Im Paradies ist der Teufel los

Palm Springs Weekend which was unashamedly ripped off from Where The Boys Meet The Girls, gave the Warner Brothers television stars a last time to strut their stuff before the cameras. Within three years all of these contract players would be gone from the Warner lot as the British invasion led by the Beatles reconstructed the whole idea of what a teen heartthrob was supposed to be.

Troy Donahue(Surfside Six), Ty Hardin(Bronco), and Robert Conrad (Hawaiian Eye), are all on spring break and bound for that favorite west coast location, Palm Springs. While there Donahue gets involved with Stefanie Powers the police chief's daughter and Hardin and Conrad get to fight over Connie Stevens who's lying about her age. She's borderline jailbait, but looks old.

In that department Connie was the most ludicrous, but the notion that these guys were all students of some kind is beyond belief. All of them were past 25 at this point, they must have felt ridiculous. But the stars of 90210 didn't look much like high school kids so nothing's really changed.

But romance was in the air in Palm Springs Weekend, even Jack Weston the college basketball coach gets to have a fling with hotel owner Carole Cook. Best in the film is Jerry Van Dyke who supplies some needed comic relief and plays a mean banjo.

Still the film really hasn't worn well over the decades. But it's pleasant enough entertainment. Troy Donahue gets to sing over the title credits. That was a mistake.

The above quote is from the Broadway musical "A Chorus Line," and came to mind as I watched this piece of nostalgia from the '60s.

For baby boomers, Palm Springs Weekend is incredible fun; we get to see all of the TV stars we grew up with: Troy Donahue, Stefanie Powers, Robert Conrad, Connie Stevens, Jerry van Dyke, Ty Hardin, Billy Mumy, and old-timers Carole Cook, Andrew Duggan, and Jack Weston.

There's not what you'd call a plot, exactly. A bunch of kids descend on Palm Springs Weekend for fun in the sun and find romance. Soft-spoken, pretty Connie Stevens plays a young woman who takes up with a rich man's son (Robert Conrad); he turns out to have a quite a temper. All the while, she flirts with a cowboy (Ty Hardin, and I had forgotten how handsome he was). Cook runs the motel where everyone is staying; Mumy is her brat son; Duggan is the police chief of Palm Springs; and Powers is his daughter, who ends up involved with Donahue, a med student.

Donahue gets top billing and sings the theme song, sort of. He looks bloated here and overly made up, and definitely not as good as he looked in his earlier films. However, there was always something appealing about him and he always managed to hold his own. His stature and strong speaking voice helped. The humor, often provided by clownish Jerry van Duke, is obvious and geared to the teen set. Since it was made for the teens of the early '60s, the movie succeeds very well if not compared to something like Citizen Kane.

Palm Springs Weekend is sure a look back in time and a fun one, even if some of those college kids seemed a little long in the tooth.

This sort of has special meaning to me, I graduated from high school and started college in 1963, the year this movie came out. Yet I had never heard of it until yesterday when I noticed it scheduled for broadcast on the "Movies!" channel which specializes in older movies.

It was also the year that President JFK was assassinated. And the year before my dad passed away.

This movie has a thin, straightforward story line. It is spring break and groups of college students drive to Palm Springs, California, to have some fun.

The main focus of the boys are a basketball team, they just want to have fun and hopefully pick up some pretty girls.

The pretty girls are less aggressive about it but hope to be noticed by cute guys. Connie Stevens plays a high school girl (she was 24) and represents herself as a 21-yr-old college girl from Hawaii.

So all that plays out against a backdrop of swimming, partying, and one big fight with uninvited guys at a house party.

All in all pretty forgettable silliness but entertaining for a decent representation of this type of movie from the 1960s. The cast includes several actors who became well-know in the years following, many of them just in a whole series of TV roles.

At home, received via antenna in my attic.

I first saw this movie as a young person under 10, and didn't understand the dramatic essence. I think this is probably Robert Conrad's best dramatic part, very troubled and complex.

The car, a 1963 Thunderbird roadster, still is the real star of this movie, as far as I am concerned. The comedy was adequate for the era, but a bit over the top.

The car chase is, for it's time very appropriate, but as a child I was very concerned about Stretch, LOL such an altruistic lad, I think Stephanie Powers is one of the most beautiful female actresses that has ever graced the screen!

This is a great movie for historians, if they care to investigate the culture and mores of 1963.

I enjoyed this film for what it was - an early 60's escapist film which was coming to grips with a quickly changing culture influenced by the effects of the pill and the coming social revolution. There are a few scenes in this movie that must have influenced movies like Animal House and others years later. A young Stefanie Powers makes a startling impression - goes to show how charming William Holden must have been to have made her his companion for the last 10 years of his life. Some good characters to watch here.