film's reputation as a minor classic of sci-fi cinema – which is why I decided to acquire it in the first place (though I almost had to make do without it, as it took quite a while to get the DivX copy to work properly!), but I was genuinely surprised by the result. This, in fact, has to be the most satisfying 'B' movie I've watched in a long time! Above all, it's marked by a literate and intelligent script, imaginative monochrome photography (by NIGHT OF THE EAGLE [1962]'s Reg Wyer) and a splendid second-tier cast. John Neville – perhaps best-known for his starring role much later in Terry Gilliam's THE ADVENTURES OF BARON MUNCHAUSEN (1989) – is an atypical hero, character actor Philip Stone surely has his most significant role – otherwise some might remember him as Malcolm McDowell's meek father in Stanley Kubrick's A CLOCKWORK ORANGE (1971), Gabriella Licudi – whose mix of exotic looks and sweet-natured countenance suggest the inherent ambiguity of her character and, playing other key figures, Patrick Newell and Jean Marsh.

The story is told in flashback and bookended by the violent deaths of two officials involved in a space program – which immediately draws one into the proceedings; in retrospect, though I was aware of the identity of the titular figure, it was interesting that the director opted to reveal it in the character's very first appearance! The unexpected denouement, too, was a brilliant touch – taking care to provide one more devastating and downbeat twist to a tale which had already reached a satisfactory climax (the idea that aliens are already among us and in large numbers was rarely this chillingly presented, though it could well be a case of collective hysteria on the part of an understandably distraught Neville and Stone!). The earlier scene, then, in which Licudi herself displays a similar sensation of confusion and loneliness (through her own weird effect upon a group of schoolchildren) probably constitutes one of the more sublimely mysterious passages in all of sci-fi cinema! Even if the production's low-budget is betrayed by the fact that the aliens' true selves are never shown (being restricted merely to subtle indicators of flaws in their human 'form', which then simply disintegrates in death!), it's not much of a liability – since such appearances are usually disappointing anyway. That said, the ruse of having a swishing sound ("like telephone wires in the wind") anticipate their presence while on the prowl is a clever and more-than-adequate substitute.

In the end, considering the fuzzy video quality and the constantly distorted soundtrack of the print I watched, UNEARTHLY STRANGER's unavailability on an official DVD (though, being an independent feature, I concede that its rights may not be so clear-cut after all this time) is not merely baffling but criminal – given that fans of the genre are being deprived from enjoying a veritable gem!