Arthur lernt mithilfe des Zauberers Merlin die Kraft der Liebe, der Güte, des Wissens und des Mutes, um einer der beliebtesten Könige der englischen Geschichte zu werden.Arthur lernt mithilfe des Zauberers Merlin die Kraft der Liebe, der Güte, des Wissens und des Mutes, um einer der beliebtesten Könige der englischen Geschichte zu werden.Arthur lernt mithilfe des Zauberers Merlin die Kraft der Liebe, der Güte, des Wissens und des Mutes, um einer der beliebtesten Könige der englischen Geschichte zu werden.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 1 Oscar nominiert
- 1 Gewinn & 1 Nominierung insgesamt
Rickie Sorensen
- Wart
- (Synchronisation)
Sebastian Cabot
- Sir Ector
- (Synchronisation)
- …
Karl Swenson
- Merlin
- (Synchronisation)
Junius Matthews
- Archimedes
- (Synchronisation)
Ginny Tyler
- Little Girl Squirrel
- (Synchronisation)
Martha Wentworth
- Madam Mim
- (Synchronisation)
- …
Norman Alden
- Sir Kay
- (Synchronisation)
Alan Napier
- Sir Pellinore
- (Synchronisation)
Richard Reitherman
- Wart
- (Synchronisation)
Robert Reitherman
- Wart
- (Synchronisation)
Jack Albertson
- Knight in Crowd #1
- (Nicht genannt)
Barbara Jo Allen
- Scullery Maid
- (Synchronisation)
- (Nicht genannt)
Fred Darian
- The Minstrel in opening sequence
- (Synchronisation)
- (Nicht genannt)
James MacDonald
- The Wolf
- (Synchronisation)
- (Nicht genannt)
- …
Tudor Owen
- Knight in Crowd
- (Synchronisation)
- (Nicht genannt)
Thurl Ravenscroft
- Black Bart
- (Synchronisation)
- (Nicht genannt)
Empfohlene Bewertungen
Tired of living in a Medieval mess... Merlin uses all his magic powers to change a scrawny little boy into a legendary hero!
When you think of strong Disney films, this may not immediately come to mind, but it should. While people tend to either think of the classics (Snow White, Sleeping Beauty, Bambi) or the early 90s revival (Beauty and the Beast, Aladdin), this is every bit as good with an entertaining story and lots of fun, with good animation, too.
The most memorable part is with Madam Mim, and it is not surprising that Disney has used her in other cartoons, and even put her in their "Kingdom Hearts" video game. She is a great villain, especially given that she is most kooky than evil.
The moral of the story is somewhat obscure. Early on, we are lead to believe that the importance of education would play a big role in Arthur's success. Merlin makes education out to be the most important thing. But as the film progresses, we see more time is spent turning into different animals (fish, bird, squirrel) than actually learning.
Apparently this is one of the few Disney films of its era without a sequel or platinum DVD. Why? If there is someway to put together a handful of special features, this ought to be seen by more people and respected as a historic treasure.
When you think of strong Disney films, this may not immediately come to mind, but it should. While people tend to either think of the classics (Snow White, Sleeping Beauty, Bambi) or the early 90s revival (Beauty and the Beast, Aladdin), this is every bit as good with an entertaining story and lots of fun, with good animation, too.
The most memorable part is with Madam Mim, and it is not surprising that Disney has used her in other cartoons, and even put her in their "Kingdom Hearts" video game. She is a great villain, especially given that she is most kooky than evil.
The moral of the story is somewhat obscure. Early on, we are lead to believe that the importance of education would play a big role in Arthur's success. Merlin makes education out to be the most important thing. But as the film progresses, we see more time is spent turning into different animals (fish, bird, squirrel) than actually learning.
Apparently this is one of the few Disney films of its era without a sequel or platinum DVD. Why? If there is someway to put together a handful of special features, this ought to be seen by more people and respected as a historic treasure.
This very nice Disney Classic was based on the children's novel by TH White. This was not yet that very well-known, heavy novel titled "the Once and Future King" that so many later movies were based upon, but the lighthearted earlier version. Many agreed that the later novel has disfigured the first, so that we may be thankful for the Disney version!
Though it does not quite follow the book (this is hardly possible, at times) it is a very good version as animated movies go. Not tedious, though of an age where children were meant to learn something from a movie...
A collectors item!
Though it does not quite follow the book (this is hardly possible, at times) it is a very good version as animated movies go. Not tedious, though of an age where children were meant to learn something from a movie...
A collectors item!
The Sword and the Stone is a very relaxing movie to watch. In an animation, you want humour and emotion, and this movie had plenty of both. Most of the humour comes from Sir Ektor(voice of Sebastian Cabot) and Archimedes (voice of Junius Matthews), but Merlin (voice of Karl Swenson) had some truly delicious lines. I just love Archimedes, he is absolutely hilarious, and still manages to be likable, despite being very grumpy. The animation was lovely, and the scenes when Wart (voice of Ricky Sorenson)was an animal were truly entertaining. My personal favourite was the squirrel scene, but the duel of Merlin and Mim was the highlight of the film for me. The songs by the Sherman Brothers, while not particularly memorable, were very pleasant to listen to, as was the incidental music by the composer of the Jungle Book George Bruns. All in all, a truly enjoyable movie, that is definitely underrated. 9/10 from me. Bethany Cox
This isn't usually counted as being one of the top-ranking Disney films, but I insist on not being snobbish in this list, and remembering the films that brought me joy as a kid. Wart gets to be a squirrel, a bird and a fish during this film which plays fast and loose with Arthurian legend. Merlin is great, and his battle with Madam Mim the stuff of legend. It's not big, it's not clever, but it is fun!
Pleasant Disney animation, without being a classic. It has its moments, particularly the magic-fight between Merlin and Mim, but is light on characterisation and especially good songs. The soundtrack tunes are very simplistic both melodically and especially lyrically and resolutely refuse to stay in your brain.
The narrative itself is unusual, introducing the sword in the stone legend immediately and then dispensing with it until the last five minutes or so, concentrating its energies instead on young Arthur (read Wort) and his upbringing by the kindly Merlin and his obstinate talking owl Archimedes.
I kept seeing recollections of past Disney (and other) cartoon forebears, everything from, naturally enough the Sorcerer's Apprentice from "Fantasia" and "Cinderella" while the chasing wolf early on is a blatant lift of Wile E Coyote in the "Road Runner" shorts. The old Disney trick of an experienced elder mentoring a young innocent had of course been done before in "Pinocchio" and "The Jungle Book" although I could also see some ideas which were adapted in future projects, the animated crockery anticipates "Beauty and the Beast" for instance.
Disney never did return to the Arthurian Legnd in future animations as was hinted might happen here which is a pity but for me there's far too much diversion from the legend itself so that I was willing young Arthur to hurry up and give the sword the required pull long before the ending, which when it does arrive seems far too rushed in any case.
No, not the best Disney by a long way and certainly not in the vanguard of the studio's work.
The narrative itself is unusual, introducing the sword in the stone legend immediately and then dispensing with it until the last five minutes or so, concentrating its energies instead on young Arthur (read Wort) and his upbringing by the kindly Merlin and his obstinate talking owl Archimedes.
I kept seeing recollections of past Disney (and other) cartoon forebears, everything from, naturally enough the Sorcerer's Apprentice from "Fantasia" and "Cinderella" while the chasing wolf early on is a blatant lift of Wile E Coyote in the "Road Runner" shorts. The old Disney trick of an experienced elder mentoring a young innocent had of course been done before in "Pinocchio" and "The Jungle Book" although I could also see some ideas which were adapted in future projects, the animated crockery anticipates "Beauty and the Beast" for instance.
Disney never did return to the Arthurian Legnd in future animations as was hinted might happen here which is a pity but for me there's far too much diversion from the legend itself so that I was willing young Arthur to hurry up and give the sword the required pull long before the ending, which when it does arrive seems far too rushed in any case.
No, not the best Disney by a long way and certainly not in the vanguard of the studio's work.
Wusstest du schon
- WissenswertesArthur was voiced by three different boys - Rickie Sorensen, Richard Reitherman and Robert Reitherman. The changes in voice are very noticeable in the film because of the way Arthur's voice keeps going from broken to unbroken, sometimes in the same scene. One of the easiest noticed is in the last scene in the throne room when Arthur asks in his "changed voice", "Oh, Archimedes, I wish Merlin was here!" Then, the camera cuts farther back and Arthur shouts in his "unchanged voice," "Merlin! Merlin!"
- PatzerThroughout the entire film Wart's voice keeps on changing from being child-like to adult-like. One of the easiest spots to notice this is in the throne room towards the end when Wart is trying to get somebody else to take his place. He says "Oh Archimedes, I wish Merlin were here!" in his adult voice, then the camera goes to a distant view and he calls "Merlin, Merlin" in his child voice.
- Zitate
Madame Mim: Sounds like someone's sick. How lovely. I do hope it's serious. Something dreadful.
- Alternative VersionenThe UK DVD version omits part of Madam Mim's first line "Sounds like someone's sick. How lovely. I do hope it's serious. Something dreadful." She now says "Sounds like someone's sick. How lovely."
- VerbindungenEdited into Das Dschungelbuch (1967)
- SoundtracksThe Legend of the Sword in the Stone
(1963) (uncredited)
Music and Lyrics by Richard M. Sherman and Robert B. Sherman
Sung by Fred Darian
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- La espada en la piedra
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 3.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 12.000.000 $
- Eröffnungswochenende in den USA und in Kanada
- 2.230.614 $
- 27. März 1983
- Weltweiter Bruttoertrag
- 12.000.000 $
- Laufzeit
- 1 Std. 19 Min.(79 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1(original & negative ratio, open matte)
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