In Liebe eine 1

A naive teen provides plenty of excitement for her well intentioned Dad, who tries keeping her on an even keel. Fun for die hard fans of Jimmy Stewart, like me. Originally, a play which starred Art Carney and Elizabeth Ashley, who won a Tony for her performance.

It's a special meeting of the Pacific Palisades Board of Education. President Frank Michaelson (James Stewart) is being pushed to resign after some unflattering newspaper stories. In his defence, he recounts the whole story starting with his teenage daughter Mollie (Sandra Dee) and her influence on the male sex who are all grabby hands. The freshman college girl heads off into the bohemian world followed by her overprotective father.

I like Stewart's comedy. He's an old duddy and he knows it. It's funny that way. The Mr. Smith jokes are good fun. It's 50's trying to deal with the 60's and doing it in a safe way. Jimmy gets in a few chuckles but Dee is a bit stiff. She's playing innocence as clueless without the comedy. One may notice Bob Denver and he has a fun scene with Jimmy. Overall, it's the lightest of comedies with limited effect and a little long. The movie only comes alive with Jimmy.

During a three year stretch, James Stewart made three comedies--three films that just didn't seem to suit his talents all that well. The problem with MR. HOBBES TAKES A VACATION, DEAR BRIGETTE and TAKE HER SHE'S MINE is that they all try too hard to be kooky. There is no subtlety about them and Stewart essentially plays the same befuddled role three different times. While none of these films are terrible, compared to his other wonderful films, they just seem to come up very short.

TAKE HER SHE'S MINE begins with Stewart explaining to the local council about all the publicity he's recently received. So, in a long, long series of flashbacks, Stewart explains away potentially damaging news reports as just misunderstandings--all which incidentally occurred while he was following his daughter (Sandra Dee) at college because he was worried she would become a "loose woman". Again and again, he assumes she is much more of a libertine than she is, yet he ends up getting arrested on morals charges himself.

While the idea of a worrying father having trouble letting go of his daughter is a clever idea, the execution and style leaves so much to be desired. Instead of great insight into a father's worries or simply making a clever film, too ofter the film degenerates towards kookiness and cheap laughs. In many ways, this movie looks and feels much more like a sitcom minus the annoying laugh-track.

The bottom line is that Stewart was an amazing actor whose films are quite often brilliant and sublime. Sadly, not everything he made was gold and it's hard to imagine that just after making THE MAN WHO SHOT LIBERTY VALANCE, he made these silly pieces of fluff. Watchable yet dopey.

A good portion of 1960s comedies focused on the generation gap between straight-laced parents and their hippie children. If you like that theme, you can watch a few James Stewart flicks where he plays a harried father to teenaged girls. In Take Her, She's Mine, Sandra Dee goes off to college and he worries about her virtue. Told in funny flashbacks, we see a photograph of an outrageous end result and Jimmy narrates the setup - like getting arrested at a sit-in and he's carried out of the room by the police.

There's a hilarious theme of the movie that everyone mistakes James Stewart's character for a famous actor. When he sees Sandra off at the airport, he's chased around by autograph seekers even as he insists, "I'm not him!" Finally, he gives in and signs their papers, as the narration says, "Ever since that movie Mr. Smith Goes to Washington. . ." The little boys run off with a "Thanks, Mr. Stewart!" In the same vein, Robert Morley enjoys every second of his cameo performance. He dispenses advise to Jimmy, and after he leaves, he exclaims to the waiter, "Do you know who that fellow is? Henry Fonda, the American movie star! Can you ever forget him in Gone With the Wind?" I had to press pause I was laughing so hard.

The movie is dated, though, so don't expect to laugh so much during every minute. Nowadays, parents don't fly across the country to check on their kids in college, thinking a sorority party is the end of the world. But if you like this funny parenting flick, check out David Niven's version of 1968 The Impossible Years. It has exactly the same ending, and the rest of the movie follows a similar theme of two teenaged daughters driving their protective father nuts.

Frank and Anne Michaelson's eldest daughter Mollie is going away to college...and unfortunately she is what's known as a dish! Frank, played by James Stewart, gets himself in all sorts of trouble trying to protect his daughter, played by the lovely Sandra Dee,...he ends up in jail at a protest and in his underwear at a costume party all of which is being criticized by the board of directors where he works who are calling for his replacement.

There are some wonderful cameos...Bob Denver (of Gilligan fame) plays a coffeehouse musician who has to explain to Frank that his daughter is not stripping, and Robert Morley who plays Mr. Pope-Jones, a commiserating fellow father of daughters...who he can't seem to remember the names of!

My favorite scene was actually when Frank and Anne are having a discussion about who taught them the birds and the bees...after they receive a letter or telegram from their daughter mentioning the word virgin! Great comedy there.

"If I could start over, I'd have boys!"-Frank

Poor Frank realizes in the end...that his second daughter is also coming of age!

This was a light comedy that explores that special father daughter relationship from the father's perspective. I would recommend this to Dad's in particular and anyone looking for a light comedy.