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Postava k podpírání

  • 1963
  • 38 Min.
IMDb-BEWERTUNG
7,2/10
557
IHRE BEWERTUNG
Postava k podpírání (1963)
DramaKomödieKurz

Füge eine Handlung in deiner Sprache hinzuA man borrows a cat and when he goes back to return it, the place where he got it is no longer there. He begins his search.A man borrows a cat and when he goes back to return it, the place where he got it is no longer there. He begins his search.A man borrows a cat and when he goes back to return it, the place where he got it is no longer there. He begins his search.

  • Regie
    • Pavel Jurácek
    • Jan Schmidt
  • Drehbuch
    • Pavel Jurácek
    • Jan Schmidt
  • Hauptbesetzung
    • Karel Vasicek
    • Consuela Morávková
    • Ivan Ruzicka
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,2/10
    557
    IHRE BEWERTUNG
    • Regie
      • Pavel Jurácek
      • Jan Schmidt
    • Drehbuch
      • Pavel Jurácek
      • Jan Schmidt
    • Hauptbesetzung
      • Karel Vasicek
      • Consuela Morávková
      • Ivan Ruzicka
    • 7Benutzerrezensionen
    • 13Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos96

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 90
    Poster ansehen

    Topbesetzung6

    Ändern
    Karel Vasicek
    • Jan Herold
    Consuela Morávková
    • Saleswoman
    Ivan Ruzicka
    • Úredník
    Pavel Bartl
    Pavel Bartl
    • Kilián
    Pavel Silhánek
    • Man with cresset
    Stanislav Michler
      • Regie
        • Pavel Jurácek
        • Jan Schmidt
      • Drehbuch
        • Pavel Jurácek
        • Jan Schmidt
      • Komplette Besetzung und alle Crew-Mitglieder
      • Produktion, Einspielergebnisse & mehr bei IMDbPro

      Benutzerrezensionen7

      7,2557
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      Empfohlene Bewertungen

      3Zoomorph

      Boring and pointless.

      An extremely dull film. It's even complete with gimmicks such as rewinding the play so you can watch the cat jump off the couch multiple times. Apparently other commentators have been fooled into thinking this nonsense is genius. The premise is trivial and there's nothing subtle about the execution. It drags on forever and is a relief when it's finally finished.
      10FredericoGhandi

      Pure Kafka

      This film is just excellent. I never thought that this would be such a great one, since it was the first chech film I saw. I just went to see it because I was told that this was very influenced by Kafka's work. And I was truly surprised. This is by far the best representation of Kafka's ideas in motion pictures. Far better than Orson Wells' "Le Próces" or any other movies like that. I saw it in Cinemateca Portuguesa and probably I'll never come so see it again, because it's so rare. I just don't understand how films like this (like all the others films by Juracek) continue completely unknown and probably there are only 20 or 30 people in Portugal that have seen it. It's a shame. See also "Prípad pro Zacínajícího Kata. 10/10
      7brogmiller

      Aren't you Mr. Kilian?

      A man is searching for someone named Josef Kilian who is proving elusive to say the least. Whilst searching he passes a 'rent-a-cat' shop, goes inside and duly rents one. When the time comes to return it he finds the shop is no longer there. Concerned with being charged a penalty for an overdue cat the man goes from one official to another and trudges along an endless maze of corridors to no avail. Still lumbered with the moggy he recognises a man in a restaurant who resembles Kilian. This turns out to be 'mistaken identity'(or is it?) and when the other man gets up to go he too is carrying a cat. Written and directed by Paval Juracek and Jan Schmidt this bizarre, surreal piece takes us into a Kafkaesque world in which anonymity is the norm and people are resigned to living under a crushing bureaucracy. Is it coincidental that the leading character in Kafka's 'The Trial' is named Josef K? I think not. Although not an easy watch this is a highly inventive piece with excellent sound effects and suitably anarchic music. Kuracek and Schmidt have crammed as much as they can into its thirty-eight minute length. Juracek had been treading on thin ice for years and the biting satire of his 1970 film 'Case for a Rookie Hangman' proved too much for the Czech authorities. It was banned and so, alas, was he!
      4Rodrigo_Amaro

      Unpopular opinion: not good enough

      Tears of joy when it was over cause it was too darn sickening and so long even with its 38 minutes. Forget about its ultimate pretense in trying to bring a Kafkaesque setting into a moderated hidden criticism on Czechoslovakia's and the Communist regime; what hurt the most was not seeing "inspired by the works of Franz Kafka" in the movie's screenplay opening titles. In some countries it's known as "Joseph Kilian", obvious reference but not used to the fullest here, with a story involving a man who's trying to find the title character for reasons unknown, and gets trapped into bureaucratic obstacles, among them he suddenly gets the urge of going to a shop where he can rent a cat. Purpose? None, I guess.

      Usually, whether being inspired by or being a work based on Kafka, you can't go wrong. The aesthetics, the references, everything is easily recognizable and can be greatly used...as long the director knows what to do with those, and he or she is fully aware of how to compose everything. The duo Pavel Jurácek and Jan Schmidt never got me fully invested in this story, nothing made sense, neither the Kafka's channeling, neither their critique on their nation, also homeland of Mr. Kafka - the then Austria-Hungary. It's so lifeless, with minor bits of dark humor, voiceless. What's the idea behind all the confusion? Man is superior to the animal because he can be more submissive, reflects one character and that seems the only deep part of the movie. If there's symbols, they're all flawed, lacking in substance and a proper use of the absurd. The monochromatic hue was perfect along with some optical effects that made me remember of "The Metamorphosis", a scene where a character is carrying a huge object through the stairs but it feels like it's a giant insect climbing those same stairs.

      Apart from some minor qualities, here's a movie that won't stick in your memory. Pity. 4/10
      10pamash

      An outstanding and spellbinding film.

      This is an outstanding film and its Kafkaesque style is quite spellbinding. Although another reviewer has remarked that it must have been difficult to produce under a communist regime, it should be noted that Josef Kilian reached London during the 1960s (I have forgotten the year, but it was between 1964 and 1967) under the Anglo/ Czechoslovak Cultural Agreement agreed between the British and Czechoslovak Governments as part of a season of Czechoslovak films held at the National Film Theatre .

      So it can be said that the film actually had the blessing of the Czechoslovak Government despite its underlying comment on communist-style government! It made a lasting impression on me and I have been searching for a video/DVD of it for many years so that I can see it again. Let's hope that someone will produce one, as I have never heard of it being shown anywhere since. I cannot forget the line of ducks crossing the forlorn streets from time to time, or have I imagined that part? A must for anyone who likes first class films with intriguing story-lines.

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      Handlung

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      • Wissenswertes
        Consuela Morávková's debut.
      • Verbindungen
        Edited into CzechMate: In Search of Jirí Menzel (2018)

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      Details

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      • Erscheinungsdatum
        • 1963 (Tschechoslowakei)
      • Herkunftsland
        • Tschechoslowakei
      • Sprache
        • Tschechisch
      • Auch bekannt als
        • Joseph Kilian
      • Drehorte
        • Tschechische Republik
      • Produktionsfirma
        • Ceskoslovenský Státní Film
      • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

      Technische Daten

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      • Laufzeit
        38 Minuten
      • Farbe
        • Black and White
      • Sound-Mix
        • Mono
      • Seitenverhältnis
        • 1.37 : 1

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