Das Glück in seinen Armen

To get past Bette Davis' original star turn in this heart-tugging tale. Although I love Susan Hayward, she could not match the passion and authenticity Davis mastered. Hayward's, in comparison, comes off as pure melodrama. Wanted to manage a 7 rating for this, but 6 seems appropriate if only for the beautiful cinematography and stunning English countryside.

Perhaps I am too much of a fan of Susan Hayward to be objective, but this film, which I saw when I was a nineteen-year-old sophomore in college, was one of the most memorable films I have seen. It was definitely a "chick flick" and my friends and I, needing a break from studying, went to see it only because there was nothing else playing. The film's emotional impact caught me off guard. I remember walking out of the theater after seeing the film. I recall walking into the damp San Jose, California night and feeling the pleasure ordinary sensations at a much more intense level - the cold fog against my face, the street lights reflected off of the wet streets, the sound of my footsteps on the sidewalk - the appreciation of each moment of life. Perhaps some would say Hayward was too old for the part. But Hawyard, as she had demonstrated over and over again (e.g. I Want to Live), could carry a film on the power of her acting. And at 45, she was still a knock out - even in the eyes of a 19-year old. Like many great actresses, she overacted. If you could accept it and allow her to draw you in, you could experience her character at a deeper emotional level than you would ever enjoy had she been held back by a director who did not appreciate her artistry. I highly recommend this film. I would, however, recommend that the film be viewed on a big screen. The cinematography is an important part of the film and it cannot be appreciated on a TV screen. Two other fabulous actresses did this story: Betty Davis in the original Dark Victory, and Elizabeth Montgomery in an excellent made-for-TV piece made, as I recall, in the 1980's. Both were fantastic. But I believe that you will find Susan Hayward's interpretation to be more compelling.

Susan Hayward was a Great Academy winning actress. Box office star of the first magnitude and a beautiful woman. This film is a remake of the Bette Davis classic Dark Victory. Harold Mirisch in his book complemented Ms. Hayward as being "A truly great star and woman" Bette Davis was none too happy that her classic "Dark Victory" was being remade. Robert Wise who directed Susan in her Oscar winning performance said in his opinion Susan was the finest actress he ever directed and was second only to Garbo! Speaking of Garbo, the Great Star considered Susan her fave actress and made an in person visit to Susan's home as Susan dying of a Brain tumor.

Ms. Hayward is splendid in this film and is given fine support by Michael Craig and Diane Baker, The fact that Susan plays a woman dying of a brain tumor is eerie.

This film has beautiful photography.

RIP Susan

Stolen Hours is the remake of 1939's Dark Victory starring Bette Davis. Parts of the movie are very good, because I love Susan Hayward, and her acting always improves a script. The opening setup of the plot is also very clever, but the very famous ending from the original is completely changed-and not for the better.

At the start, Susan Hayward is seen hosting a party; she's dressed to the nines and all her guests are having a marvelous time. Her sister Diane Baker arrives from the airport and joins in the fun, but the fun isn't all it appears to be. Michael Craig is a guest, but he's actually a doctor, brought by a well-meaning friend to secretly evaluate Susan Hayward's headaches and failing health. While that scene is pretty clever, it sure paints Michael out to be unlikable and deceitful. It's very hard to root for him, even when he falls in love with and marries Susan.

I recommend watching the original first, because the story is laid out a little better. If you're a Susan Hayward fan, you'll probably want to watch this one, even though it's a little sad. You probably won't go through as many Kleenexes as the original, though. The ending is pretty lousy.

Susan Hayward, at the height of her beauty, gives a stunning performance here as an American farm girl turned jet setter due to family wealth in the oil business, who is diagnosed with a brain tumor. Now living in England, the film concentrates on how she adapts to her reality and finally accepts it with courage and grace, never forgetting the humble roots from which she came. Hayward's performance here ranks second to her Oscar winning role in "I Want To Live," but it is a terrific one. She is totally believable and manages to make the viewer sympathize with her without being overdramatic and sensational. Although wealthy and a member of the social elite, she developes a character that you can identify and sympathize with no matter what you own social standing is. You just like this woman no matter what. The ending is quite beautiful and very memorable in its sincerity and grace. Comparisons to Bette Davis' also great performance in "Dark Victory" are unfair. This was a different era with more modern circumstances and relationships.

Filmed in England, the outdoor settings are exquisite, captured quite stunningly by director Daniel Petrie. The sets and costumes are rich looking and very well done even by 2021 standards. Even the opening credits designed by Maurice Binder (famous for the Bond film credits) are special and when they are combined with the theme song by Mort Lindsey and Marilyn and Alan Bergman, it lets you know that you are in for a special story and an extremely lovely, complicated performance by Hayward.