Ein Soldat steht im Regen

This is truly a special film. Jackie Gleason and Steve McQueen give two of their most untypical performances. The film is what I would categorize as a comedy-drama, light on the comedy and heavy on the drama. Gleason is wonderfully dry and witty as Sgt. Slaughter and McQueen is also funny in his part as well. His accent is a little difficult to get used to, but it's essential to the part he plays. The standout performance here, however, is Tuesday Weld's. She plays the slightly infantile "Miss Pepperdine" who acts as a romantic angle for Gleason's character. Their scenes together are the film's highlights. Her "introduction" in the film, involving a car wreck, is most memorable. It also features some nice acting by the supporting players. A really unique film, that hasn't had much exposure, known only to those who have seen it, and treasure it.

Sure there's some dumb scenes (photographing Tony Bill in drag for a beauty contest for example), but that carnival scene with Weld and Gleason! Weld-"I guess I ain't no prize." and Gleason-"Who is Miss Peperdine? Who is?" and her comment about fireworks. Goosebumps for me still. Get emotional every time I see it and I never tire of it. McQueen's dog, Gleason's deathbed scene and that immortal line - "Until that time, Eustis, until that time". May be the best I ever saw Jackie Gleason. Definitely the best I ever saw Tuesday Weld. And that fight scene! McQueen flying thru the air! Definitely in my top 10. And I love the Mancini score.

By the early 1960s, attempts at screwball comedies were often strained. This service buddy film is certainly oddball, and frequently lurches into unsettlingly dramatic material, but it contains one of Tuesday Weld's very best performances: her scene at the fair with Jackie Gleason is amazingly touching and funny and (startlingly) romantic. Any film that can sustain a comic-romantic idyll between Tuesday Weld and Jackie Gleason must be given credit (it's the only truly romantic scene in Gleason's movie career).

While this scantily plotted 1963 comedy-drama is nothing to brag about in itself, what makes the film memorable (at least for me) is Jackie Gleason's superlative performance as Army MSgt Maxwell Slaughter. It seems the role of aging, overweight and fairly complacent career NCOIC was tailor-made for Gleason. OTOH, Steve McQueen overacts in his role as a young supply Sgt. Eustis Clay, who idolizes Slaughter and attempts to get him to quit the service and go into a business venture with him. It has been said that McQueen instinctively realized that Gleason was stealing the show and over-reacted, making himself look foolish in his comedic attempts. Tuesday Weld also delivers a fine performance in another tailor- made role as the pouty teenager, Bobby Jo Pepperdine, whom Gleason dates and inevitably forms a paternal attitude towards. Great chemistry between Gleason and her in their mutual scenes. Tom Poston and pre-Batman Adam West play small supporting roles as Army superior officers. Not much drama, but it is fascinating to watch Gleason actually bodyslam an adversary in a bar brawl! Besides the Gleason-Weld scenes, the most memorable ones involve the wistful monologues Gleason gives while standing before a full-length mirror in his office, as they reveal poignant insights into his character. As I've said, the film meanders, not really going anywhere, so the truncated ending is much of a surprise. If you don't care for Gleason too much, then you probably won't like "Soldier In The Rain" all that much either. However, if you are a Gleason fan, this film will be a delectable feast!

Ralph Nelson's "Soldier in the Rain" is a wonderful movie about the true power of friendship. But it is also Blake Edwards' film. He may only be the writer and producer, but it is as personal as his best films.

The movie features two exceptional performances from Jackie Gleason and Steve McQueen, each cast against type here. The stunt works: Gleason is tender and convincing and McQueen is surprisingly funny and sensitive. I've read that the duo were real life friends and I think that adds another dimension to this film. We really believe that they could be friends and it makes the ending of this film, which I will only describe as a real surprise, even more effective. Like I stated before, Edwards only wrote and produced. But his script (co-written with Maurice Richlin, his co-writer on "The Pink Panther", "The Great Race" among others) doesn't preoccupy itself with the plot. It is content to simply observe these characters and Ralph Nelson has directed it well enough to make it a strong and honorable film.



More over, this film confirmed that "Days of Wine and Roses" was no fluke; that Blake Edwards was a talent that was here to stay. After making a string of disappointments ("Operation Petticoat" was a good film, but Edwards had no hand in the script and was only a contract director there), "Days" showed us a great new talent and "Soldier in the Rain" confirms it. After this, he would write and direct "The Pink Panther", which would make him bankable. "Soldier" is better than "Panther", but lesser known. Perhaps people bought into the mystique of "Panther" but wouldn't want to see a movie about character rather than plot. Hollywood must of thought the same, because "Soldier in the Rain' received zero nominations from the usual gang of idiots we call the Academy. Too bad.

"Soldier in the Rain" is not available on home video at this moment, unfortunately. It is a shame that some of Edwards' lesser films are easily available ("Switch", "High Time")but this neglected masterpiece isn't. I think that smart audiences that want to laugh, cry and think will love this tender little masterpiece. It airs often on AMC in both pan-and-scan and letterboxed versions. Tape it when you get a chance. You never know if it'll ever be seen again.

**** out of 4 stars